Deliver Us From Evil (2014)

Deliver Us From EvilReleased: July 2, 2014. Directed by: Scott Derrickson. Starring: Eric Bana, Edgar Ramirez, Olivia Munn. Runtime: 118 min.

Director Scott Derrickson brings the same eerie style to his latest film “Deliver Us From Evil” as he did with “Sinister”, even though this is the more basic of the two, without the same heart-pounding effectiveness. Early on, the scares rely heavily on creepy crawlies and scares from hyperactive animals. This choice for atmosphere doesn’t enable any ability to differentiate itself from “The Silence of the Lambs”, until it gets into the story.

The competent mystery begins in Iraq with a small army group who find a cave with odd inscriptions. This leads to 1990s New York where the real-life Sergeant Ralph Sarchie resides. A passionate detective, Sarchie is deeply affected by the abuse of children – it is established early on. The mystery starts when a seemingly insane woman Jane (Olivia Horton) throws her two-year-old baby in the lion’s den at the local zoo. Sarchie is sent on an awry journey and first-hand encounters with malicious evil, and makes him want to find out why a woman with no previous criminal record just lost her mind.

Basic horror film scares can be found in this film: creepy crawlies, strange noises from the basement, weird static, children’s laughter, and children’s toys that come to life. Latin inscriptions might make you expect a basic exorcism film and the long-run, and that’s what is delivered. Some aspects of the mystery are intriguing, particularly the repetition of lyrics from a song by The Doors (“Shut the door, the damn door”). The film, running nearly two hours, is too long for something this basic and something that delivers only a few intense sequences and a creepy atmosphere.

What does set this apart is a sensitive performance from Eric Bana; as he truly captures the essence of Sarchie, who cares deeply for others, even if he is not the best at showing it. By being so dedicated to his community, he neglects to spend time with his family (Olivia Munn isn’t notable as his wife). This is an enjoyable aspect. This is a movie that’s about how people can be affected by secondary evil, and the effects it has on them. Sarchie has been deeply impacted by this kind-of evil, but is now experiencing a whole other type of evil, a primary evil that sometimes can’t be explained. Many of these concepts are brought up by a priest named Mendova (Edgar Ramirez), a heroin addict who found God.

One good thing about this film: This is Joel McHale’s first truly enjoyable film role. He’s been playing jerks since his days of TV’s “Community” and that’s the only place it has previously been effective. This time he plays a mildly likeable character, and perhaps action or horror films might be his calling in the movies.

Score: 63/100

 

 

 

 

 

 

 

Star Trek Into Darkness (2013)

Star Trek Into Darkness

Release Date: May 16, 2013

Director: J.J. Abrams

Stars: Chris Pine, Zachary Quinto, Zoe Saldana

Runtime: 132 min

Summer 2013 seems like a time for vulnerable heroes. First, Iron Man/Tony Stark of Iron Man 3 experienced anxiety after the events of The Avengers. Now, it’s Captain James Kirk’s time. After losing something he holds dear, he takes his U.S.S. Enterprise crew after a Enterprise agent turned war criminal, John Harrison (Benedict Cumberbatch), to settle a personal score. This mission is really bigger than any of them ever expected it to be.

It has become apparent that the plots for Star Trek movies are essentially spaceship wars, where the ship with the biggest guns wins, and it is practically always, the U.S.S. Enterprise. They are also traditional revenge stories; and they don’t elevate above that, because they stick to the formula. These stories are average, but this franchise makes them fun, maybe because it’s a revenge story set in space with big weapons on spaceships. The fun story-lines still don’t make me feel incredibly impressed. That is the reason why, while both of J.J. Abrams’ Star Trek films have been well-done, I am not so eager to seek out any of the Star Trek TV shows or movies with Shatner and Nimoy. I’m good with watching Chris Pine and Zachary Quinto rock their roles.

Simon Pegg’s Scotty and newcomer Alice Eve’s Carol become more primary characters of the Enterprise, as well as, of course, Kirk and Spock. However, there isn’t enough of a focus on Uhura (Zoe Saldana) or Bones (Karl Urban), and the mostly secondary characters of Sulu (John Cho) and Chekov (Anton Yelchin) become more secondary. While they have critical duties to fulfill, it feels like they have a very limited amount of screen time. Bones is usually the prime comic relief character, and while he does produce a few good yuks; Scotty’s the main comic relief in the movie. Will you hear many complaints about that? Probably not, because Simon Pegg is very funny. The whole crew still works as an ensemble, where Alice Eve makes this sci-fi fun a little more sexy. We are still able to become invested with these characters, where even Vulcans become human. The computer-esque, logical thinking Spock is very likeable; and Quinto is such a strong actor, that you might yearn for more of him in roles where he doesn’t have pointy ears and a bowl-shaped haircut. The layer of emotional vulnerability that is added to Kirk is creative, and so is the contrasting layer added to Spock; where he is afraid to portray specific, all-to-familiar, painful emotions.

Some of the best scenes are emotionally powerful ones, as well as some fun scenes where the crew mostly banters in a hilarious way. While that isn’t good for an action movie, the amusing banter is more than welcome. Some of the action sequences are stunning and usually thrilling. That’s the point, they’re bigger, they’re badder, they’re bolder; even if they don’t feel quite as magical as they did in 2009’s Star Trek. More than a few are forgettable, but some really special ones stand out. The story is mostly easy to follow, even if it has the tendency to be complex.

