Heaven is for Real (2014)

Heaven is for RealReleased: April 16, 2014. Directed by: Randall Wallace. Starring: Greg Kinnear, Kelly Reilly, Thomas Haden Church. Runtime: 99 min.

Each year in cinema, trends pop up. May they be post-apocalyptic films, last year’s McConaissance, and Young Adult adaptations that just aren’t going away – sometimes these trends are here to stay. One trend of 2014 is religious and faith-based films. This year has seen the release of Son of God and the controversial Noah. The latest faith-based film is called Heaven is for Real

It’s a film set in the town of Imperial, Nebraska; based on an event that occurred back in 2004. A four-year-old boy (Connor Corum) has a near-death experience and claims to have seen Heaven. His parents Todd (Greg Kinnear) and Sonja (Kelly Reilly, Flight) don’t know how to interpret it. They don’t want their kid to become a laughing stock or just a piece of controversy. He soon does find the courage to share his son’s life-changing experience with his parish and then the world six years later, when he wrote a novel about it.

This does seem like a life-changing experience; seeing Heaven could give someone a whole new perspective on life. The concept of Heaven being a concrete fact could frighten some people. I find that hard to understand because it’s an idea that gives me great comfort. They could be afraid to know if their loved ones are or are not in Heaven. Some people believe they see Heaven in the little things on Earth. Some of these ideas are portrayed through Margo Martindale’s character. One aspect of the film isn’t handled with the most realism. I could understand why non-religious people might be maddened by the controversy, but why do the religious folks of this town seem to be so disturbed by it? It’s not like he had a near-death experience and visited Hell instead, and spoke of Hitler being flogged.

I understand where Colton’s parents are coming from, because no one wants to see their kid be ridiculed or seen as vastly different. Colton goes from being an ordinary kid to a sorta ordinary kid with an incredible story. Conveniently, Colton isn’t in pre-school yet, so it’s his parents and older sister who receive the tame backlash of the people who bother to say something. Kinnear’s good in a few scenes and just adequate in others. He’s believable as a father figure and a pastor. I think Reilly is particularly great in two scenes and good the rest of the time. I felt their pain when they thought their son was going to die – it seems like a horrifying experience. Parents will really feel their pain.

Connor CorumConnor Corum is convincing in the way that we could believe he sees Heaven. Another notable aspect is his facial expressions during a rendition of “We Will Rock You,” which border on funny and downright creepy. Otherwise, his performance as Colton is quite distracting. After he halfheartedly delivers his line, he just vacantly looks at his scene partner. When he’s watching his father on stage at Church, he’s vacant with a “I want to be somewhere else” look on his face – the way I looked when I was a kid going to Church. He’s realistic in the way that he’s a kid and he just wants to play– but it’s going to take people out of the movie. Can’t Pierce Gagnon (Looper) portray every kid under the age of 10? Corum is surely cast for his cuteness and resemblance to the real-life Colton Burpo. By the way, you can tell Burpo isn’t a fictional last name because no one can make that shit up. No one’s that cruel! If that was a fictional last name, that would be more humour to accompany the flairs of lite comedy found throughout.

Your enjoyment of the film might depend on your personal faith and tolerance for films with no antagonists. The conflicts are largely man vs. self; people wrestling with their beliefs of this situation. There’s not one antagonist. The sometimes slack narrative could have benefited from one or two. I’m surprised this film is able to milk 99 minutes out of this material. The first twenty minutes is practically all filler. The father is a pastor who works a lot of jobs to make a living and improve his small church in any way he can. The film actually gets into the plot when Colton is rushed to the emergency room after a ruptured appendix that started on the way home from a trip in Denver. 

Without this filler the film would be quite short. Even at its length now, it feels slow, with only self-conflicts to keep the film going. Two sub-plots arise that don’t get consistent focus or a conclusion. They might have helped advance the story a bit. You cannot fault the film for staying focused on the story at-hand. One of the sub-plots is money troubles, where solutions are offered but then the sub-plot is dropped completely. 

Heaven is for Real does prove that films can still be mildly successful with no major antagonists. If screenwriters Randall Wallace and Chris Parker offered an adaptation with a few fictional antagonists, perhaps the narrative would be more compelling. We see so many films that take minor detours from true stories, so what would have been the harm in one more? God forbid the Burpo vision becomes tainted! 

