Neighbors (2014)

NeighborsReleased: May 4, 2014. Directed by: Nicholas Stoller. Starring: Seth Rogen, Rose Byrne, Zac Efron. Runtime: 96 min. 

Nicholas Stoller, a graduate of the so-called Apatow school of comedy, directs Neighbors, a film that is uncharacteristically short for Apatow’s brand of filmmaking. In this way, Stoller makes this film his own. The film follows a couple, Mac (Seth Rogen) and Kelly (Rose Byrne), who are severely bored, and are experiencing arrested development because of their extremely amusing new-born baby Stella. Soon enough, some spice in their life moves in next door, but it’s keeping them up at night. It’s a frat house, led by a charismatic Zac Efron. When Mac “violates the circle of trust” (as Dave Franco puts it at an inconsistent Robert De Niro party – which is the joke) by calling the cops to file a noise complaint, the war is on – which consists of the family trying to get the frat to get enough strikes to get them out of the neighborhood, among other things.

The film has a quick pace and the falling-out is mildly realistic. Rogen and Efron bond initially – sharing joints (a Seth Rogen comedy essential), impressions of Batman, and even talk about getting walkie talkies – but Efron’s Teddy doesn’t like it when people break promises. He takes it as a form of extreme disrespect and an act of war. It could be perceived as a bit of a childish reason, but the war of comedy that ensues is insanely entertaining. And not to mention very funny. While some of the humour misses, like the frat repeatedly saying a line of dialogue (“Standing around with our dicks in our hands”) seems a bit nonsensical at the time and not that funny, but the accuracy rate of humour hitting is a good 90 per cent. 

For the comedy genre, that’s great – because there are so many comedies that are just not that funny these days. This is memorable and hilarious, and its raunchiness potent. So avoid seeing this one with your parents, boys and girls. Because, like Apatow, this director doesn’t fear to show the penis. The film’s raunchiness is apparent with a running joke that Christopher Mintz-Plasse’s character’s penis is very large. McLovin is surprisingly under-utilized otherwise, and he’s literally just there for that running joke – which does get some big laughs. Though, that joke might come to you as a selling point to get you to see this film, or as an aspect to make you avoid this. A few comments on the visuals: The cinematography looks pure, which is nice for a comedy – and some of the visuals are interesting. The party scenes might be hard on the eyes because of all of the lights, but they’re still very fun. I was a fan of the set design and I was a personal fan of a “Carpe that f**king diem” pillow.

This is a funny movie to watch with a few friends. If you’re Under 25, you’ll really enjoy this – but anyone older, it all depends on your sense of humour. The film is evident that the older crowd still knows how to have fun with the younger crowd, shown through Rogen and Bryne. Rogen didn’t have to prove that with this film though, because we’ve already known it for awhile. Byrne holds her own incredibly well, and even though her character is awkward at times, it’s the point. With this and Get Him to the Greek (and Bridesmaids), she has proved again and again that she could find a lot of success as a comedic actress. She uses improvisation with everyone else well, and so does Zac Efron – whose funny performance is as much of a discovery role as Channing Tatum’s was in 21 Jump Street. Dave Franco is funny in his role. A newcomer named Jerrod Carmichael is funny in his role as Garf, a primary frat member. The only person who feels like a stranger to the chemistry of everyone else is Ike Barinholtz. It’s nice to see the MadTV alum (who does do a fun Mark Wahlberg impression), but it was hard for me to buy into the fact that he’s supposed to be best friends with Rogen’s character. He gets a laugh or two, but his role is only sporadically useful.

Some good characterization is found in the film. Some themes of the fear of the future and trying to make your mark in history is nice. It’s nice to see that this situation is actually mildly beneficial to both parties. When the film threatens to all gooey, it jumps back with raunchiness. It might annoy some, but it helps the film stay true to its conflict-filled plot and raunchy tone. 

Score88/100

Advertisements

Kick-Ass 2 (2013)

Kick-Ass 2Released: August 16, 2013. Directed by: Jeff Wadlow. Starring: Aaron Taylor-Johnson, Chloë Grace Moretz, Christopher Mintz-Plasse. Runtime: 103 min.

