Top 20 Films of 2013

This list is a lot late, but I still wanted to see a few more films before making my list. I still have a lot to go, but I’m pleased with the current Top 20 I have at the moment. I might do an article later in the year with an unofficial updated list, just to show how what films might have made the cut if I’d seen them before making the list. Without further ado, here’s my Top 20… I was going to have the whole list displayed in pictures, but the formatting was off for the first half so only the Top 10 are displayed with pictures.

20. Pain & Gain
19. The Kings of Summer
18. Spring Breakers
17. Dallas Buyers Club
16. The Hobbit: The Desolation of Smaug
15. The Place Beyond the Pines
14. Captain Phillips
13. Evil Dead
12. The Conjuring
11. The World’s End

7. Mud

7. Mud

4. Her

4. Her

 

Honourable mentions: Monsters University, Fast & Furious 6, 42, Saving Mr. Banks and The Great Gatsby


 

Now this is my bottom 5 of 2013…

The Lords of Salem

The fifth worst film of 2013: The Lords of Salem

The fourth worst film: The Hangover Part III

The fourth worst film: The Hangover Part III

Third worst: Movie 43

Third worst: Movie 43

Second worst: Grown Ups 2

Second worst: Grown Ups 2

The worst film of 2013 is... Scary Movie 5

The worst film of 2013 is… Scary Movie 5


 

Any thoughts on my thoughts? Sound off in the comments if you still want to do a bit of reminiscing of what 2013 had to offer! 🙂

 

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Box Office Predictions: March 7-9

While “The Lego Movie” is still going strong, this weekend is seeing a release of some straight competition for it: “Mr. Peabody and Sherman.” It’s an animated time travel family comedy that looks like fun. Similar films open at $38.1 million, and I think this has potential to hit around there, probably not pass $40 million because of the competition from “LEGO” (now at about $213 million domestically), but hit around there nonetheless. My prediction is $35.3 million.

The other new release this weekend is “300: Rise of an Empire,” the sequel to 2007’s smash hit that opened on the same weekend to the sound of $70 million. People love their war movies, but I wonder if people won’t dig this as much without the direction of Zack Snyder. This was supposed to be released in August of last year but was postponed to this weekend, so hopefully it’s worth the wait. (I really hope it’s good because I love the poster and it’d look awesome on my wall.) Similar films open at $32 million, a little less than half of 300‘s opening weekend. With the difference of seven years between this and the first film, it’s been able to muster quite the fanbase (it stands at a 7.8 on IMDb from over 450 thousand ratings), but this won’t have nearly as great as an opening weekend. An opening of $44.7 million sounds more likely.

Here’s how I see the Top 10:

1. 300: Rise of an Empire$44.7 million
2. Mr. Peabody and Sherman$35.3 million
3. Non-Stop$15.68 million
4. The Lego Movie$15.621 million
5. Son of God$14.081 million (review coming in the a.m.)
6. The Monuments Men$3.211 million
7. Frozen$3.094 million
8. RoboCop $2.254 million
9. 3 Days to Kill$2.252 million
10. Pompeii $2.001 million

January 31 to February 2 Box Office Predictions

The two films being released the last weekend of January is “Labor Day” and “That Awkward Moment.”

The idea of a film called Labor Day being released in January is a bit of a funny idea. At 2584 theatres, this is the widest initial release for any Jason Reitman film yet. Similar films debut at $9.7 million. I doubt this film will hit double digits this weekend – I saw it yesterday, and I wasn’t a big fan of it. My review will be posted late Friday or Saturday. This is starting the February romantic craze two weeks early before Valentine’s Day, but I wonder how many are in the romantic mood. Anyway, my prediction for this is $7.7 million.

But if people are in the romantic mood, I think “That Awkward Moment” might be a better date night choice. It looks funny and it’s about relationships where people are in that state where they ask “Where’s this going?” It seems like one of those “The do’s and do not’s of dating” sort-of flicks. I’m sold on the cast, practically, well three out of four of them – I like Efron, and Michael B. Jordan especially – I still have to see him in “Fruitvale Station”, though – and Imogen Poots is good, she’s one of the only things I liked about “All is By My Side.” I’m undecided about Miles Teller, but I’ve only seen him in “Project X” and “21 & Over,” and since I hated both of those – I’ve only seen Teller work with shitty material. I might have to wait to see “The Spectacular Now” to form a stronger opinion about him. Anyway, films similar to this open at $13.7 million. What I’m curious about is, will this open closer to “21 and Over’s” $8.7 million, or “Project X’s” $21 million? Since it has Zac Efron, I think it’ll open to $18.3 million.

As for as the first holdover for “I Frankenstein,” I think it’s likely it’ll drop at least 50%, probably more like 57% since when it grosses such a low number – at $8.6 million – it usually just shuffles out of theatres. It seems to me that it will be in its second-rate theatre run by February 7th, depending on how it does this weekend. But if you want to see it in theatres, I’d get on it!

Here’s how I see the Top 10:

1. “That Awkward Moment”: $17.3 million
2. “Ride Along”: $13.4 million
3. “The Nut Job”: $8.3
4. “Lone Survivor”: $8.2 million
5. “Labor Day”: $7.7 million
6. “Frozen“: $7.3 million
7. “Jack Ryan: Shadow Recruit”: $6.3 million
8. “American Hustle“: $5.3 million
9. “I, Frankenstein”: $4.9 million
10. “The Wolf of Wall Street“: $4.5 million

Frozen (2013)

FrozenReleased: November 27, 2013. Directed by: Chris Buck, Jennifer Lee. Starring (voices): Kristen Bell, Josh Gad, Idina Menzel. Runtime: 1o2 min.

