12 Years a Slave (2013)

12 Years a SlaveReleased: November 8, 2013. Directed by: Steve McQueen. Starring: Chiwetel Ejiofor, Michael Fassbender, Benedict Cumberbatch. Runtime: 134 min.

Imagine you’re at home enjoying your life as a free black man in upstate New York. Your beautiful wife and kids go away for two weekends, and when two men approach you with an opportunity to make some money, why not say no? One couldn’t predict that by saying yes to making a paycheck, they would then be drugged and sold into slavery. That’s exactly what happens to Solomon Northup (Chiwetel Ejiofor), a real person sold into slavery in 1841.

The premise is part of what makes “12 Years a Slave” such a powerful film. In any case, anyone being uprooted from their life is a terrifying reality, even today. Back then, it seems that many were a bit more clever than staging a home invasion. Solomon is backstabbed by business parters he trusted, portrayed by Scoot McNairy and Taran Killam. This film might just be the one to open people’s eyes as to why the black people of today are so protective of their rights.

It’s an educational feature, and the most powerful film of the year. It’s one of my favourite slavery films as well, at least for educational purposes. I’d give this a rewatch with pleasure, which would also allow me to watch a few scenes again that I didn’t comprehend completely. I prefer Quentin Tarantino’s “Django Unchained,” but that and this cannot be more different in tone. “Django,” to sum it up in so many words, is an entertaining treat. Another similarity is that both films probably hit the 100-mark with using derogatory statements, mainly the ‘n’ word. Paul Dano might have said it about 40 times it one cruel Southern tune.

John Ridley (director of “All is By My Side” which I didn’t like) adapts Northup’s 1853 novel very well, and director Steve McQueen knows what makes humans tick. This film is the platform for a harrowing odyssey of a man’s bravery and will to survive. Solomon’s drive is his family and he is making sure he does not sink into despair, by keeping their memory alive. He doesn’t know if he’ll ever see them again, but he tries to be as cooperative as possible in order to survive – which isn’t very at times, when he cares about fellow slaves. One of his friends is a woman named Patsey (Lupita Nyong’o) who plays a critical role in the film. He meets her on Edwin Epps’ plantation/farm.

Epps is portrayed by Michael Fassbender, in a haunting villainous performance. Don’t be surprised to get chills from him in a few scenes. Epps is known famously in those parks for breaking his slaves’ spirits, it seems – even if his wife (Sarah Paulson) thinks he could do a better job. He is a malevolent soul, and he makes a previous slave owner of Northup’s (Ford, portrayed by Benedict Cumberbatch) look like a saint – and he already was a very considerate man. Northup meets several characters along his long journey, helping this film have a star-studded cast, even if some big-name actors have about seven minutes of screen time (like Brad Pitt, Paul Giamatti and Garrett Dillahunt – to name some).

There’s one main problem that the film has, it never really allows viewers be aware of what year it is. The only clue is the title. It starts out in 1841, and since there’s a scene at the beginning that shows up again in roughly the third act, we know that we’re caught up – but we still can’t tell what year it is. It doesn’t affect one’s enjoyment severely, but even cues like older make-up for Solomon would assist the film. It would give us an idea of how long he has been slaving for. There are some scenes that feel like they will go on forever, but that is purposeful in one scene to show that slaves cannot interfere when someone is being punished, so to speak. That being said, this has quite a few shocking moments – so it’s not for the faint of heart!

The film’s power is greatly prominent in Ejifor’s performance, as he tries to hang onto his humanity, not give up his hope and not sink into despair. Many slaves give up much faster than Solomon Northup, but he has something to fight for; and that’s what makes this film so inspiring and moving. It also helps it become an unforgettable experience.

Score95/100

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Identity Thief, Side Effects (Box Office Predictions: 2/8 – 2/10/13)

The new releases

Identity Thief

Identity Thief

Side Effects

Side Effects

 

 

 

 

The two new movies coming to theaters this weekend is Seth Gordon’s Identity Thief, starring Melissa McCarthy as the woman who steals the identity of Sandy Patterson, played by Jason Bateman. He is playing the straight man, and it’s a role he plays very well in the comedy genre. It will definitely get over $20 million this weekend because it has no competition in the comedy genre yet this year (Movie 43 seems to be rushing out of theaters) and it could turn out to be the first good comedy of the year. However, the Rotten Tomatoes critics’ appreciation of the film may state otherwise (as of now, 24% of critics have liked it). Melissa McCarthy is very popular, it has a solid premise, and it could turn out to be surprisingly good. I hope. I also really hope they didn’t show all the funny scenes in its trailers. It really was a large marketing campaign.