That is mainly thanks to the main villain, John Harrison. Benedict Cumberbatch is a booming on-screen presence. When Kirk relentlessly hits him, he just stands there without a scratch with a facial expression that asks, “What are you trying to do, puny man?” He’s savage, he’s deadly, he’s brilliant, he’s terrifying. He makes Eric Bana’s Nero look like a forgettable, little mouse. I think it further exemplifies the influence of The Dark Knight‘s Joker on blockbuster, good vs. evil action movies, where writers are now trying to find the next, big, brilliant terrorist mind. This guy just might be him. Cumberbatch is the most memorable part of the movie, and he absolutely dominates every scene. Even when he isn’t on-screen, the audience misses him. This isn’t Pine’s show, not Quinto’s, and not even Abrams’ any longer. He dominates it so well, in fact, it should hereby be known as Benedict Cumberbatch’s Star Trek Into Darkness.

In a nutshell: While I wouldn’t call this 2013’s best film, I will call it 2013’s best action and science fiction movie. There are memorable action scenes, good twists and turns, and amusing dialogue exchanges. The villain outdoes the villain of its predecessor; but I think the crew isn’t utilized as well. To Trekkies, the plot might feel reminiscent of a few prior movies; so contrary to one of the franchise’s most prominent taglines, it’ll feel like it is going where prior movies have gone before. Still, this is really fun summer entertainment.

83/100

Star Trek (2009)

Star Trek

Release Date: May 8, 2009

Director: J.J. Abrams

Stars: Chris Pine, Zachary Quinto, Leonard Nimoy

Runtime: 127 min

Throughout elementary school, my dad would turn on the TV at 5 P.M. to channel 50; the Space channel. That’s the time Star Trek: The Next Generation (or whichever Star Trek TV show it was) would play. I’d make a face and say, “Do we have to watch this?” My dad would reply, “Yes.” Suffice to say, I loathed the show. I comprehend why it has such a fan-base, but man, did it bore me to tears!

If a future me told me that, one day, I’d like, let alone love, a movie that had Star Trek in the title, I would call myself crazy. It looks like I should be calling every mental institution in town; because this Star Trek is freaking awesome!

The brash James T. Kirk tries to live up to his father’s legacy with Mr. Spock keeping him in check as a vengeful, time-traveling Romulan creates black holes to destroy the Federation one planet at a time.

Star Trek is built to introduce a great franchise to a younger generation, and I’m really glad that it’s so great. The viewer doesn’t have to be a Trekkie to understand what’s going on or even enjoy the hell out of it, for that matter. It’s fairly easy to follow, for a movie that has a lot of time-traveling. Even people with little brains who don’t understand science fiction so well would be able to follow this. To me, that’s very cool. Someone doesn’t have to be a Trekkie to enjoy what’s going on, mostly because it’s actually an amazing action movie.

There’s explosions, flying bullets, cool creatures, et cetera. All in space. Sweet! J.J. Abrams is able to bring excellent direction to the feature and some humour to the feature. This makes me want to re-watch all that I’ve seen of Abrams’ work, and re-assess my opinions of some of his movies (Cloverfield, Super 8). He truly brings everything to the table, here; and the movie has some great cinematography and visual effects, as well.

Whilst the film has an excellent pace, I don’t think the story is incredibly impressive. The story is very good for what it is, but it is limited and it doesn’t have much room to elevate itself above a mere revenge story. It has a lot of time travel, but I think the story is only slightly above average. There’s lots of action and some nice drama, and the witticism of it all is very awesome. I think the movie’s strongest aspect are its characters and its ensemble cast.

Chris Pine portrays James T. Kirk this time around, and he’s the great face of the franchise for a new generation. The character becomes suffocated by the shadow of his late father, because he wants to live up to everyone’s expectations. This doesn’t stop him from being very confident and having a good time while performing his duties on the U.S.S. Enterprise. The relationship between he and Spock is a fascinating one. Spock is the main target of the villain Nero (Eric Bana). The Romulan villain is out for vengeance of something Spock did or possibly didn’t do, and that’s what thirsts his anger. Bana is intimidating at the time, but truly forgettable.

Anyway, about Spock. Spock is faced with much emotional turmoil throughout the feature, and it hardly helps that he doesn’t know how to effectively portray – or put into words – what he’s feeling. He’s played awesomely by Zachary Quinto, and I think he and Pine are great to lead the Enterprise. It’s great to watch Quinto, because he reminds me why I spent my time watching every episode of TV’s Heroes (I did that task for Hayden Panettiere, too, though). The rest of the cast (Zoe Saldana, John Cho, Anton Yelchin, Karl Urban, Bruce Greenwood, among many others) helps make the fantastic ensemble. They’re an ideal cast to lead the Enterprise. Simon Pegg is also part of the crew, and his role of Scotty reminds me why I enjoy watching him perform so damn much. He’s perfect for this role, and he brings the most wit to the feature. After he shows up, it becomes that much more entertaining and hilarious.

Star Trek isn’t able to elevate itself above a solid revenge story, but there’s hardly anything wrong with that. This enjoyable film will still appeal to both Trekkies and newbies to the franchise. This is immensely entertaining, a great space adventure, and an excellent action film.

88/100