Released: September 6, 2013 at Toronto International Film Festival. Directed by: Richard Glatzer, Wash Westmoreland. Starring: Kevin Kline, Dakota Fanning, Susan Sarandon. Runtime: 94 min.
“The Last of Robin Hood” chronicles the final months of Errol Flynn (Kevin Kline), the iconic Robin Hood star and well-known ladies man. During this time, he had a romance with the under-age starlet Beverly Aadland (Dakota Fanning), his last love, and he was her first. Susan Sarandon portrays the world’s worst Mom, Florence Aadland, who agrees to go around with Errol and her daughter so the press doesn’t think anything fishy is going on.
The tale is told in a stylish and entertaining manner. Beverly and Florence’s personality clashes are interesting. Florence is willing to do just about anything to get the spotlight shone on her, while Bev is completely indifferent about fame. Fame is Flo’s dream, not Bev’s. This lifestyle is shoved onto Beverly. Flo lost her leg in a bad car accident when she was younger. I theorize that Florence would have liked to eventually pursue an acting career, but couldn’t because her prosthetic leg held her back. No matter the case, she is the world’s worst mother.
Beverly is also one bad actress. When Beverly is on-screen shooting a movie, it’s hilarious because during her one shoot, she’s absolutely terrible – but Dakota Fanning’s performance is good. You can tell when she’s acting well, and acting purposefully bad. As her father says in one powerful scene, Bev cannot act her way out of a paper bag. The father is portrayed by Patrick St. Esprit, who is effective in one scene. Sarandon brings it to her role, and it must be challenging to portray a mother that pretends to make sacrifice after sacrifice for her daughter, but it’s mostly just what she wants.
The romance between Errol and Bev might be controversial because of their age difference, but it seems real, and makes for an interesting subject. Kevin Kline is the perfect choice for Errol Flynn, and it’s interesting to learn all of this about the original Robin Hood. His performance, and the rest of the primary cast, elevates the film to a whole new level. It’s stylish and there’s a decent amount of comic relief. This is an enjoyable passion project from directors Richard Glatzer and Wash Westmoreland. It’s never boring, but the content is repetitive. Much like “My Week with Marilyn,” this bio pic is light on just about everything. It’s good that way, but it doesn’t help it stand out.