“Kick-Ass 2” takes place three years after the first. Mindy McCready (Chloë Grace Moretz) is now 15 years old, and she’s hung up her Hit-Girl costume. Dave (Aaron Taylor-Johnson) has also hung up his Kick-Ass costume, but he is bored without midnighting as Kick-Ass. Mindy begins to help train him and get him in back in shape for crime fighting. Eventually, Mindy can’t take part in the training anymore because she has to honour her promise (of not fighting crime) to Marcus (Morris Chestnut). Kick-Ass finds a team called Justice Forever because he knows he can’t fight crime by himself. Meanwhile, Chris D’Amico (Christopher Mintz-Plasse) wants Kick-Ass to pay for what he did to his father. He is reborn as The Mother F!*#@r and plans to become the world’s first super villain. His act of revenge will begin to affect everyone Kick-Ass knows.

This isn’t in the same league as the original. “Kick-Ass 2” is a super good sequel, while its predecessor achieves cult classic status. The movie is immensely enjoyable and I’ll probably re-watch it many times, but I thought I’d get that off my chest. I have a few minor complaints about it.

Replacing core cast/crew members never isn’t beneficial. It’s not as if Kick-Ass or Hit-Girl are recast, but two supporting actors get replaced. I’m sure I wasn’t the only one to notice. Todd, Dave’s buddy, is recast, because Evan Peters had scheduling conflicts; and the ideal chemistry between the friend group (with Johnson, Clark Duke and Peters) is absent. The replacement that is the most noticeable is Mindy’s guardian, Marcus. Omari Hardwick portrayed him in the first, and now it’s Morris Chestnut. Chestnut is the better-known actor, but I already like the guy – so it would have been nice to see Hardwick reprise the role. If Hardwick was replaced by Idris Elba or Djimon Hounsou, I wouldn’t complain.

Matthew Vaughn’s (credited as producer) absence as director and co-writer hurts the film. Jeff Wadlow directs and adapts this from Mark Millar’s comic book. He isn’t bad, but to paraphrase Hit-Girl about she and Kick-Ass, “Vaughn is in the NFL and Wadlow is in Pee-Wee.” Without Vaughn’s directorial vision, much of the visual style (and charm) of the first is absent. (A true testament to the fact that the right director and cinematographer, Ben Davis gets replaced, will go a long way.) That warehouse scene in “Kick-Ass” where Hit-Girl goes on a solo rescue mission might be enough to give an epileptic a major seizure, but boy is it beautifully done.

The isn’t a train wreck without Vaughn’s direction by any means, but his direction would have helped. The film lacks the same satirical edge of the first. It’s very much a satire, and an amusing one, but it doesn’t have the same awesome edge. (Who else thought the Union J band that Mindy watches a video of was a parody of boy bands? I was surprised to find out that they’re real.) This movie still is enjoyable.

The action is tongue-in-cheek, over-the-top gleeful fun. That’s what we expect. I’m surprised by the movie’s restraint at one point, since the film generally practices excessiveness. A potentially disturbing rape scene is turned into a comedic scene, and I think it’s handled well. The movie has a few brief streaks of meanness and cruelty. However, it’s a minor complaint, because they aren’t arbitary; it advances the story in some way, and it’s easier to excuse.

Now, for the characters. Johnson has a charm about him that gets Kick-Ass the ladies. He loses Katie Deauxma (Lyndsy Fonseca) early on, because of something that’s easy to explain. He must have been planning on breaking up with her soon because he doesn’t chase after her, the break-up doesn’t bother him, and then the movie forgets about her immediately. Kick-Ass finds a superhero group called Justice Forever. His new love interest is the sexy superhero called Night Bitch (Lindy Booth), and I think N.B. is a name better suited for a super villain, not a hero. Kick-Ass is trying desperately to find a group, and I can’t decide if he’s smart or stupid. He’s smart because he knows he’ll get his ass kicked alone; but he must be stupid to trust people so easily after all that went down with making the mistake of trusting Red Mist/Chris D’Amico.

