Release Date: September 21, 2012
Director: David Ayer
Stars: Jake Gyllenhaal, Michael Peña, Anna Kendrick
Runtime: 109 min
Tagline: Watch your six, September 21
This follows the relationship of Brian Taylor and Mike Zavala, who are two best friend police officers. Soon enough, the two young officers are marked for death once they seize a small cache of money and firearms by a notorious cartel, all during a seemingly routine traffic stop.
Writer/director David Ayer brings us some of his best work since 2001’s Training Day. He once again took both good actors like Jake Gyllenhaal and Michael Peña, and made those guys great ones. There’s something about independent films, or found footage films like this, that make the actors’ performances so genuine. The characters of Brian and Mike are so real, because they love like real people, laugh like real people, and get scared like real people. Their characters feel so real, that, they could very well be sitting in the theatre with you. They could also very well be eating popcorn out of your bag. Even though, you would probably know if they were doing that. If you didn’t know they were, you may very well be blind or have a mental retardation of sorts.
You may want to not know a whole lot of the plot going into this, because it has a slower-than-traditional pace for such a film, because it didn’t really feel like it got into the heart of the plot until at least the first hour-mark. That’s at least when they physically find the coveted cache of cha-ching and AK-47’s like the one you see Peña holding in the film’s poster. Even though it takes so long to get to the beating heart of the plot, you probably won’t mind. There’s just a lot of emotional, funny, exhilirating content to keep you intrigued and going the whole way. The most exhilirating moments are when they are on duty and when they get to a crime scene, which is a vast majority of the flick; and the last twenty minutes. The ending does feel abrupt, but it still does leave a smile on one’s face, so you probably won’t feel deprived of a great ending. The whole feature is superbly written.
You can tell that it’s found-footage by the first camera shot from the windshield of the car during that car chase which makes it feel like they’re in a good game of Need for Speed or Grand Theft Auto. Also, there are some nice gun-point views, to make it seem like they’re going to shoot bad guys in a game of Call of Duty. If any film deserves to be found footage other than a low-budget horror, it’s this. Yeah, move over Project X, you sucked. If it wasn’t found footage, their characters may not have felt so real. It feels like a lower budget, and the director certainly didn’t say, “Okay, guys. Act like stupid Hollywood stars, and I’ll give you a nice paycheck.” Other great performers in here are America Fererra (even though her role is petite), Anna Kendrick and Natalie Martinez.
End of Watch does for cops what Ladder 49 did for fire fighters, but it’s about twenty-six times better. It’s told to us smartly, and isn’t dumbed down for a purely Hollywood audience. It shows the dangers of the job of being an officer, the obstacles they must go through to protect us, some stress the family members must go through each day, and the general, very real lives, of the officers involved.
Watch is superbly written, has a list of great performances, and carries itself quite well. Some may say the ending was quite abrupt, and in ways it may have been, but for the majority would be satisfied by the ending. It ends off on a good note, and the finished product is generally impressive.