Release Date: January 25, 2002
Director: Adam Shankman
Stars: Shane West, Mandy Moore, Peter Coyote
Runtime: 101 min
Tagline: Find out who you are and do it on purpose.
In 1965, a romance novelist was born who would be known for his schmaltzy, predictable and usually mindless love stories that can sometimes express a certain charm and always make girls expect so much more from men. That man is Nicholas Sparks. In 1994, he wrote his debut novel, ‘The Notebook.’ Since then, he has became a household name. Especially in homes with teenage girls. Eight (including the upcoming 2013 film, Safe Haven) of his novels have been adapted into films, some of the best include The Notebook, Dear John and The Last Song. While most of the movies adapted from his works are incredibly lame, two stand out: The Notebook, and A Walk to Remember.
This film follows Landon Carter (Shane West), a high school senior who gets sentenced to do community service after he and a few buddies play a cruel initiation prank on a poor old sap who wants to be a part of their group. Landon soon lands his eyes on the beautiful daughter of the Reverend, Jamie Sullivan (Mandy Moore). While they soon fall in love, Landon must deal with his sudden plummet of popularity, and Jamie must deal with her over-bearing father and a secret she keeps from everyone.
No folks, she isn’t a man. That isn’t her secret. Her secret is fairly predictable, but it admittedly adds a surprising flair of emotion when it comes around the bend.
Like all other Sparks adaptations, this is still predictable and melodramatic, but it is one of the most bearable of his features. The two leads create a charming chemistry, and they make it bearable – and Moore is the pretty face that adds to its attraction. They are the best part of the feature, but the story is nothing new or anything you haven’t really seen before.
Landon must make a hard self-sacrifice of giving up his friends for the one he loves, and sacrifice his mega-popularity at the top of the high school food chain. And then, as expected, Jamie starts to change his heart for the better. Though, her secret makes her a little more reserved. These concepts are made new though, by the unexpected amount of heart and tenderness the film possesses.
All these redeeming qualities do not stop it from being predictable and melodramatic, however. These just merely make the experience bearable for anyone outside of its target audience. It’s fairly entertaining, and it’s a nice little mindless break from the real world. It also gives girls a fantasy world to live in for 101 minutes, and for that, it should be cherished by them. News flash: we men don’t have scripts written for us, not all of us know how to woo you with a fine ease. We’re not the figure you write about in all your diaries.
In a nutshell: A Walk to Remember is a fine feature for its target audience: teenage girls who want to believe most men are something they really aren’t; and for others, it’s only a little entertaining. It is made mostly bearable by Mandy Moore, but the story leaves something to be desired.
10 thoughts on “A Walk to Remember (2002)”
Oh come on. I’d give this somewhere between a high 80 and low 90
Sparky doesn’t do a lot for me 😦 It isn’t a waste of time, I’ll give it that haha!
Finally got around to re-watching. Haven’t reviewed it yet but the score is 93
High score; maybe I’ll have to give this another try when I’m in the mood for a romance flick…
the trick is not generalizing Sparks and expecting the worst 🙂
Ah, good point. I’ll really have to start going into these type of movies with no expectations whatsoever lol. I’ll probably be posting my review of Safe Haven next week… Not too bad, waaaay better than The Lucky One.
A lot is better than The Lucky One. A Walk to Remember and Safe Haven are my favorites because of 1 main point – unpredictable elements
Lol, good one. I like how Sparks is trying to make his stories more unpredictable.
*shudders* This is the kind of schmaltzy thing I avoid like the plague – I cannot stand the whole idealized romance/wooing that mainstream media shoves down little girls throats so that they grow up with unrealistic expectations. It literally pains me.
Haha Sparks just loves to induce pain onto the unexpected doesn’t he 😦 I mean this or The Notebook aren’t bad for me, but all the rest are pretty awful… Poor credulous teenage girls haha…