V/H/S is a found-footage anthology film featuring five main short films built around a frame narrative, that also works as its own short film experienced in snippets. As with most found-footage films, the cinematography is all over the place, but at least the shaky cam shots are well-edited. How the filmmakers make an excuse for taking the found-footage approach, meaning the reason why the characters are using hand-held cameras, are unique. In one segment, the story is shown from a main character’s glasses that have a hidden camera in them; in others they’re just documenting experiences; and one uses a Skype approach.
I’ll tell you a bit about each segment answering if they’re scary or not, but I’ll try not to spoil too much – it’s just the basics, really. The film opens with a gang of unlikable hoodlums wreaking havoc upon unsuspecting citizens and ugly old buildings. They are tasked by an unknown third party to enter a house and recover a rare VHS tape (apparently we’re living in the 1990s), but in order to find the correct one they have to watch the footage on the tapes, because there’s unfortunately no title on any of them saying “It’s this one!” This segment is the one experienced in short snippets; it’s not very interesting or scary, but having a frame narrative is better than not having one at all, because it gives the appearance that the film is more focused.
Onto the segment that made me scream like a little schoolgirl at a drive-in. Well, not really, but I did have to turn it off three times and catch my cool the first time I tried watching this film. This segment, called “Amateur Night,” follows a group of teens who go out to a party to pick up women. The main guy named Shane has the glasses that captures everything on video. It seems to me that he is doing it so he can either watch his sex film for his personal pleasure or just sell it if she’s hot enough, or just post it on the internet. These guys are simply a bunch of drunk college kids trying to get lucky, but the point-of-view is intriguing. The plot basically teaches me that I shouldn’t pick up women from bars who have strange feet or only say “I like you.” Kudos to the actress and the special effects in this segment. This segment is awesome and truly scary (in my eyes, at least), but I doubt I’ll re-watch it because it’s really too freaky for me and experiencing it twice is enough. Definitely one of the best segments and a really good fifteen minutes (estimated) of cinema.
The second segment is called “Second Honeymoon” and is directed by Ti West. This one is a simple short with a boring build-up, okay characters, an awkward chemistry and no great pay-off. It’s not very smart and West largely handles this dully and it’s not scary at all. The only other works by West I’m familiar with are his awful short segment in The ABCs of Death, the god-awful Cabin Fever 2: Spring Fever (I should review that soon), and his great film that premiered at TIFF in September, The Sacrament. Apparently he’s not good at directing or writing shorts at all, because this one isn’t impressive.
The third segment is a mysterious one called “Tuesday the 17th”; it’s gory and fun and seems to promise a simple camping getaway premise. The foreshadowing is well done, leading up to an okay pay-off. The execution by writer/director Glenn McQuaid is pretty good. It’s about as scary as a regular slasher flick, which is to say it’s more thrilling then terrifying.
The fourth segment is my favourite. It’s freaky and ultimately quite scary. It’s not as scary as the first segment, but it’s entertaining and has an interesting ending. It’s effective during its brief runtime. I like the camera angles, too, where the webcam films whatever is happening – and there are two cameras, one capturing what’s happening on Emily’s side, and what is happening on her boyfriend’s side (as pictured above). Kudos to the Emily character (portrayed by Helen Rogers) for staying in a creepy and potentially haunted apartment for so long. Rogers is a cute actress who captures paranoia well; and she strikes me as an older-looking and brunette version of Chloë Grace Moretz.
The final segment is a haunted house premise (like the previous segment), where a few party animals walk into a house where a party is supposed to be happening. Craziness follows and I think the execution is pretty good. It doesn’t make the most sense or gets fully explained, but it’s creative. Some static in the cinematography adds an unsettling layer. It’s at least much scarier than Ti West’s attempt.
When I like four out of six segments, I think it’s a mild success. This is largely an experimental film, and while the cinematography is overall weak, it’s an enjoyable horror experience. Another weak aspect are the characters who really suck, but keep in mind there’s no time for development because of the limited time for each segment. The segments range from not scary at all to very scary, but I think there’s at least one or two segments most horror fans will like; besides, if you don’t like one segment, you might like the next.
Question: What was your favourite segment?