Top 20 Films of 2013

This list is a lot late, but I still wanted to see a few more films before making my list. I still have a lot to go, but I’m pleased with the current Top 20 I have at the moment. I might do an article later in the year with an unofficial updated list, just to show how what films might have made the cut if I’d seen them before making the list. Without further ado, here’s my Top 20… I was going to have the whole list displayed in pictures, but the formatting was off for the first half so only the Top 10 are displayed with pictures.

20. Pain & Gain
19. The Kings of Summer
18. Spring Breakers
17. Dallas Buyers Club
16. The Hobbit: The Desolation of Smaug
15. The Place Beyond the Pines
14. Captain Phillips
13. Evil Dead
12. The Conjuring
11. The World’s End

7. Mud

7. Mud

4. Her

4. Her

 

Honourable mentions: Monsters University, Fast & Furious 6, 42, Saving Mr. Banks and The Great Gatsby


 

Now this is my bottom 5 of 2013…

The Lords of Salem

The fifth worst film of 2013: The Lords of Salem

The fourth worst film: The Hangover Part III

The fourth worst film: The Hangover Part III

Third worst: Movie 43

Third worst: Movie 43

Second worst: Grown Ups 2

Second worst: Grown Ups 2

The worst film of 2013 is... Scary Movie 5

The worst film of 2013 is… Scary Movie 5


 

Any thoughts on my thoughts? Sound off in the comments if you still want to do a bit of reminiscing of what 2013 had to offer! 🙂

 

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Dallas Buyers Club (2013)

Dallas Buyers ClubReleased: November 22, 2013. Directed by: Jean-Marc Vallée. Starring: Matthew McConaughey, Jennifer Garner, Jared Leto. Runtime: 117 min.

I haven’t seen many films about the AIDS disease, but one can sure tell it’s dealt with sensitively here by director Jean-Marc Vallée. Humour is able to be written into the screenplay because of the charming cast and the characters’ personalities.

The film follows real-life electrician and occasional bull rider Ron Woodroof, a stereotypical redneck who is racist and homophobic. His lifestyle consists of drinking, gambling, drug use, and casual sex. While in the hospital because of a work-related injury, Ron finds out he is HIV positive. Denial strikes and his homophobic personality makes him lash out at the doctor, since it is a disease that (mostly) homosexuals get. He is given thirty days to live. It turns out, he contracts the disease from unprotected sex. (Cloak the joker before you poke her!) In 1985, the drug called AZT that treats AIDS is still in clinical trials – so he has to get the drug somehow under the table. He learns from a doctor in Mexico that other medicines do the trick better than AZT, and this is his story of how he helps other people with AIDS to get better.

In 1985, the cure for AIDS was still trying to be found, so this is an ideal year for the film to be set in. The way hospitals went about testing the drug AZT for human trials is where HIV patients approved for the drug were divided into two groups. One group received the legitimate drug, while the other group received a placebo drug. It’s a little ethically questionable because the patients receiving either one of the drugs are dying, so… Some might be getting better, and the others are getting sugar pills. I guess it’s the only way to tell if it works. For the patients who are simply getting sugar pills, that’s where Ron Woodroof comes in. He offers the people of Dallas diagnosed with HIV a membership to the Dallas Buyers Club, where for $400 they can have access for all of the medication they need. The reason the hospitals are so frustrated with Woodroof is because the people taking the medication aren’t being monitored, and there’s no way to tell if they’d work or not. They’re filled with nutrients and proteins that help make more cells in the immune system.

Though, the film isn’t a boring pharmaceutical film, so that’s really good. I think the storytelling is very capable because mostly it is telling an inspiring and great story. Jennifer Garner’s Eve represents the doctors of the medical community understand Ron’s motivations to help people and himself. I think the way Ron opens up to the homosexual community is very charming. He’s an innovative and smart character, and McConaughey plays him so powerfully and with ease. But that’s not saying his body transformation to play the role wasn’t easy. It also musn’t have been easy for this actor to do the full actor transformation from rom-com star to full-fledged actor. It’s a great turn-around, and he’s becoming one of my favourites – where he plays a character who lives life to the fullest, and enjoys a new outlook on life.

McConaughey opens up to the community by doing business with them, but mostly by befriending a transsexual named Rayon (Jared Leto). They become business partners and friends, and the way Ron’s eyes are opened is beautiful. Homophobia is also depicted well and powerfully throughout the film, and often heartbreakingly. One can tell that Rayon has lived through a lot of discrimination, especially in one scene that I won’t spoil. It seems that there’s always been some controversy of Hollywood casting males in transsexual roles. I think that’s what might make the role so challenging for Leto, to let himself get enveloped by the role of Rayon, a flamboyant and hilarious character. But he absolutely nails the role. Most of the stuff coming out of Ray’s mouth made me smile, even if he has frustrating habits.

