Pompeii (2014)

PompeiiReleased: February 21, 2014. Directed by: Paul W.S. Anderson. Starring: Kit Harington, Emily Browning, Kiefer Sutherland. Runtime: 105 min.

Director Paul W.S. Anderson steps onto new territory for him with “Pompeii,” after directing a deadly fast car race (“Death Race”), aliens and predators (“AVP: Alien vs. Predator”) and mutated creatures (three of the “Resident Evil” movies). “Pompeii” has been described as a mix between “Gladiator” and “Titanic.” A good marketing statement considering those are both Best Picture winners; and successful at the box office, “Titanic” being wildly successful. It’s easy why people might think of “Gladiator,” because there are indeed gladiator scenes and it follows a gladiator; its “Titanic” connections are because of the class differences between the two lead love interests, and because this is a disaster film. But you know, this really doesn’t have as much Oscar potential as those two films.

Milo – a.k.a. The Kelt (portrayed by Kit Harington) – is a slave-turned-gladiator who comes to Pompeii to entertain the people with a fight to the death. He finds one thing in Pompeii that he was not anticipating; the love of the Princess of Pompeii, Cassia (Emily Browning). Cue the love triangle because corrupt Roman Senator Corvus (Kiefer Sutherland) has his eyes set on her hand in marriage. Milo soon enough finds himself in a race-against-time to save Cassia, risking his life as Mount Vesuvius erupts, as Pompeii crumbles around him.

The fact that the relationship between Milo and Cassia is described as true love is funny considering the little they actually talk to each other. Because of that, this feels like a Disney fairy tale romance, but not particularly the charming kind. At least the relationship in “Titanic” is believable because they spend a lot of time together (enabled by the film’s runtime), but the couple here probably share twenty minutes of screen time; an hour or two real time. They’re likeable enough, but their chemistry is only okay because of that. Kit Harington is good in his role, as a slave-turned-gladiator who is the last of his villagers – the Horsemen. When he was young, he witnessed his fellow villagers be killed by Romans. Because of that his motivation is revenge, his love for Cassia, and survival. I can see some action movie star potential in him.

Emily Browning is good as Cassia, too; the pretty Australian portraying an independent woman who is put in an awkward position having to choose between an unhappy life, but good one where she’d get all she wants, with Senator Corvus; or choose a happy life with Milo, even if it doesn’t have guaranteed economic greatness. Love still seemed simpler in 79 A.D., at least the falling in love aspect of things. I mean, they hardly know each other; she’s just amazed by his kindness, and Milo sees a beautiful, independent woman. All just have to question the realism of the fictionalized romance.

Kiefer Sutherland sports a weird British accent that’s unidentifiable and inconsistent (mostly when he projects his voice) but he’s pretty good as the villain. Corvus came to Pompeii with plans of investing in the city of Pompeii, and he just happened to run into Cassia after they met in Rome. Coincidence? I think not. Anyway, Jared Harris and Carie-Anne Moss are patriarch and matriarch of royal family of Pompeii. The cast’s a good ensemble. Adewale Akinnuoye-Agbaje (TV’s “Lost”, “The Bourne Identity”) portrays Atticus, a fellow gladiator in the town of Pompeii who is one fight away from freedom. Freedom and survival is his drive, and I think he is the most interesting character out of the bunch. It’s funny, that even in non-prison movies – when a new gladiator (Milo, said to be the best) is on the block, he always gets challenged by big brutes. I find it funny.

The characters are fictionalized because the historical accuracies are based on a first-hand-account by Pliny the Younger. He couldn’t know these characters, and the relationship developments are so tailored for the big screen they couldn’t be true. I’m not saying the characters are bad, I’m just saying that if they didn’t have them, the volcano eruption would just be depicted on the Discovery Channel. People are coming to see this because it’s a disaster film with blockbuster visuals, great production design and sets that are built just so they could get destroyed; woo-hoo! It has one of the unwritten rules of disaster films; if the floor is crumbling, a character has to jump over it in a car (a horse in this case) in slow motion. I don’t think W.S. Anderson could resist doing that.

The gladiator scenes are actually exciting, too, sometimes brief – which I’m a fan of because if it’s a lesser villain against a main character, the audience knows who will win – so it’s nice that those fights don’t get dragged on. The editing during those scenes is good, not too quick and during some fights there are far away shots which I like. The disaster aspect of this is exciting (but it isn’t a fun disaster film like “The Day After Tomorrow” because, keep in mind, this is true) and it’s a fairly accurate portrayal of the eruption by the end of it all; I learn there was an initial eruption on August 24, 79; and then another the next day that was much more powerful, even though in the film it’s depicted as a powerful one erupting, and then a few others eruptions as they try to escape. For the audience, the disaster aspect is about thirty or forty minutes I’d guess; in real time, this lasted about 25 hours.