All in all, this is a lovely little drama with a lot of meaning. It could have a more engaging story with some more substance, other than strictly thematic substance. Hey, at least the Nebraska settings make the film look nice. Granted, some people still are not going to believe the story at hand. Since so many sub-plots go unsolved, this still might have the same effect if some opinionated person just stood up and said before the end credits, “I still call bullshit on all of this.” Now, putting that in a Hollywood film would be brave and courageous.

Score65/100

 

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Need for Speed (2014)

Need for SpeedReleased: March 14, 2014. Directed by: Scott Waugh. Starring: Aaron Paul, Dominic Cooper, Imogen Poots. Runtime: 132 min.

Need for Speed (based on the popular gaming franchise) is about as conventional as these crime actioners come. Since the game franchise of the same name doesn’t really have a storyline, and is just racing during dynamic gameplay – the writers come up with a mediocre story for it. It isn’t anything special, written by first-time writer George Gatins. His brother John Gatins (Coach CarterFlight) worked on the story, but it’s a shame he isn’t the screenwriter. His resumé shows he’s stronger.

The film follows Tobey Marshall (Aaron Paul), a street racer and mechanic who spends two years in prison for GTA and manslaughter, the latter is a crime of which he is innocent. Left to take the blame by wealthy business associate Dino Brewster (Dominic Cooper in an underwhelming turn), Tobey jumps parole and travels to California in order to take part in a legendary underground race called the De Leon, with clearing his name and revenge in mind.

Being the slime Dino is, he places a bounty on Marshall’s head to prevent him from taking part in the race. As you can tell, he doesn’t play fair. Why would anyone want to be in business with him in the first place? At the beginning of the movie, he brings a business opportunity to Tobey and co., that, if they can refurbish a Ford Mustang largely from scratch, they’ll get 25% of the $2+ million pay day. Marshall’s motivations for this business endeavour is to save his late father’s auto repairs shop. At least the main character’s motivations are clear and well-established.

Sometimes we don’t get that privilege from other action movies, so at least we get a likable protagonist in Tobey. Also on his list of motivations are vengeance for the death of his friend, and beating Dino on the race track in the De Leon. It looks like all conflicts are solved on the race track, at least that’s what these racing flicks want us to think. (I’ll need my driver’s license to ever solve conflicts, and until then, I’ll always lose!) I think Tobey is likable because he cares about others and he puts them ahead of himself. Aaron Paul portrays him with subtle fierceness and kindness shown towards his co-star. He’s a natural actor and an appealing lead.

Joining him on the trek is Julia Maddon (Imogen Poots), the assistant of the man who bought the Ford Mustang for $2.7 million dollars two years ago. She’s going along on the trek because her boss doesn’t want an ex-con in the car on his own, yet he will lend the expensive car to him in the first place. It must have been in the contract that if the seller ever needs to use the car because he just really needs it, the buyer must lend that party the car, as long as the assistant can tag along. Yeah, makes sense…

Julia’s phobias allow Tobey to be his comforting self. She’s not always a damsel as she holds her own in this actioner by driving the car away from antagonists in a scene or two. She’s also a character that shows women can know some things about cars. Poots is a charming actress, so the chemistry between her and Paul is strong, even though their characters are practically strangers.

This is mostly a road trip movie where cops chase ’em (enabling a police chase aspect from Hot Pursuit to present itself) and they run into many obstacles along the way, like people trying to collect the bounty. At least they’re usually in a fast car. There is a cool sequence where they gas up without stopping. They also defy gravity along the way, maybe not as much as Fast & Furious 6, but there’s one scene where you’re just going to question the plausibility of it. At least it looks cool. Jack of all trades director Scott Waugh (director of Act of Valor, he’s much more experienced in stunt-work, with 41 credits to his name) directs the races well. The visuals of the film are pretty good; there’s a limited amount of CGI used, so that’s nice. The fact that there’s not a lot of CGI makes it more apparent that the 3-D version is just a disposable money grab. Please see this in 2-D, because it’s too dark and sometimes ugly in 3-D.