Justice Forever is led by Colonel Stars and Stripes (a scene-stealing Jim Carrey). He rivals Dwayne Johnson’s Paul Doyle of “Pain and Gain” as 2013’s most likable born-again Christian. Carrey is hilarious in a supporting yet critical role, as he feels like a main symbol of justice. A bit of irony: Colonel is always telling people to watch their language, yet he lets a superhero named Night Bitch be on his team. Dr. Gravity (Donald Faison) is one of the best additions to Justice Forever. A main theme of the movie is that, since the film is set in the real world, the real world brings real consequences, which brings about a theme of good doesn’t always conquer evil. Keep in mind, though: Bringing about thought-provoking themes isn’t a main focus.

Mindy’s arc is traditional. Her everyday persona is a bit more prevalent than her badass midnighting hero. But it’s great when Hit-Girl shows up. She puts all other powerless superheroes (in this universe) to shame. Moretz picks great roles, tackling them with a confidence, but her hard work is evident. Back to Mindy’s arc. It’s a traditional arc where she tries to enjoy high school and the things that come with it. She has a run-in with mean girls (led by Claudia Lee), and the spectacular and hysterical way Mindy handles them makes it an ordinary arc, with an extraordinary pay-off. Even if it’s played for gross-out laughs.

The film’s villains are grand. Christopher Mintz-Plasse has what it takes to tackle this role, and he doesn’t disappoint. He’s pretty crazy in 2011’s “Fright Night.” He’s crazy and funny here, too. I like how he goes against type because in his film debut six years ago in “Superbad” he was on the receiving end of a liquour store robbery, but now he’s the one briefly robbing a convenience store. One thing I’ve never understood about the character: I know he could have put two and two together, by how is he 100% certain his father was shot by a bazooka? He was unconscious in the other room, there were no witnesses, and the body couldn’t really be found easily if it’s blown to smithereens.

Despite my complaints, the movie’s a blast. I might not have laughed as much as the audience I saw it with (they were laughing at everything at some points), but I did laugh quite a lot. It’s a memorable action comedy that has some gleefully fun action scenes, a quickly-paced plot and badass powerless superheroes. This is my favourite superhero movie of the year. If you liked the first, odds are, you’ll like this one. And this is even more true: If you hated the first, you’ll despise this one. To me, it’s a super good sequel.

Score77/100

Kick-Ass (2010)

Kick-AssReleased: April 16, 2010. Directed by: Matthew Vaughn. Starring: Aaron Johnson, Nicolas Cage, Chloë Grace Moretz. Runtime: 117 min.

The superhero niche genre is a prominent one in Hollywood these days. Whether it follows a big name hero like Batman or Superman, or if it’s a critical disaster like something akin to “Green Lantern,” they usually make awesome money. It’s always refreshing to see a superhero movie made with a low budget.

The story follows Dave Lizewski (Aaron Taylor-Johnson) who wonders one day, why has no one ever decided to become a super hero? He’s an unnoticed student and comic book fan who buys a suit and becomes a super hero, even though he is powerless, has no preliminary training or any true reason to do so.

“Kick-Ass” makes me happy for the future of R-rated super hero movies. This has a satirical edge and meta way about it. I love all the homages to super hero movies and the general universe comic books create. I think people who read comic books can respect it a bit more, but this is such an entertaining piece of cinema. The action sequences are tons of fun, and the comedy is just as impressive. The characters are colourful and this is probably my favourite movie based on a comic book. It gives audiences an interesting look into the world of super heroes without any powers. It does raise the question: Why hasn’t anyone put on the cape before and fought crime?

Probably because they’d get their asses kicked. And when they begin to be threatened by the mafia, things don’t get better – they get worse, obviously. That is thanks to Big Daddy (Nicolas Cage) and Hit Girl (Chloë Grace Moretz) who are planning a revenge plot on mob boss Frank D’Amico (Mark Strong), after D’Amico framed Big Daddy, former police officer, and put him in jail for a very long time. (Hit Girl is going along with it because those are the values she was taught. This might disturb some audience members.)