Side Effects is a little more on the down-low. I have seen many TV spot trailers but I can’t recall seeing the trailer at the movie theaters. It is being advertised as a star-studded clinical thriller from the creator of Contagion. The story goes like this: Emily and Martin are a successful New York couple whose world unravels when a new drug prescribed by Emily’s psychiatrist – intended to treat anxiety – has unexpected side effects.

It really does sound intriguing, and Soderbergh rarely brings a stinker (even though I didn’t enjoy Michael Clayton). I have expectations for this one, and I think it will gross at least $10 million this weekend. Also, part of the attraction is the cast that includes Jude Law, Rooney Mara, Channing Tatum and Catherine Zeta-Jones.

 

Here’s how I see the top 10: 

Title/Prediction

1. Identity Thief/ $24, 000, 000
2. Warm Bodies/ $13, 100, 000
3. Side Effects/ $12, 200, 000
4. Silver Linings Playbook/ $6, 000, 000
5. Hansel and Gretel: Witch Hunters/ $4, 100, 000
6. Mama/ $2, 900, 000
7. Zero Dark Thirty/ $2, 600, 000
8. Bullet to the Head/ $2, 500, 000
9. Argo/ $2, 200, 000
10. Django Unchained/ $1, 700, 000

Warm Bodies Scares Away the Competition (February 1-3 Box Office Results)

"I'm da winner zombie!"

“I’m da winner zombie!”

Warm Bodies opened to a great $20.3 million on the Superbowl weekend, and it’s also a really good film. Stand Up Guys opened to $1.5 million at 659 theaters, which is pretty decent. However, Sly proves that this is not a good year for solo outings for The Expendables co-stars. Arnie’s vehicle, The Last Stand, only grossed $6.2 million in its opening weekend; and Jason Statham’s vehicle, Parker, only grossed $7 million in its opening weekend.  Click the title for my review.

Top 10 Box Office, The Results (Estimates)

My Prediction/Off by (Over/Under)

1. Warm Bodies*$20, 353, 967

– $18, 700, 000$1, 653, 967 under

*Review will be up on Friday

2. Hansel and Gretel: Witch Hunters$9,423,274

– $12, 400, 000$2, 976, 726 over

3.  Silver Linings Playbook$7,738,058

– $7, 650, 000$88, 058 under

4. Mama: $6,590,970

– $5, 620, 000$970, 970 under

5. Zero Dark Thirty$5,176,428

– $5, 530, 000$353, 572 over

6. Bullet to the Head$4,548,201

– $9, 200, 000$4, 651, 799 over

7. Parker$3,302,415

– $4, 065, 000$762, 585 over

8. Django Unchained: $3,002,769

– $2, 920, 000$82, 769 under

9. Les Misérables: $2,420,885

– N/A.

10. Lincoln$2,402,224

– N/A.

Other predictions

15. Movie 43$1, 641, 849

– $1, 970, 000$328, 151 over

18. Stand Up Guys$1,486,390

– $2, 000, 000$513, 610 over

New releases total difference: $6, 819, 376

Holdovers total difference: $5, 562, 831

Zombies Will (Probably) Devour Stallone, Elderly in a Crime Comedy, and the Rest of the Competition

The new releases

Bullet to the Head

Bullet to the Head

Stand Up Guys

Stand Up Guys

Warm Bodies

Warm Bodies

 

 

 

 

This weekend, there are three new releases coming along: the zombie-love story, Warm Bodies; Stallone’s new vehicle, Bullet to the Head; and a limited release of Stand Up Guys, where Alan Arkin, Al Pacino and Christopher Walken team up for a crime comedy.

Sylvester Stallone is breaking off from his The Expendables series for a solo outing with Bullet to the Head. Here, Stallone plays a hit man situated in New Orleans. The story follows Stallone and a Washington D.C. detective who see their respective partners die, and they then form an alliance in order to bring down their common enemy. Stallone is a fairly popular action hero whose popularity has grown with his start of a new ensemble action series, The Expendables. Stallone’s average opening weekend earning is $13.079 million, with The Expendables being his best number with $34. 825 million. Bullet to the Head probably won’t meet his average earning, but his new vehicle will draw a nice crowd for those who need their Sly fix.