The film keeps the revenge theme throughout with generic plotting and lots of comic relief (much of which is found in Scott Mescudi’s character), so it’s consistent tonally. Michael Keaton has fun portraying Monarch, the energetic host of the De Leon. The finale is that race with a few distracting aspects but it’s a cool all-or-nothing race for pink slips nonetheless. It takes a while for the film to get to this race. (The film clocks in at 132 minutes; trims on the beginning could cut this down to 120 minutes, because it takes about 25 minutes to actually get into the plot.) The finale’s one of the best parts of the film, so most will think it’s worth the wait, at least those who have a tolerance for mildly fun time-passers.

Score55/100

My Top 25 Films of 2012

2012 saw some great films, and some real stinkers. I have seen 68 of them. These are my top 25 favourite films of 2012, and also the ten worst.

Oh and, some of these films don’t have the highest scores, but they’re higher up on the list. This is because some films (like The Hobbit) have grown on me a lot since I’ve seen them. Click on the title in the caption to get to review (and the titles in the ‘worst of’ list). Anyway, here’s the list, starting with #25:

Pitch Perfect is a fairly original (at least in cinema) and entertaining Glee-inspired musical comedy that may be predictable, but it’s a toe-tapping experience that has a fine plot, great music, some strange characters (most notably Lilly, a character who looks like that creepy big-eyed girl from Frankenweenie), show-stealing performers (like Bridesmaids‘ Rebel Wilson who portrays Fat Amy) and a memorable ensemble cast.

#24 - This is 40

#24 – This is 40

This is 40 is not quite as good as Knocked Up, but it’s a satisfying sort-of sequel. This is sometimes over-dramatic because of the numerous conflicts, but it is driven by fresh, laugh-out-loud comedy that helps Apatow get the message, of overcoming family differences and a mid-life crisis, across very well. Laughs, conflict, and advertisements for iPhones, Apple products, TV’s Lost, and a good role for Megan Fox are all present.

#23 - Ted

#23 – Ted

Ted‘s screenplay may be crowded but we must understand that MacFarlane’s comfort zone is a mere 22-minute slot, while this is a whole 112-minute feature. The end product turns out to be better than anyone would think a buddy comedy between a talking teddy bear and an immature man could be, and Wahlberg and Ted’s chemistry help make this one of the best buddy comedies of the year. I’m excited to see what else first-time director MacFarlane has in store for the silver screen, and I say bring on the sequel.

The film starts out fairly slow, but once the games come around the bend, it instantly becomes intensely engaging and entertaining. The screenplay maintains the fascinating theme of propaganda [and how corrupt the government may become], but doesn’t capture the extreme violence that we fans handled in the novel itself, and there isn’t quite enough bonding time with select characters. The adaptation is nonetheless great, and since it was not followed to a tee, there is room for surprise. Anyone who is willing to accept this fresh experience will enjoy it, as it is a promising beginning to a new teen franchise.

Rise of the Guardians is a slightly flawed, but wildly inventive, animated adventure that may have some deeply thematic material and action sequences that could be midly scary for small children. The main flaw is the disorganized beginning – but it finds its pace soon enough. The concept is a sort of edgy animated feature, but is a great end product. This is one of the most original animated features of the year, mainly because of the alterations to the beloved Guardians, like making Santa Claus look like a Russian biker, are very fresh. This is a great message to teach the kids this holiday season – don’t only believe in Santa around his season, also believe in all the other heroes, at least when their time comes around the bend.

#20 - The Grey

#20 – The Grey

The dialogue of this film allows characters to be thoroughly developed and compelling concepts to arise. When the characters aren’t talking, it gets engaging and thoroughly thrilling. The anti-climactic ending says Carnahan has learned to resist throwing full-throttle action at us, and he instead resists the urge and keeps the astounding and exciting survival film as tame as could be. The mostly unknown actors make the spotlight shine directly on the star: Liam Neeson.

#19 - Lincoln

#19 – Lincoln

Spielberg seems like, at this point in his career, is interested in making ambitious biopics instead of blockbusters like Jaws. The intelligent monologue-filled feature intricately throws information at you, and at times it can be quite a bit to absorb, but it is usually engaging. The cast of Lincoln is impressive, most notably Daniel Day-Lewis, who delivers a kind-hearted, endlessly charming performance that adds layers to one of the greatest figures in American history. Day-Lewis captures Lincoln’s will to get things done, and his genuine and kind self.