The action is deriously entertaining. Director Matthew Vaughn balances the satirical humour with dark violence, that wouldn’t feel out of place in a Quentin Tarantino picture. One particular scene is hard on the eyes – but so well-done, and it’s a testament to the movie’s visual style and charm. This is a memorable experience, with a great cast.

Nicolas Cage was practically born to play the role of Big Daddy, a darker version of Batman. Some might question a little girl playing the role of a vulgar killing machine, but she (Moretz as Hit Girl) gets some of the biggest laughs and is included in some of the coolest sequences. Moretz has a great career ahead of her. Lyndsey Fonseca is there to up the sexiness of the movie. The film’s finale is astounding and the entertainment rarely dies down throughout. Blood and gore hardly looked so nice in a super hero flick. Vaughn expertly balances the action and the comedy, and I can’t decide which is better.

You care about the characters. The universe created here is magnificent. Aaron Tayl0r-Johnson fits the character of Dave well because, initially, he’s a huge geek. We get to see his process of becoming a character that can really kick ass without the help of spider bites or fancy gadgets. With no power comes no responsibility.

Action, crime, comedy, great characterization, blood, superheroes. This movie’s got it all.

Score95/100

The Kings of Summer (2013)

Kings of SummerRelease Date: June 7, 2013Director: Jordan Vogt-RobertsStars: Nick Robinson, Gabriel Basso, Moises AriasRuntime: 95 min.

Coming-of-age movies are such a commonplace in cinema, so it’s a good thing I enjoy them. These types of films are usually great, like most of John Hughes’ filmography, or “The Perks of Being A Wallflower“. These types of movies usually have an indie charm about them, and “The Kings of Summer” is more than charming.

Films like this only have so many things to rely on: acting, characters, story, how well the genre is executed; so that is one thing that sets this apart from something like a movie with a huge budget. “Kings” hits all of those aspects on the head, and then some.

The story follows Joe Toy (Nick Robinson), a fifteen year-old who is suffocated because his father (Nick Offerman) is a big ole jerk who isn’t easy to be around. His best friend Patrick (Gabriel Basso) feels so overwhelmed by his parents’ overbearing tendencies, that he is actually getting hives. The two of them, along with Biaggio (Moises Arias), decide to spend their summer in the woods building a house and living off the land, in the ultimate act of independence. Here, they are able to make their own rules and be free.

The messages in this film are strong. It shows that their lives are going to change soon whether they like it or not, as they take on more responsibility. It’s not a step, or rite of passage, that is easy to take. grow up. These kids are so willing to grow up, because they want to taste independence and be the so-called kings of their own lives; but little do they know, being a kid rocks and being an adult is going to suck.

It also expresses that family and friendship isn’t one thing someone should ignore. The family bond and loyalty lies deep, and even though one’s parents might either seem like miserable jerks (Offerman) or crazy overbearing kooks (Patrick’s parents, Megan Mullally and Marc Evan Jackson) they love you deep down and they’re only trying their best. They might not be doing the best job, but kids should go easier on parents. And since Offerman’s Frank is a widow, he has to try much harder – it would deem difficult.

The happiest of crew families.

The happiest of crew families.

The ways the writer, newcomer Chris Galletta, tests the bond of friendship between the three boys is smart and experienced. These pivotal moments aren’t forced and they feel natural in the way they happen. It is also the moment where Robinson and Basso show some real talent. The emotional punch might not be enough to make the audience cry, but it’s powerful.

Since the story is so unique, it makes the experience feel fresh. There’s enough heart warming moments, charm and hilarity to make this a worthwhile watch. An over-the-top fantasy sequence is one of the movie’s funniest moments, and there’s witty humour throughout. Offerman shines with his sarcastic comic delivery. Even in the most serious of situations, he isn’t afraid to make a joke. Alison Brie has a forgettable supporting role. Erin Moriarty (“The Watch“) has some fun with the guys.