Al Pacino, Christopher Walken and Alan Arkin team up for a buddy crime comedy, Stand Up Guys. The film follows Val (Pacino) who has just been released from prison, as he and his buddy Doc (Walken) try to get the old gang back together for one last hurrah, before one of the guys takes his last assingment — to kill his comrade. It’s really all a great formula for a potentially great action comedy.

But the real winner of the weekend will be Warm Bodies, a new comedy horror that might be considered Twilight with zombies, but I truly hope, nor think, this is the case. This feature feels like it really might reinvent the genre, and do it successfully. This film follows R (Nicholas Hoult), a highly unusual zombie who saves a human, Julie (Teresa Palmer), from an attack. Their growing bond may just change the lifeless world altogether. You’ve seen the whole odd relationship before: an average girl and a boy of the supernatural kind. But this is different. This is set in a post-apocalyptic world where zombies are the norm, and humans are odd. Another interesting concept is this flick is actually suggesting the main girl is hot enough to reanimate a whole lifeless world, and make the zombies real again. Sure, Palmer’s hot, but she’s no Megan Fox. She’ll have to do. This makes the film have an original concept, and from the trailer, the humour looks like the strange, awkward brand of comedy that I love. This flick will also attract fans of the novel, as well as those who are interested in this awesome feature, like myself. This zombie feature looks cool, smart, and original. One thing that could make this film a certified sleeper hit is expert writing and direction from writer/director Jonathan Levine (50/50). I’ll appreciate this as long as there aren’t any love triangles…

Here’s how I see the Top 10:
1. Warm Bodies/$18, 700, 000
2. Hansel & Gretel: Witch Hunters/ $12, 400, 000
3. Bullet to the Head/ $9, 200, 000
4. Silver Linings Playbook/ $7, 650, 000
5. Mama/ $5, 620, 000
6. Zero Dark Thirty/ $5, 530, 000
7. Parker/ $4, 065, 000
8. Django Unchained/ $2, 920, 000
9. Stand Up Guys/ $2, 000, 000
10. Movie 43/ $1, 970, 000

‘Hansel and Gretel’ Comes Out on Top (Jan. 25-27)

Hansel and Gretel: Witch Hunters came out on top with $19.69 million, and Mama drops 53.9% to $13.088 million this weekend. Parker made $7 million, while Movie 43 proves to be the worst reviewed film of the year so far, and the largest box office bomb with a measly $4.8 million.

Click the title for my review.

Top 10 Box Office, The Results (Estimates)

My Prediction/Off by (+/)

1. Hansel and Gretel: Witch Hunters: $19, 690, 956

– $19, 000, 000$690, 956 Under

2. Mama: $13, 088, 145

– $16, 900, 000$3, 811, 855 Over

3. Zero Dark Thirty: $9, 700, 132

– $9, 500, 000$200, 132 Over

4. Silver Linings Playbook: $9, 444, 039

– $7, 300, 000$2, 144, 039 Under

5. Parker: $7, 008, 222

– $9, 400, 000$2, 391, 778 Over

6. Django Unchained: $4, 946, 932

– $5, 000, 000$53, 068 Over

7. Movie 43: $4, 805, 878

– $12, 500, 000$7, 694, 122 Over

8. Gangster Squad: $4, 278, 235

– $4, 000, 000$278, 235 Under

9. Les Misérables: $4, 221, 055

– $4, 800, 000$578, 945 Over

10. Broken City: $4, 019, 558

– $4, 000, 000$19, 558 Over

New releases total difference: $10, 776, 856.

Holdovers total difference: $7, 085, 832.

 

 

January 25-27 Box Office Predictions

The new releases

Hansel & Gretel: Witch Hunters

Hansel & Gretel: Witch Hunters

Parker

Parker

Movie 43

Movie 43

 

 

 

 

 

There are three releases coming out this weekend: an action-comedy cross-over, Hansel & Gretel: Witch Hunters; a crude comedy, Movie 43 and; a new Statham vehicle, Parker.

The most intriguing, to me, is Hansel and Gretel. I love a good twist on a classic tale, and Will Ferrell and Adam McKay on as producers catches my attention even more. The story follows the titular pair of the classic fairy tale, but this time they’re bounty hunters who hunt witches all over the world. They are also now facing a new form of evil.