I heard that “Frozen” utilizes music to assist its narrative and to portray the character’s feelings, but I didn’t think there’d be a musical number right off the bat. There’s a cute reindeer and a cute little kid on the screen while working men are singing a working song while loading ice onto sleds. The catchy tune and the beautiful landscapes hooked me right away. I couldn’t help but wonder why the landscape looked green and wasn’t frozen? The story starts when the two princesses, Anna (Kristen Bell) and Elsa (Idina Menzel), are children. The two sisters are best friends, until a near death-experience for Anna, when Elsa and her were playing, wipes her memory of Elsa’s true powers and makes their parents want to hide the two princesses from the kingdom in order to hide her powers.

When Elsa becomes the Queen of the Kingdom of Arendelle, she has to interact with the people. She is scared of what the people would think if her powers were exposed, while Anna could not be happier to be let out of the castle. Later on in the night, Elsa’s powers are exposed in a fit of impatience, and when she runs away, she puts unintentionally puts the kingdom in an eternal winter. Anna must set out on a perilous journey climbing snowy mountains accompanied by a worker bee Kristoff (Jonathan Groff), his reindeer Sven, and a trusty snowman called Olaf (Josh Gad).

I thought this might have been a bit more like “Narnia” where the kingdom has been trapped in a winter for awhile because she didn’t know how to reverse it; not where the kingdom is trapped twenty or so minutes in. I didn’t mind, though. It’s interesting to see the way the citizens have to adapt to the sudden change of weather. The character designs look absolutely great; the princesses are really beautiful, and great additions to the Disney princesses line-up. There’s one character called Hans (Santino Fantana), who Anna falls for pretty quickly. Elsa is a realistic character who doesn’t think people should marry each other after knowing each other eight hours. Many might expect Kristoff to be the initial love interest, but it’s refreshing how that isn’t the case.

Anna is a great character because she is so full of wonder at everything, and you’d be, too, after being trapped in a castle after all those years. The isolation is reminiscent of other animated films, but it’s handled so well in this. Anna’s curiosity is entrancing, and it’s heartwarming how she wants to love her sister so badly even though she feels like she doesn’t know her anymore. It’s heartbreaking, too, because Elsa is afraid of hurting her sister again. It seems that Elsa is an antagonist to herself because she is scared of what her powers might do to others, but she still has a lot of love in her heart, even though she struggles with it. A lot of these emotions are portrayed through incredible original songs.

She’s not a villain, but an anti-hero who doesn’t mean to harm others unless endangered- or so it seems to me. She has a great sense of self-empowerment, really, as shown in “Let It Go” – a song that also shows she is accepting her true self. I love the bond of sisterhood portrayed here. One main antagonist is the Duke of Weaselton (Alan Tudyk), who sees Elsa as a sort-of Frankenstein. And there’s a giant snowman called Marshmallow that Elsa makes to protect her. Other than them, there’s not many antagonists, but a lot of conflict – and a whole lot of entertainment.

The music is one of the best parts about the film, and the voicework is memorable. The bonds between all of these characters are fascinating. I think the singing is just excellent. Jonathan Groff is pretty good, I liked him best when he was doing his voice for his reindeer Sven. His mannerisms are very funny, especially when his tongue hangs out. It’s also refreshing that the animal can’t talk. Yet, there’s a talking snowman. Olaf is hilarious, and a bulk of the comic relief, but other characters in the film are funny, too. This is just entertaining and remarkable. The animation is also outstanding, snow has never looked so beautiful in an animated film. The landscapes are just quite breathtaking.

I hope there are more films made that have stories based in Norway. It’s kinda cool. (I didn’t really realize it was a Nordic country until a scene featuring a character with a very Nordic accent.) What I think is really great about this movie, is that even though it has themes that Disney has used before – love, accepting oneself, sisterhood, all those great themes that help improve the narrative – it still has the ability to surprise and mesmerize, manage to solve conflicts in refreshing ways, and make classic themes feel original – and that’s quite an achievement.

Score97/100

The Grey (2012)

The Grey

Release Date: January 27, 2012

Director: Joe Carnahan

Stars: Liam Neeson, Dermot Mulroney, Frank Grillo

Runtime: 117 min

Tagline: Live or die on this day.

The Grey was a pleasant surprise.

After their plane crashes in the Alaskan wilderness, six oil-workers are led to survival by a skilled huntsman (Neeson). What they soon find out is that they are being stalked by a pack of hungry wolves.

It’s actually a pretty great thrill ride, and I cannot think of any other survival film that I had a better time with than this. Liam Neeson delivers in this film, along with others who I was quite impressed by.

I liked how they did the casting in a fashion of One Flew over the Cuckoo’s Nest, in the way that they had one central, well-known actor (in this case: Neeson; in Cuckoo’s Nest case: Jack Nicholson) and other moderately unknown (as I was hardly familiar with any of the other actors, with the exception of James Badge Dale as I had seen him in The Conspirator and the bad film adaptation of Lord of the Flies) actors. In this fashion, the audience takes more to the lead actor.

I was rather satisfied with the film, and the direction (as I didn’t like Carnahan’s project, Smokin’ Aces).

The thrills were grand, the plot execution was actually pretty impressive, and the character development was quite good. The only two complaints I have about the film is that at times, there was too much talking and not enough action – which, in turn, made for swell character development. It was also really quite anti-climactic; but just fast forward to after the end credits, there’s a really brief scene.

It was filled with thrills, pure entertainment, and quite a few sentimental moments.

And it has a really awesome poem that’s a nice theme of the film: “Once more into the fray. Into the last good fight I’ll ever know. Live and die on this day. Live and die on this day.”

The film is like an awesome mix between Frozen and the badass qualities of a really good Liam Neeson action flick.

If survival films, or Liam Neeson, or good movies in general are your thing, this is a film that is worth checking out. It offered nice thrills and good characters.

80/100