This directorial debut from Jordan Vogt-Roberts is one for the record books, as he creates a fantastic tone and some visually compelling scenes, so kudos to cinematographer Ross Riege, as well. Some songs fit what’s going on in the film like a glove, in amusing ways.

Arias is hysterical as the film’s scene-stealing Biaggio. He is eccentric and so unpredictable that it makes for one of the funniest characters of the year. The loyalty of the character brings me to believe that he would be a great friend to have. He’s insane, but so amusing. Arias experiences one heck of a break-out role, much like Christopher Mintz-Plasse of “Superbad”. I never thought I’d see the day where Moises Arias, Rico from TV’s “Hannah Montana”, would be the best part of a great comedy. But he is, and it just shows that the right character can make an actor shine.

There is little wrong with the film, at least in a major way. Maybe it’s too short. Maybe Robinson’s beard looks weird. But there’s a lot of high-quality content going on-screen; from the witty humour (among many other things) to the set design. The house built out of stolen goods and material from the woods is the stuff of a fifteen year-old boy’s imagination. Many young teens think about making an awesome house like that, but these boys actually do it. No rent; no rules. Count me in.

Score83/100

This is the End (2013)

This is the EndRelease Date: June 12, 2013

Directors: Evan Goldberg, Seth Rogen

Stars: Seth Rogen, James Franco, Jonah Hill

Runtime: 107 min

Hollywood is obsessed with a lot of things. One of their current obsessions is the apocalypse. Mostly because, if we survived 2012, why not, right? This is the End is summer 2013’s second apocalyptic movie (or first if you don’t really count After Earth), and it’s a comedy that feels completely fresh. It’s based on Jason Stone’s short film entitled “Jay and Seth vs. the Apocalypse”, set on an ordinary night in Los Angeles.

Many celebrities including Seth Rogen, Jay Baruchel, Jonah Hill, Craig Robinson, Michael Cera, and Emma Watson, amongst so many other cameos, are partying it up at James Franco’s mansion. They’re having a good time, drinkin’ beer, abusing cocaine (if Michael Cera doesn’t hog it all), joking around; doing what celebrities do. Soon enough, a huge hole opens up and wah-bam, it’s the end of the world. Half of the celebrities’ cameos end in gory demises, and there’s only a small group left to fend for themselves in Franco’s mansion. They take inventory, and it’s up to Seth Rogen, Jay Baruchel, Jonah Hill, James Franco, Craig Robinson, and the trouble-making Danny McBride to wait out the apocalypse.

The only other possibly comparable movie to this is Tropic Thunder.  That movie’s main satire was of big Hollywood productions and those who make them. The main gag at play here is the actors skewering each others’ public personas, and essentially being hilariously mocked, and doing the mocking. They are playing themselves, but at the same time, they aren’t. They’re playing heightened versions of themselves, where some of these character attributes are similar to their everyday selves, but some aren’t. Who could possibly envision the seemingly sweet and innocent Michael Cera as a drug-abusin’, obnoxious loud-mouth? No one could have, but it makes for a simply hilarious character.

That’s the thing about This is the End: it’s insanely funny. Ridiculous, yes, but a sure blast if there ever was one. Each of these characters poke fun at each other and the fun they’re having really shows. They invite us on the ride, and this viewing is truly fun. They make a sequel or two to their best movies (Pineapple Express), and decide not to make one for Your Highness. It’s all good old-fashioned, self-aware bliss. You’re going to love these guys.

This is one of the most effective comedy/horror sci-fi hybrids in some time. I love the balance of gross-out humour and gross-out horror. The premise is very original, and the humour is silly and immature, but the majority of this content will have you laughing and howling the whole way through. It’s quotable, brilliant, immature, and just plain fun. This is the funniest movie some of these guys have ever been in. They sling one-liners every which way, there are a few great startles and you’ll probably love every minute of this.