Another inaccurate portrayal is that it only portrays Pompeii as the only city that’s affected; Herculaneum and Stabiae were also affected by the eruption, but only Pompeii is mentioned. And heck, I don’t even clearly remember the name of the volcano (Vesuvius) being said. The eruption is foreshadowed by the volcano bubbling, and by horses going crazy when earthquakes occur. In all, thirteen thousand people died from the eruption; and it all happened so fast, most citizens were cemented in place (because of the mix of rain and ash, turning them into statues so to speak) in their position until the site was uncovered in 1595, over 1500 years later! Fascinating, right? Anderson depicts this tragedy with accuracy as far as the disaster goes; using blockbuster visuals, a good score, and the great cast lifts a fairly weak surrounding story to good.

Score70/100

Disturbia – A film review by Daniel Prinn – A film kind of reminiscent of Rear Window; bonus review.

Disturbia

Release Date: April 13, 2007

Director: D.J. Caruso

Stars: Shia LaBeouf, David Morse, Carrie-Anne Moss

Runtime: 105 min

Tagline: Every killer lives next door to someone.

A lot of people say this flick is like Hitchcock’s Rear Window, but when I was watching that film – I didn’t think of this one once. Well, after thinking about it; there are definitely some reminiscent themes, but it does posses new themes as well (like the teen romance thing), and the suspected killer in this film is much more haunting than the suspected killer of Rear Window (as in Rear Window, the suspected killer only has few lines of dialogue). If compared, R.W. is most definitely the more original piece, but for entertainment value I’d say they’re near in the same league, as this has a most interesting modern touch to it. They are both special in their own ways.

After Kale (Shia LaBeouf)  loses his father, he has become emotionally unstable. A year later, when there is an incident at school, it lands Kale under a court-ordered house arrest. When Kale is running out of ideas of things to do, he resorts to spying on the neighbours – and takes a special interest in a neighbour, Robert Turner (David Morse), whom he begins to suspect of being a serial killer.

The originality of the film isn’t the best, as a lot of the things of the film have been done before, but it really is a great thriller. The thrills and scares are big, and it is thoroughly entertaining and too has its fair share of comical moments. The cast really does an incredible job, from the young acting talents to the great performances by David Morse and Carrie-Anne Moss. Also, as occasionally predictable as the film may be, I was still thoroughly entertained by it all.

The film stars Shia LaBeouf, David Morse, Carrie-Anne Moss, Sarah Roemer, Aaron Yoo, Jose Pablo Cantillo, and Matt Craven, with Viola Davis.

I might be overselling the film so I guess I’ll say this, it gets predictable at times and the pacing feels off in some areas, so just don’t expect Oscar gold, but I think it’s great for a watch, it’s quality entertainment.

The character development of the film is really grand, and I really like the plot as well. It’s one of my favourite thrillers (well it is definitely one of the films that pop into my head first, as it was my first thriller/horror experience in a theatre); but not for its terms of originality, but for its pure entertainment value.

 90/100

(August 21) Happy birthday Hayden Panettiere (23), Peter Weir (68) and Carrie-Anne Moss (45)

                                           Hayden Panettiere

The sexy New York native just turned 23 today. Hayden has a pretty impressive résumé. She was on the soap opera One Life to Live at the age of four and a half; and later appeared for four years starting at the age of seven on the soap opera The Guiding Light. She was the voice of Dot in A Bug’s Life, and the voice of Kate in the poorly acclaimed animated film Alpha and Omega. She’s appeared beside great screen presences like Denzel Washington in Remember the Titans, and Tim Allen in Joe Somebody. She is also well known for being in Racing Stripes, and being the star on the TV show Heroes as the invincible Claire Bennet. And just last year, horror fans may know her for her role as Kirby Reed in Scream 4 (also called Scre4m, but I don’t like spelling it that way). She is pretty talented and also very attractive, and I just love watching her act.

Peter Weir

 This Australian director and sometimes writer just turned 68 today. He’s well known for taking great comedy actors and turning them into awesome dramatic actors, like Jim Carrey in The Truman Show and Robin Williams in Dead Poets Society. His latest project in 2010 was the star-studded (Jim Sturgess, Ed Harris, Colin Farrell and Saoirse Ronan) adventure drama The Way Back, which he wrote the screenplay for and directed. He has been nominated for six Oscars: one for Best Writing for Green Card; one for Best Picture for Master and Commander: The Far Side of the World; and four for Best Director for the films Master and CommanderThe Truman ShowDead Poets Society, and Witness. Pretty impressive career.

Carrie-Anne Moss

This Canadian (born in Vancouver, B.C.) turned 45 today. She is best known for her role as Trinity in The Matrix trilogy, and also well-known for her roles in MementoChocolat alongside Johnny Depp, and in Disturbia.

   Happy birthday guys.