There’s a sort-of kindness to the character of Ron, where he wants to give medication to the people so they can survive and also live their life to the fullest. Even though many will struggle living a normal life with the unfortunate disease. In a film about survival, I think he represents those who can change over time. This great film also shows some of the most innovative ways to change society is by going under the law; and sometimes, it’s just a necessary thing, no matter what people say.

Score95/100

Mud (2013)

MudTwo teenage boys encounter a fugitive living in a boat in the trees on an island. They form a pact to help him evade the bounty hunters on his trail and to reunite him with his true love.

Release Date: May 10, 2013

Director: Jeff Nichols

Stars: Matthew McConaughey, Tye Sheridan, Jacob Lofland

Runtime: 130 min

If you take anything from this movie; it should be that Southern gals named Juniper are bad news.

Mud is a modern-day fairy tale, a crisp chase thriller, and a coming-of-age drama all in one. It’s a gritty fairy tale because Mud is waiting for his love on an island; and there are themes of happily ever after, true love; but it’s less “Repunzel, Repunzel, lay down your hair!” and more like “Mud, Mud, let down that boat!” It’s a chase movie because Mud is a fugitive on the run, attempting to evade some lethal bounty hunters. As for the coming-of-age tale, that mostly lies with Ellis (Tye Sheridan).

He’s at the delicate age of fourteen, the age where one begins to choose role models. His parents are on the brink of divorce, and they really aren’t there to offer much advice; so the role model he chooses is Mud. Ellis must make his way through adult lies and learn his own way through hardships of love. Neckbone doesn’t latch onto Mud the way Ellis does, mostly because he finds a solid role model within his Uncle Galen (Michael Shannon). Mud is a superstitious character, but he’s also a serial liar. He tells great story after great story, and as the film progresses, the audience learns he is appropriately named, because he really is full of shit. The character contrasts are fascinating; Mud wants things to be done, but Ellis (and Neckbone) are the two to do them. Ellis seems to have a lot more backbone than Mud ever would. The lady loves of the story, Juniper (Reese Witherspoon), Mud’s love, and May Pearl (Bonnie Sturdivant), is the gal that Ellis has his eyes set on; some of their character traits have striking similarities, and the way Jeff Nichols makes them mirror each other is truly stunning and creative.

Jeff Nichols writes in a lot of themes, and while they may suffocate the story at times, they’re still very beautiful. Nichols suggests that the water current could really make one’s hardships more difficult, because Ellis lives on a makeshift boat on the banks of an Arkansas river, and his parents are struggling with their relationship. Nichols seems to have a true handle on some natural elements. The symbols of snakes and Mud’s wool shirt are thought-provoking and, often enough, poignant. Nichols’ third feature film states that he just didn’t become lucky with a few winners, this states that he is an artist; and most will love the story Nichols has to tell.

The story has a comfortable pace and it knows where it wants to go. It’s slow, but engaging. There are some scenes that might feel redundant at the time, but they don’t interrupt the flow of the film. The cinematography has a crisp feel to it, and it’s stunning when the camera is looking out into the hopeful horizon. The characters will keep you engaged. The relationship that blossoms between Mud and Ellis is about as beautiful as a relationship between a thirty-something sandy-haired fugitive and a fourteen-year old boy can get. Juniper and Mud want to be together; and even if we do not feel we can always trust Mud, he’s always very intriguing and has a lot of depth.

Matthew McConaughey delivers a tour de force performance, and seeing what he does here, it’ll make you much more excited for the upcoming Dallas Buyers Club. Tye Sheridan portrays Ellis very well; he’s capable of being tough, sweet, confused and vulnerable. The performances are superb all across the board. Jacob Lofland gets outshined by Sheridan, but he’s a great comic relief, and a nice presence. His name also reminds us that this is truly a Southern film. Some of the actors have characters that just don’t do much.

Reese Witherspoon portrays Mud’s love, Juniper. She has about ten minutes of screen time. Witherspoon does well with what she has, but if she gets an Oscar nomination for what little she does; it will only be a smaller farce than Jacki Weaver’s nomination for Silver Linings Playbook. Though, Witherspoon being under-utilized is not Nichols’ biggest crime. Michael Shannon has a criminally low amount of screen-time. He portrays Neckbone’s uncle, Galen, where he works as a role model for Neckbone and he wears this huge, comical scuba diving gear – and that’s about it. Shannon is a go-to guy of Nichols, as he is been in his two prior films, as the lead in Take Shelter and Shotgun Stories. It’s great to see Shannon in anything, but if you’re not going to use a guy of Shannon’s talent extremely well, don’t use him at all. This is Nichols’ biggest mistake, and if he does show a preference to use him, he should have cast him as Carver (Paul Sparks), the main bounty hunter adversary of Mud. He would rock that role!

The cast is an excellent ensemble, also including Sarah Paulson, Ray McKinnon and Sam Shepard. The story is impressively engaging, even if it has little wiggle room because of its many themes. Jeff Nichols writes a story that has enough power to strike you down like a mighty current, and raw emotion that will maul at your tear ducts. One thing is for certain, you will never believe a movie with such a dirty title could become such a beautiful work of art.

86/100