One of the most recent classic twists on a fairy tale, Red Riding Hood, made $14 million in its opening weekend. Though, this one is in 3D and it has the popularity of Jeremy Renner going for it. I also hope it’ll be a bigger hit than R.R.H. I think this will gross $19 million this weekend.

Movie 43 seems like a new New Year’s Eve for the crude comedy genre, and for the modern internet age. The story: A series of interconnected short films follows three kids as they search the depths of the Internet to find the world’s most banned movie. It has a bunch of different directors and practically everyone in it, so it has that going for it… It also looks incredibly stupid. New Year’s Eve grossed $13 million in its opening weekend, and Valentine’s Day grossed $56.26 million in its opening weekend, but I highly doubt this will get an opening weekend return anywhere near Valentine’s number. I think it will gross a little less than New Year’s Eve number. With better execution than 2012’s V/H/S (a film that also used short films as a major contribution), this could turn out to be a hit. This will still earn a nice profit in its opening weekend because of its solid marketing campaign and buzz on thee ole Twitter-sphere. I think this will gross $12.5 million this weekend.

Statham’s most recent action vehicle, Parker, teams him up with Jennifer Lopez. The story: A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew’s latest heist. For 2013, the gross for the one action flick with a primary action hero isn’t too promising (Arnie’s The Last Stand, grossing $6.28 in its opening weekend). Statham has an average opening weekend gross of $12.19 million. Whilst that’s more than decent, my interest for Statham has been wavering as of late. His last two leading man action flicks haven’t produced great returns – Killer Elite: total gross of $25 million (with $9.35 in its opening weekend) and; Safe: total gross of $17.14 million (with $7.89 in its opening weekend). This time, though, he’s being paired with Jennifer Lopez, and the film could be a winner. We’ll see what happens, but I think it’ll make $9.4 million this weekend.

Here’s how I see the top 10:

Title/Prediction/Studio

1. Hansel & Gretel: Witch Hunters/ $19, 000, 000/ Paramount
2. Mama/ $16, 900, 000/ Universal
3. Movie 43/ $12, 500, 000/ Relativity
4. Zero Dark Thirty/ $9, 500, 000/ Sony
5. Parker/ $9, 400, 000/ FilmDistrict
6. Silver Linings Playbook/ $7, 300, 000/ Weinstein Company
7. Django Unchained/ $5, 000, 000/ Weinstein Company
8. Les Misérables/ $4, 800, 000/ Universal
9. Broken City/ $4, 300, 000/ Fox
10. Gangster Squad/ $4, 000, 000/ Warner Bros.

My Top 25 Films of 2012

2012 saw some great films, and some real stinkers. I have seen 68 of them. These are my top 25 favourite films of 2012, and also the ten worst.

Oh and, some of these films don’t have the highest scores, but they’re higher up on the list. This is because some films (like The Hobbit) have grown on me a lot since I’ve seen them. Click on the title in the caption to get to review (and the titles in the ‘worst of’ list). Anyway, here’s the list, starting with #25:

Pitch Perfect is a fairly original (at least in cinema) and entertaining Glee-inspired musical comedy that may be predictable, but it’s a toe-tapping experience that has a fine plot, great music, some strange characters (most notably Lilly, a character who looks like that creepy big-eyed girl from Frankenweenie), show-stealing performers (like Bridesmaids‘ Rebel Wilson who portrays Fat Amy) and a memorable ensemble cast.

#24 - This is 40

#24 – This is 40

This is 40 is not quite as good as Knocked Up, but it’s a satisfying sort-of sequel. This is sometimes over-dramatic because of the numerous conflicts, but it is driven by fresh, laugh-out-loud comedy that helps Apatow get the message, of overcoming family differences and a mid-life crisis, across very well. Laughs, conflict, and advertisements for iPhones, Apple products, TV’s Lost, and a good role for Megan Fox are all present.

#23 - Ted

#23 – Ted

Ted‘s screenplay may be crowded but we must understand that MacFarlane’s comfort zone is a mere 22-minute slot, while this is a whole 112-minute feature. The end product turns out to be better than anyone would think a buddy comedy between a talking teddy bear and an immature man could be, and Wahlberg and Ted’s chemistry help make this one of the best buddy comedies of the year. I’m excited to see what else first-time director MacFarlane has in store for the silver screen, and I say bring on the sequel.