Though, the pacing is rough in the middle. One usually can’t expand on the traditional end of the world premise, but the writers know what they’re doing and so they give this superb execution. They run with what they know: comedy. The movie just works incredibly well. For the most part, it’s a thin story, but it is effective and admirably written. About 90% of the jokes hit, and the ones that don’t, are mostly said by Jay Baruchel. He’s from my hometown, but the guy isn’t incredibly funny. He has a few good lines, but they’re limited. This could be because he’s written as the straight man, however. There’s also so much product placement that makes this feel like one big commercial for all things Coca Cola, Milky Way, Nutella, and CT Crunch (I could go on, there’s about as much product placement as memorable quotes). This is easily forgiven because it’s set in a real-life celebrity culture. No one’s going to just own No Name brands, especially not rich people who star in movies.

One would expect that this wouldn’t have a huge emotional core. It does, surprisingly, have a better one than the average comedy. This is a buddy comedy of a bunch of guys making the best of their situation, the relationship between Seth and Jay, and the fact that all of these guys need to learn a thing or two about fate, redemption and – most of all – friendship. It isn’t as undeniably sweet as Seeking a Friend for the End of the World is, but I’d be fibbing if I didn’t at least get a few chills at one of the movie’s most effectively awesome, sort-of emotional- and so, so hilarious – moments near the end.

This just shows that a comedy about hanging out with one’s best buds could be a real gem to the genre. Adam Sandler could take quite a few pointers from this comedy. These characters are so easy to love, even Danny McBride who you’ll love to hate. This is one of the greatest ensembles ever assembled, at least for a critically acclaimed flick. It could be called “Comedians Assemble”. It’s one of the most quotable movies since The Hangover, and you’ll want an encore screening the second it’s over, mostly to just learn more quotes, because there are so many. I love all of the obvious nods to popular movies, as well. This is as absolute blast that combines so many favourite genres – comedy, sci-fi, horror… It’s like Neapolitan ice cream. There are more than a few surprises in this fantastic comedy treat.

91/100

Movie 43 (2013)

Movie 43Movie 43

Release Date: January 25, 2013

Directors: Elizabeth Banks, Steven Brill, Peter Farrelly (and 10 others)

Stars: Liev Schreiber, Emma, Stone, Richard Gere

Runtime: 94 min

I just watched a version online, and I believe it was the version released in the U.K.; it’s an alternate plot to the U.S. version that doesn’t have Dennis Quaid pitching crazy ideas to a studio. I was not going to spend money on this.

Movie 43 is a haphazardly edited sketch comedy that stars as many A-list actors (including Emma Stone, Richard Gere, Kate Bosworth, Liev Schreiber, Naomi Watts, Justin Long, Kristen Bell, and Elizabeth Banks, to name a few) as the filmmakers could convince that this movie would be lots of fun to make. Charles Wessler achieves his vision: A satire that brings up common issues in the most offensive of ways, and it is the most outrageous comedy ever made.

But it is also one awful movie. If only his passion project (an idea that he’s had for over a decade) wasn’t so silly. Saturday Night Live has okay sketches, good sketches and those rare great sketches. This, however, has awful sketches, bad sketches, and just tolerable, but kind-of funny sketches. Even if you do laugh at some points, it doesn’t stop this from being one bad, bad film. This is still sort-of imaginative and quite original, and unlike anything you’ve seen at the movie theatre before. It’s one of those times where too many cooks in the kitchen (13 directors, a huge cast, 30 writers) really spoils the broth. Apparently, it takes thirteen directors, 102 credited cast members and thirty writers to make a really bad film.

The plot follows three adolescent boys who are searching the depths of the internet for Movie 43, the world’s most banned feature. The two older teens who tell a younger brother, the incredibly irritating Baxter who looks like he’s really ten years old, about Movie 43 are really just making it up because they want some April Fool’s revenge. Little do they know is that the video could very well end the world, somehow.

That makes absolutely no sense whatsoever, nor is it explained. It’s completely random and idiotic. This backstory manages to be worse than some of the comedy sketches, to a point where you might actually want to see another bad sketch. This is because the actors in the background story have little to no charisma, and they’re increasingly annoying and bland.