Killing Them Softly is a clever mafia tale of violence and despair with a great leading performance from Brad Pitt; with his mysterious character delivering us plenty of violence to keep us happy. This tale is also a social commentary on the local criminal economy in 2008, before Obama stepped into office – the concepts are complex, but there are not difficult to comprehend. The not-so-subtle message may be annoying to some, but the story is very engaging. It is a thought-provoking film brought to life by Andrew Dominik’s stylish and artistic direction.

#17 - End of Watch

#17 – End of Watch

The abrupt ending keeps this from being flawless, but this is a stellar crime story with intelligent writing by writer/director David Ayer (who previously wrote Training Day) with some of the best chemistry I have seen all year. End of Watch does for the real lives of cops what Ladder 49 did for fire fighters, but it’s about twenty-six times better.

#16 - Chronicle

#16 – Chronicle

Chronicle is one of the most surprisingly amazing features of 2012. The rushed pace is its main flaw, but it is an awesome experience for the 84 minutes it stays around. It obtains must-see status because of its thoroughly thematic and disturbing content. It is the most must-see found-footage feature of 2012, perhaps of all-time.

Seven Psychopaths has a clever screenplay and is a fantastic second feature from writer/directer Martin McDonagh. It is equal parts brutal, brilliant and hysterical. It is extremely memorable and has great characters and a superb ensemble cast. It is one of the most original screenplays of the year, and it’s another comedy that proves 2012 is one of the best for that genre.

The story may have ideas crammed in the feature, it undeniably has a very emotional core. If the actors weren’t singing the vast majority of their dialogue, the film wouldn’t be quite as exciting or engaging. This combines a great period piece with a profound musical, and it makes this one of the best features of the year.

Jonah Hill and Channing Tatum create a superb chemistry, and this is one of the finest comedy ensembles of the year. The comedy is always funny, and this is the best action-comedy of the year. The real bite about this is that no one expected it to be very good, and yet, it is a hilarious and exciting ride.

Writer/director Christopher Nolan delivers us an impressive and atmospheric piece of cinema that has incredible thrills, great plot execution and great direction, character development that has room for improvement and a slow build-up that leads to an incredible climax. It is also a thoroughly impressive end to a great trilogy, it’s a slight step-down from the high standards set by The Dark Knight, but it is better than Batman Begins.

#11 - Skyfall

#11 – Skyfall

Skyfall is a compelling experience with great pacing, a great story and great humour. Javier Bardem is simply astounding. His presence is really worth the wait. He is one of the greatest criminal masterminds of recent memory, comparable to both Heath Ledger’s The Joker and Anthony Hopkins’ Hannibal Lecter. He is the second best villain of the year, right behind Leonardo DiCaprio’s Calvin Candie in Django Unchained.

#10 - Looper

#10 – Looper

Looper offers an entertaining and memorable action experience with a great story and characters, making it a film that should be cherished. Looper is slightly flawed because of a sometimes crowded screenplay and numerous antagonists, but it has a complex story that’s surprisingly easy to follow, with great characters like Jeff Daniels’ nice-guy-ruthless-when-he-wants-to-be crime boss.

The Hobbit: An Unexpected Journey is a thoroughly satisfying start to a new Middle Earth trilogy. Its usually silly undertone may frustrate some, but to most, like myself, it makes for a great experience. The many expendable dwarfs may get a lot of the attention, but it is very much Bilbo Baggins’ show. That is until the show-stealing Gollum shows up for one of the best scenes of the feature. I cannot wait to see what the trilogy looks like when all of the films are released.

#8 - Life of Pi

#8 – Life of Pi

Life of Pi is interesting because it is not afraid to bring in concepts of faith and religion. It is also visually beautiful, sometimes funny, thought-provoking, magnificent, terrifying and saddening. There is also a  great story, great direction, wonderful cinematography, great conflicts and relationships present. The actors bring it all to the table, and a short list of performers carries the film very well. This is one of the best films of the year that will be a large Oscar contender. If you’re going to see this, see it in its full 3D glory.

#7 - Flight

#7 – Flight

The drama is solid and the overall film if profoundly enjoyable, compelling, emotional, sometimes funny and often gripping. The suspenseful scene at the beginning is the only action scene in the feature, and it soon turns into a character study, with fascinating concepts of addiction. Those who find the concept of addiction fascinating will enjoy this even more.