The film starts out fairly slow, but once the games come around the bend, it instantly becomes intensely engaging and entertaining. The screenplay maintains the fascinating theme of propaganda [and how corrupt the government may become], but doesn’t capture the extreme violence that we fans handled in the novel itself, and there isn’t quite enough bonding time with select characters. The adaptation is nonetheless great, and since it was not followed to a tee, there is room for surprise. Anyone who is willing to accept this fresh experience will enjoy it, as it is a promising beginning to a new teen franchise.

Rise of the Guardians is a slightly flawed, but wildly inventive, animated adventure that may have some deeply thematic material and action sequences that could be midly scary for small children. The main flaw is the disorganized beginning – but it finds its pace soon enough. The concept is a sort of edgy animated feature, but is a great end product. This is one of the most original animated features of the year, mainly because of the alterations to the beloved Guardians, like making Santa Claus look like a Russian biker, are very fresh. This is a great message to teach the kids this holiday season – don’t only believe in Santa around his season, also believe in all the other heroes, at least when their time comes around the bend.

#20 - The Grey

#20 – The Grey

The dialogue of this film allows characters to be thoroughly developed and compelling concepts to arise. When the characters aren’t talking, it gets engaging and thoroughly thrilling. The anti-climactic ending says Carnahan has learned to resist throwing full-throttle action at us, and he instead resists the urge and keeps the astounding and exciting survival film as tame as could be. The mostly unknown actors make the spotlight shine directly on the star: Liam Neeson.

#19 - Lincoln

#19 – Lincoln

Spielberg seems like, at this point in his career, is interested in making ambitious biopics instead of blockbusters like Jaws. The intelligent monologue-filled feature intricately throws information at you, and at times it can be quite a bit to absorb, but it is usually engaging. The cast of Lincoln is impressive, most notably Daniel Day-Lewis, who delivers a kind-hearted, endlessly charming performance that adds layers to one of the greatest figures in American history. Day-Lewis captures Lincoln’s will to get things done, and his genuine and kind self.

Killing Them Softly is a clever mafia tale of violence and despair with a great leading performance from Brad Pitt; with his mysterious character delivering us plenty of violence to keep us happy. This tale is also a social commentary on the local criminal economy in 2008, before Obama stepped into office – the concepts are complex, but there are not difficult to comprehend. The not-so-subtle message may be annoying to some, but the story is very engaging. It is a thought-provoking film brought to life by Andrew Dominik’s stylish and artistic direction.

#17 - End of Watch

#17 – End of Watch

The abrupt ending keeps this from being flawless, but this is a stellar crime story with intelligent writing by writer/director David Ayer (who previously wrote Training Day) with some of the best chemistry I have seen all year. End of Watch does for the real lives of cops what Ladder 49 did for fire fighters, but it’s about twenty-six times better.

#16 - Chronicle

#16 – Chronicle

Chronicle is one of the most surprisingly amazing features of 2012. The rushed pace is its main flaw, but it is an awesome experience for the 84 minutes it stays around. It obtains must-see status because of its thoroughly thematic and disturbing content. It is the most must-see found-footage feature of 2012, perhaps of all-time.

Seven Psychopaths has a clever screenplay and is a fantastic second feature from writer/directer Martin McDonagh. It is equal parts brutal, brilliant and hysterical. It is extremely memorable and has great characters and a superb ensemble cast. It is one of the most original screenplays of the year, and it’s another comedy that proves 2012 is one of the best for that genre.

The story may have ideas crammed in the feature, it undeniably has a very emotional core. If the actors weren’t singing the vast majority of their dialogue, the film wouldn’t be quite as exciting or engaging. This combines a great period piece with a profound musical, and it makes this one of the best features of the year.

Jonah Hill and Channing Tatum create a superb chemistry, and this is one of the finest comedy ensembles of the year. The comedy is always funny, and this is the best action-comedy of the year. The real bite about this is that no one expected it to be very good, and yet, it is a hilarious and exciting ride.

Writer/director Christopher Nolan delivers us an impressive and atmospheric piece of cinema that has incredible thrills, great plot execution and great direction, character development that has room for improvement and a slow build-up that leads to an incredible climax. It is also a thoroughly impressive end to a great trilogy, it’s a slight step-down from the high standards set by The Dark Knight, but it is better than Batman Begins.

