Writer/director Larry Fessenden gives the classic tale of Frankenstein a modern spin as he places the story in Brooklyn, where a disillusioned field surgeon suffering from PTSD creates a living man from body parts in his Brooklyn loft. From the loft itself to just every set, the film looks great. Fessenden’s style lends itself to the film well, too, with some aesthetic showing up occasionally like when Adam (Alex Breaux), the “monster,” is first getting adjusted to the world and it sounds like he’s hearing gibberish instead of real language when he’s first learning about everything. This is mostly through visuals like light patterns on the screen, or when you have a squiggly in your line of sight and can’t shake it… Constant thunder in the style also help set the mood in this film, as well.
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