Many may think it is simply just another teen slasher, but what gets thrown at you is surprising, extremely fresh and endlessly entertaining. This is one of the most original horror films of all time, with signature bites of comedy from Joss Whedon.

Wreck-It Ralph is the finest animated feature of 2012 and is generally one hell of a nostalgic and enjoyable film. This is like the Toy Story for a new generation. Disney has delivered us a great film yet again, and mashed two generally loved things together: their acclaimed animation, and video games. I had high expectations for this film, and this really rocked my world.

#4 - Argo

#4 – Argo

One of the most captivating things about the nerve-racking Argo is the boiling suspense of the situation, and the viewer can just feel it build throughout. Argo plays out like an assassin giving you his first choke-hold, he’s inexperienced and you may feel the grip loosening from time to time, but then it strengthens again and doesn’t let go until the very end.

Silver Linings Playbook is hilarious, beautiful, meaningful, sad, emotional, and very dramatic at times. It is a truly magnificent blend. One thing that helps the film is the impeccable writing by David O. Russell, and Matthew Quick who originally wrote the novel. The viewer may not be able to relate to the exact situation of these characters, but they could fully understand their motivations – and most may have felt similar emotions that these characters express on a daily basis.

The profound analysis of teenage angst is accurate, brilliantly touching, and heartbreakingly poignant. The performances are great, the story is awesome, and the atmosphere it offers is perfect. This is a film that I’d like to watch over and over. That’s one heck of a definition for an enjoyable experience.  It’s a fine, under-seen classic of 2012 that can define a generation as well as John Hughes could.  If it comes to your town, get off the couch, grab a few friends – but if you don’t have any, it’s okay to be a wallflower – and go see this movie!

Django Unchained is a modern masterpiece, and is Tarantino’s finest film yet (even if I’m the only one to think so). It’s a great story about survival and it has great themes of racism and slavery, that Tarantino explores expertly. The performances, the writing, the soundtrack the direction and the themes are all immaculate. Leonardo DiCaprio plays the best villain of the year.

The ten worst of 2012:

10. The Watch

9. Chernobyl Diaries

8. Silent House

7. ATM

6. Red Dawn 

5. Dark Shadows

4. Mirror Mirror

3. Project X

2. The Lucky One

And the true test of patience…

Well, there you have it. Hopefully you agree with some of my picks, like them, dislike them, or even detest them. Feel free to leave comments!

December 14-16 Box Office Predictions

Sorry for the late post.

The Hobbit: An Unexpected Journey

The Hobbit: An Unexpected Journey

Plot: A curious Hobbit, Bilbo Baggins, journeys to the Lonely Mountain with a vigorous group of Dwarves to reclaim a treasure stolen from them by the dragon Smaug.

This trip back to Middle Earth has been anticipated by many all year. It is the most anticipated prequel since The Phantom Menace, so hopefully it doesn’t disappoint people as much as that did.

T.H.: A.U.J. Prediction: $97, 500, 000

Save the Date

Save the Date

Save the Date

Plot: Sarah begins to confront her shortcomings after she rejects her boyfriend’s hasty proposal and soon finds herself in a rebound romance. Meanwhile, her sister Beth is immersed in the details of her wedding.

It’s just a new indie romantic comedy with the sexy Alison Brie and Lizzy Caplan.

S.t.D Prediction: $62, 000

Top 10 Box Office Predictions

TITLE/PREDICTION/STUDIO/ROTTEN TOMATOES SCORE

1. The Hobbit: An Unexpected Journey/ $97, 500, 000/ Warner Bros./ 69%
2. Skyfall/ $8, 750, 000/ MGM/ 92%
3. Rise of the Guardians/ $8, 400, 000/ Paramount/DreamWorks/ 73%
4. The Twilight Saga: Breaking Dawn Part 2/ $7, 600, 000/ Summit Ent./ 47%
5. Lincoln/ $7, 250, 000/ Buena Vista/ 91%
6. Life of Pi/ $6, 800, 000/ Fox/ 88%
7. Playing for Keeps/ $4, 600, 000/ FilmDistrict/ 3%
8. Wreck-It Ralph/ $4, 000, 000/ Buena Vista/ 87%
9. Red Dawn/ $3, 250, 000/ FilmDistrict/ 11%
10. Flight/ $2, 500, 000/ Paramount/ 77%

 

Box Office Predictions: November 30 – December 2

 

The Collection

The sequel to 2009’s The Collector. This sort of has a similar atmosphere to the Saw serial, without all the moral dilemmas, and just more torture porn. The Collector opened to $3.5 million, and grossed $7.7 million. That was well-appreciated by audience members, so I anticipate this to gross more than the first. People seem to really miss the Saw franchise, and this could really fill that void.