#11 - Skyfall

#11 – Skyfall

Skyfall is a compelling experience with great pacing, a great story and great humour. Javier Bardem is simply astounding. His presence is really worth the wait. He is one of the greatest criminal masterminds of recent memory, comparable to both Heath Ledger’s The Joker and Anthony Hopkins’ Hannibal Lecter. He is the second best villain of the year, right behind Leonardo DiCaprio’s Calvin Candie in Django Unchained.

#10 - Looper

#10 – Looper

Looper offers an entertaining and memorable action experience with a great story and characters, making it a film that should be cherished. Looper is slightly flawed because of a sometimes crowded screenplay and numerous antagonists, but it has a complex story that’s surprisingly easy to follow, with great characters like Jeff Daniels’ nice-guy-ruthless-when-he-wants-to-be crime boss.

The Hobbit: An Unexpected Journey is a thoroughly satisfying start to a new Middle Earth trilogy. Its usually silly undertone may frustrate some, but to most, like myself, it makes for a great experience. The many expendable dwarfs may get a lot of the attention, but it is very much Bilbo Baggins’ show. That is until the show-stealing Gollum shows up for one of the best scenes of the feature. I cannot wait to see what the trilogy looks like when all of the films are released.

#8 - Life of Pi

#8 – Life of Pi

Life of Pi is interesting because it is not afraid to bring in concepts of faith and religion. It is also visually beautiful, sometimes funny, thought-provoking, magnificent, terrifying and saddening. There is also a  great story, great direction, wonderful cinematography, great conflicts and relationships present. The actors bring it all to the table, and a short list of performers carries the film very well. This is one of the best films of the year that will be a large Oscar contender. If you’re going to see this, see it in its full 3D glory.

#7 - Flight

#7 – Flight

The drama is solid and the overall film if profoundly enjoyable, compelling, emotional, sometimes funny and often gripping. The suspenseful scene at the beginning is the only action scene in the feature, and it soon turns into a character study, with fascinating concepts of addiction. Those who find the concept of addiction fascinating will enjoy this even more.

Many may think it is simply just another teen slasher, but what gets thrown at you is surprising, extremely fresh and endlessly entertaining. This is one of the most original horror films of all time, with signature bites of comedy from Joss Whedon.

Wreck-It Ralph is the finest animated feature of 2012 and is generally one hell of a nostalgic and enjoyable film. This is like the Toy Story for a new generation. Disney has delivered us a great film yet again, and mashed two generally loved things together: their acclaimed animation, and video games. I had high expectations for this film, and this really rocked my world.

#4 - Argo

#4 – Argo

One of the most captivating things about the nerve-racking Argo is the boiling suspense of the situation, and the viewer can just feel it build throughout. Argo plays out like an assassin giving you his first choke-hold, he’s inexperienced and you may feel the grip loosening from time to time, but then it strengthens again and doesn’t let go until the very end.

Silver Linings Playbook is hilarious, beautiful, meaningful, sad, emotional, and very dramatic at times. It is a truly magnificent blend. One thing that helps the film is the impeccable writing by David O. Russell, and Matthew Quick who originally wrote the novel. The viewer may not be able to relate to the exact situation of these characters, but they could fully understand their motivations – and most may have felt similar emotions that these characters express on a daily basis.

The profound analysis of teenage angst is accurate, brilliantly touching, and heartbreakingly poignant. The performances are great, the story is awesome, and the atmosphere it offers is perfect. This is a film that I’d like to watch over and over. That’s one heck of a definition for an enjoyable experience.  It’s a fine, under-seen classic of 2012 that can define a generation as well as John Hughes could.  If it comes to your town, get off the couch, grab a few friends – but if you don’t have any, it’s okay to be a wallflower – and go see this movie!

Django Unchained is a modern masterpiece, and is Tarantino’s finest film yet (even if I’m the only one to think so). It’s a great story about survival and it has great themes of racism and slavery, that Tarantino explores expertly. The performances, the writing, the soundtrack the direction and the themes are all immaculate. Leonardo DiCaprio plays the best villain of the year.

The ten worst of 2012:

10. The Watch

9. Chernobyl Diaries

8. Silent House

7. ATM

6. Red Dawn 

5. Dark Shadows

4. Mirror Mirror

3. Project X

2. The Lucky One

And the true test of patience…

Well, there you have it. Hopefully you agree with some of my picks, like them, dislike them, or even detest them. Feel free to leave comments!