While the idea of sketch comedies in movies is fairly new, this is still trash. The plot is almost as disorganized as every spoof movie out there. If this is compared to Scary Movie 5, this might as well be an Oscar contender. This is definitely not for the easily offended. The humour is thoroughly crude, offensive, absurd, violent, vulgar, inane, insane, sophomoric and rarely funny; but it’s ironic that I’ve seen a lot more nudity in less offensive films. So… Humour that will offend almost the entire world is okay, but extreme nudity is off the table? Hmm.

Out of the movie’s thirteen comedy sketches, there are thirteen stupid and fairly offensive ones. The one with Terrence Howard is hardly funny at all. The sketch showing that people get much too angry with machines and it upsets the kids inside the machines is incredibly stupid, but it’s creative. There are arguably five tolerable ones, but there are none that provide consistent laughs. The ‘Super Hero Dating’ segment with Jason Sudeikis and Justin Long has a few solid jokes, and it’s an imaginative look into the culture of super hero impersonators. It’s the movie’s strongest segment (even if it’s hardly great). The ‘Happy Birthday’ segment with Seann William Scott and Johnny Knoxville also has some good laughs (albeit forgettable), but it is one of the movie’s more violent and vulgar segments. The ‘Truth or Dare’ segment starring Stephen Merchant and Halle Berry is funny in the beginning, but it progressively gets worse until it falls on its face. Suffice to say, the ‘Happy Birthday’ and ‘Super Hero Dating’ sketches are my favourite, and they are somewhat entertaining.

SPOILERS FOLLOW IN THIS FUNNY PARAGRAPH, I briefly describe the film’s worst three sketches. It seems as if the movie is designed to have the worst three sketches at the beginning of the film. The first sketch has Hugh Jackman sporting a pair of testicles under his chin and it is unfunny and unwatchable. It’s a one-joke sketch where it seems as if Kate Winslet’s character is the only one to notice the prominent nuts. Though, it does show that society cannot help but judge someone for the way they look. The second sketch features Liev Schreiber and Naomi Watts homeschooling their child and mercilessly bullying him to a point where he will definitely need to be institutionalized. The third sketch features Anna Farris requesting Chris Pratt to poop on her (you read that right) because it’s apparently a big step in a relationship. Apparently, it’s okay to poop on women, but it’s frowned upon to sh*t on them. Because if you shit on a gal, it’s deemed very offensive. (Read the next part very sarcastically.) Wow. This is the world of my dreams. I’ve always wanted to live in a world where the norm is to poop on women and have a pair of testicles dangling under my chin. Oh, someone, take me there! I can’t take this society where women bitch about me even farting in their general direction! END OF SPOILERS.

Alas, this movie is awful. (But, I am able to use the word ‘alas’ in one of my reviews.) I’ve seen much worse, but it’s really, really, really, stupid. The laughs are forgettable; but it’s the disturbing sketches that are unforgettable. Much to my dismay, this stuff kind-of just sticks with you… Forever.

30/100

Pitch Perfect (2012)


Pitch Perfect

Release Date: October 5, 2012

Director: Jason Moore

Stars: Anna Kendrick, Britany Snow, Rebel Wilson

Runtime: 112 min

Tagline: Get Pitch Slapped

TV Director Jason Moore (Dawson’s Creek, One Tree Hill) brings his talent to the big screen with Pitch Perfect, a great music comedy.

Beca (Anna Kendrick) is an aspiring Disc Jockey, who gets forced by her father to attend college before following her dreams in Los Angeles. She ends up attending Barden University, where she soon joins the school’s all-girl a capella singing group, The Bellas. She knows that they sound beautiful together, but the (ever-so A-ca-clichéd) leader of the group, Aubrey (Anna Camp), doesn’t like to stray away from her set design, or really try anything new for that matter. Beca just may be the one to change the Bellas for the better by adding energy and pizaz to the group, help them out in the competition, and make a few friendships in the process.