T.C. Box Office Prediction: $5 million

Killing Them Softly

This looks really good. The story seems awesome and the cast is stellar. Brad Pitt as a hitman? Cool.

K.T.S. Box Office Prediction: $9.8 million

TOP 10 BOX OFFICE PREDICTIONS

TITLE/PREDICTION/STUDIO/ROTTEN TOMATOES SCORE

1. The Twilight Saga: Breaking Dawn Part 2/ $32, 000, 000/ Summit Ent./ 47%
2. Skyfall/ $22, 500, 000/ MGM/ 92%
3. Lincoln/ $18, 000, 000/ Buena Vista/ 91%
4. Rise of the Guardians/ $16, 000, 000/ Paramount (DreamWorks)/ 76%
5. Life of Pi/ $15, 800, 000/ Fox/ 87%
6. Wreck-It Ralph/ $11, 000, 000/ Buena Vista/ 86%
7. Red Dawn/ $10, 200, 000/ FilmDistrict/ 11%
8. Killing Them Softly/ $9, 800, 000/ Weinstein Company/ 90%
9. Flight/ $6, 400, 000/ Paramount/ 77%
10. The Collection/ $5, 000, 000/ LD Entertainment/ 86%

November 23-25 Box Office Predictions

November 23-25 Box Office Forecast

Hitchcock

Plot: A love story between influential filmmaker Alfred Hitchcock and wife Alma Reville during the filming of Psycho in 1959.

Hitchcock is the much anticipated biopic of Alfred Hitchcock that depicts his relationship with his wife during the making of 1960’s Psycho. Anthony Hopkins seems quite fitting and chilling in the role. It’s hitting sixteen theaters this weekend (I wish it would be coming to more!!) and it will be a treat for lovers of the masterful director and lovers of a good love story.

Hitchcock Prediction: $360, 000

Life of Pi

Plot: A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor … a fearsome Bengal tiger.

Ang Lee’s new feature, based on Yann Martel’s novel, seems visually beautiful and the story sounds quite intriguing. This time around, he’s directing an aggressive tiger, not a crouching one. This could very well be a frontrunner at the Oscars this year. It’s at 2700 theaters this weekend.

L.o.P Prediction: $28, 400, 000 (Wed-Sun)

Red Dawn

Plot: A group of teenagers look to save their town from an invasion of North Korean soldiers.

This one has sat on the shelf since 2009, but now it’s finally here… To the sound of poor reviews. That won’t stop me from seeing it, though. Apparently the original wasn’t great, so maybe filmmakers could do it better this time. The original had an opening weekend to the sound of $8.23 million, but I’m hoping it’ll be much better this time around.

R.D. Prediction: $17, 200, 000 (Wed-Sun)

Rise of the Guardians

Plot: When the evil spirit Pitch launches an assault on Earth, the Immortal Guardians team up to protect the innocence of children all around the world.

DreamWorks Animation is a very hit-and-miss studio. It’s had winners like the first two Shrek films, the apparently great How to Train Your Dragon, the pretty good Madagascar trilogy, and Kung Fu Panda. But, they’ve also had losers like Shark Tale and Over the Hedge. Guardians‘ story seems very intriguing and original. While it does seem a little odd, I really want to check it out. It looks like a great adventure with an awesome voice cast.

R.o.t.G Prediction: $59, 500, 000 (Wed-Sun)

Rust and Bone

Plot: Put in charge of his young son, Ali leaves Belgium for Antibes to live with his sister and her husband as a family. Ali’s bond with Stephanie, a killer whale trainer, grows deeper after Stephanie suffers a horrible accident.

Rust and Bone is a foreign feature and is Jacques Audiard’s follow-up to the acclaimed A Prophet. It seems intriguing and I might want to check it out once it comes to town.

R.a.B Prediction: $175, 000

Silver Linings Playbook

Plot: After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.

David O. Russell brings us a potential Oscar contender with the anticipated Silver Linings Playbook. This is his follow-up film to 2010′s The Fighter (that opened to $12.135 million in its wide opening weekend), and he actually surprised a few people by not choosing Mark Wahlberg as the former teach Pat Solitano. Russell is often at his best while directing Wahlberg. Though, regardless of its main star, it still looks charming, funny and thematic. The cast makes the film look even more promising. S.L.P comes to 367 theaters this weekend.

S.L.P. Prediction: $5, 250, 000

TOP 10 BOX OFFICE PREDICTIONS

TITLE/PREDICTION/STUDIO/ROTTEN TOMATOES SCORE

1. Rise of the Guardians$59, 500, 000Paramount (DreamWorks)76%

2. The Twilight Saga: Breaking Dawn Part 2$52, 000, 000Summit Ent./ 47%

3. Life of Pi/ $28, 400, 000Fox86%

4. Skyfall/ $22, 800, 000MGM92%

5. Red Dawn$17, 200, 000FilmDistrict12%

6. Wreck-It Ralph$13, 500, 000Buena Vista86%

7. Silver Linings Playbook$5, 250, 000Weinstein91%

8. Flight/ $4, 300, 000Paramount/ 78%

9. Argo$3, 200, 000Warner Bros.95%

10. Taken 2/ $1, 500, 000Fox21%

Are you any of you going to the theater this weekend?

November 9-11 Box Office Results

Skyfall raked in a majority of the dough this weekend, with $90 million (including Thursday’s earnings)! It so deserved it, too, because it’s just about one of the finest action films of the year, and it is generally one of the best of the year as well! And Lincoln took in an impressive $900, 000 at eleven theatres this weekend. Also, at least surprising to me, Pitch Perfect sneaked into the Top 10 this weekend at #8, but that’s pretty sweet for it!   Well, now to the numbers!

And, if you missed any of my reviews of the movies in the Top 10 Box Office, just click the link on the title and it will lead you right to it!

Top 10 Box Office, The Results (Estimates)

1. Skyfall: $87, 800, 000

2. Wreck-It Ralph$33, 056, 000

3. Flight: $15, 100, 000

4. Argo$6, 745, 000

5. Taken 2$4, 000, 000

6. Here Comes the Boom$2, 550, 000

7. Cloud Atlas$2, 525, 000

8. Pitch Perfect$2, 504, 000

9. The Man with the Iron Fists$2, 490, 000

10. Hotel Transylvania$2, 350, 000

My Box Office Predictions (Title/Prediction/Off by(+/-))

1. Skyfall/ $85, 000, 000(-) $2, 800, 000

2. Wreck-It Ralph$42, 800, 000(+) $9, 744, 000

3. Flight$19, 000, 000(+) $3, 900, 000

4. Argo$8, 500, 000(+) $1, 755, 000

5. Taken 2$5, 000, 000(+) $1, 000, 000

6. Here Comes the Boom$2, 250, 000(-) $300, 000

7. Cloud Atlas$4, 200, 000(+) $1, 675, 000

9. The Man with the Iron Fists$6, 200, 000(+) $3, 710, 000

10. Hotel Transylvania$3, 100, 000(+) $750, 000

Other Predictions: 

11. Paranormal Activity 4$2, 800, 000(+) $780, 000

15. Lincoln$328, 000(-) $572, 000

I was off by a grand total of $25, 634, 000.

Did any of you get to the theatres this weekend, or have any time to watch any movies (in general)?

My reviews of other films in theatres

Chasing Mavericks

The Dark Knight Rises

End of Watch

House at the End of the Street

Looper

The Perks of Being a Wallflower

Seven Psychopaths

Sinister

Ted

Trouble with the Curve

I’ve been putting these reviews at the bottom of my results article because I’m trying to get a little bit more traffic for them (in case you readers missed the reviews). And I, just now, realized by revealing the scores, it isn’t any good at getting more traffic. Who wants to read a review when they already know the score I gave it? I don’t think I’d do very well working in advertising…