Going into this film, I really didn’t know what to expect. It seemed that it had pretty sweet reception, so I guess I expected it to be a little good. It’s probably one of the last films I’d see in theatres right about now, but I saw it. And you know what, I enjoyed it a little more than I’d like to admit. It’s actually rather fun, and the hot girls help a lot, too.

In the cinema world, this is all fairly original. It’s a lot predictable, but that doesn’t keep it from being enjoyable. The pay-off is pretty great. The same premise of all those competitive dance and cheerleading films is offered here. So, in that way, it feels like the atmosphere of some Bring it On flick. The romance part of it all is offered, too. It isn’t exactly the most original atmosphere, because we’ve felt it all before. What sets this film apart is that it isn’t dancing or cheerleading (obviously), it’s singing. And I can’t really recall another film that the premise was a singing competition.* I say in the cinema world, that’s a pretty darn original concept; but in the general popular cultural world, this feels reminiscent of TV’s Glee. That’s just all the music and stuff, but this does have the tendency to feel fairly fresh and new.

*Side Note: Can you guys?

The music is really great, and a soundtrack that would be really cool to add to a collection of any sort. There’s a nice mash of rock and pop and rap, and practically whatever else. There’s catchy tunes of all sorts, which really makes the film lots of fun.

The only flaws that were presented is that it could just get really predictable, and in some scenes I just felt a little worn out.

I usually really hate boy bands, but the main rival singing group of the Bellas, The Trouble Makers, is actually pretty good.

All of the characters are actually rather good and mostly likeable. Beca is really reserved, so when she breaks out of her tender shell, it’s great. Some are really annoying, but in the end, a lot of them have changes of heart. I liked the characters, and I could only count the ones that I didn’t like on one hand. There are scene stealers all over the place. Without surprise, Rebel Wilson’s Fat Amy is the largest (oops, no pun intended) scene stealer, and she brings that same comedic timing as she did in Bridesmaids. You’re going to be have to be with a name like that, anyway. Some other scene stealers include Lilly, the quiet Asian girl whose eyes make her look a little like that really creepy chick from the trailers of Frankenweenie. Also, the surprise appearance by Christopher Mintz-Plasse (Superbad) and his character’s larger friend, Justin, just make a perfect team. The great thing is that every character is developed, and they all get their chances to shine at some point in the film.

At points the film does get pretty ridiculous and strange, especially when the group initiations are happening for that one scene, or like the oddball, yet hilarious, announcers for the singing competition (played by John Michael Higgins, and Elizabeth Banks [who also helped produce the film]). Like I said in my previous sentence, it’s pretty strange. Strangely entertaining, that is. The atmosphere isn’t something all that special, but it’s the characters, music, Anna Kendrick, and mostly because I didn’t have a ride home, that convinced me stay until the very end. Something Anna Kendrick’s character doesn’t like to do.* The comedy that is offered can be a little too spaced-out for my liking, but when the jokes are made, they can hit pretty hard.

*Side Note: Sheesh. I really don’t understand how some people don’t stay until the very end. That’s usually the best part!

The song mash-ups and set designs and all that are really nice and fun, and something to tap one’s foot to. The wardrobe is okay, because the Bellas’ uniform is that of a practical flight attendent. During the auditions, the filmmakers put them all together so they’re all singing the song. It’s really cool and funny; it’s something I’ve seen on American Idol (or any other singing show) before, but it’s cool to see it in a film.

Anna Kendrick, Brittany Snow, Rebel Wilson, Anna Camp, Skylar Astin, Ben Platt, Ester Dean, Hana Mae Lee, Kelly Jakle, Alexis Knapp and Adam Devine star in Pitch Perfect.

Pitch Perfect offers a fun experience that is worth the look. It has great music, a pretty good plot, great characters, a great ensemble, and there’s just a lot of things to love about this one. It’s entertaining, and my have flaws because of its wicked predictability, but that doesn’t stop this film from being a foot-tapping crowd pleaser.

80/100