Godzilla (2014)

GodzillaReleased: May 16, 2014. Directed by: Gareth Edwards. Starring: Aaron Taylor-Johnson, Elizabeth Olsen, Bryan Cranston. Runtime: 123 min.

Gareth Edwards brings his latest film to life with ambition and a great scope. Edwards previously dabbled in the monster genre with his refreshing low-budget film called Monsters, which was impressive in its effectiveness. This time, Edwards gets a gargantuan budget of $160 million for Godzilla, which only seems right for the King of the monsters. Godzilla thrives in its cinematography, visuals and score. It’s a visually stunning film, but it’s disappointing that there’s only twenty seconds of daylight monster clashes. At least there isn’t as much rain as in Pacific Rim, but it’s a bit disappointing that the monster clashes are basically all at night. It must be less expensive to render the creature effects in a darker setting. 

The plot is that Godzilla has to stop these malevolent creatures who threaten humanity. They gain their strength by absorbing radiation as a food source, and there’s no short amount of that in 2014. The strange creature design makes them look like hybrids of a praying mantis and a pterodactyl covered in some sort-of metal coating. Well, that might be the worst explanation of what they look like, but trust me – they look weird. A team of anthropologists and scientists were experimenting on the radiation beasts to learn about their species. Ken Watanabe is only okay but that’s basically because his character, the boss behind the research in Japan, is so boring. David Strathairn has a role as a military general who orders bombs to be brought into this whole situation. Their interference is how the film suggests that humans only make matters worse. Just let the giant lizard handle it. Why not, right? 

Godzilla is the star of the show, even if his screen time is basically the same amount as Judi Dench in Shakespeare in Love. But when he’s on-screen, the film is an absolute blast. And when fire-breathing is brought into the mix, it’s truly exciting. Director Gareth Edwards is able to orchestrate fine intensity throughout the film. He does it like a master with the film’s phenomenal score. Edwards has Godzilla swim beneath boats, teasing characters like Bruce the Shark of Jaws might. (Edwards is smart to take tension building inspiration from Spielberg’s films.) Since Godzilla has mildly limited screen time, Edwards spaces out four nifty action set pieces with intelligence – the HALO jump is awe-inspiring, made even better being set to the Monolith scene from 2001: A Space Odyssey – teasing us with little tastes of what’s to come before a memorable finale. 

His direction is the film’s saving grace. Godzilla’s most disappointing aspect is that it is phenomenal in so many areas but just awful in so many others. When action isn’t happening, or when Godzilla isn’t on-screen, this is so boring – save a great opening half an hour, because they are emotionally charged and gripping. During those thirty minutes, Bryan Cranston compels as Joe, the film’s strongest character. He delivers the film’s only strong performance. Joe becomes obsessed with a project after a loss (his drive as a character, as well as sacrifice and love) which leads his son Ford (Aaron Taylor-Johnson) to assume that he’s bat sh-t crazy. The strong character development for one person is strange, because this way you’re allowed to expect other characters to be solid as well, but nope – the others are quite poor.

Elizabeth Olsen’s Elle Brody is mediocre. She’s okay for what she is, either a crying or smiling character. She’s only elevated by Olsen’s appealing tenderness as an actress. Aaron Taylor-Johnson’s Ford is a different story. After the death of his mother, he picks the basic human reaction of the latter of the fight or flight concept, while his father goes deep into the former. Ford, a military Lieutenant whose expertise is bombs, initially gets separated from his wife when he is called to Japan to pay his dad’s bail after he is arrested for trespassing on an evacuated radiation site, which is the location of his old home. Ford’s motivations are his family – and that’s the only reason you’ll want him to get home safely and see his lovely movie family again. He’s one of those average guy characters plunged into a greater situation, but he’s so freaking boring. Taylor-Johnson isn’t able to make this character remotely interesting. Where’s his charisma from Kick-Ass? He doesn’t bring any of that to the table, and he’s like a different actor with little charisma. The only strong aspect of his performance is his chemistry with Olsen. 

The boring characters might stem from the film’s grave tone and Gareth Evans’ inability to make his film consistently fun. I haven’t felt this dead inside since August: Osage County. This is like the monster movie equivalent of Man of Steel because it will either be perceived as fun or boring, and if anyone makes a joke, it feels foreign. You will beg for the so-called comic relief character that is usually a point on the modern summer blockbuster checklist. Couldn’t have they broken tone by having a well-known comedian roaring back at Godzilla? That would be welcome as one of his long roars feels empty. Maybe Godzilla could have broken the fourth wall and said something witty. Like this for example: “If I’m monster royalty, I need a stronger Hollywood film for me to headline next time.” 

Score: 58/100

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Pacific Rim (2013)

Pacific RimRelease Date: July 12, 2013Director: Guillermo del ToroStars: Charlie Hunman, Idris Elba, Rinko KikuchiRuntime: 132 min.

“Pacific Rim” is the first movie I attended a premiere for since “The Hobbit: An Unexpected Journey” back in December. As the day of the premiere approached, I became more and more excited. Heck, I could hardly even sleep one night coupled with my excitement and crappy sleeping habits. Let’s just say, “Pacific Rim” satisfies in most of its critical aspects.

As a war between humankind and monstrous sea creatures wages on, and creatures attack at an increasingly rapid rate, a former pilot and a trainee are paired up to go on a high-stakes mission in a desperate effort to save the world from the apocalypse.

There are some refreshing aspects to this feature that one might not see in an average summer tent-pole. There’s no leading star power, but Charlie Hunman (TV’s “Sons of Anarchy,” “Children of Men”) is good as a character you’ll enjoy, but you probably won’t remember his name. In this film, there doesn’t have to be much star power, because everybody knows the real stars are the robots (Jaegars) and the monsters (Kaiju). If one had to compare this to anything, it’s like a “Godzilla” movie and that Rock ‘Em Sock ‘Em Robots game. There’s a lot of new content here, and it’s an awesome ode to monster movies. This is going to stand out in memory as one of the most original movies of the year.

I appreciate that this movie isn’t merely just a visual feast. The story gets care put into it and it keeps the viewer guessing. It’s ridiculous at times, but it’s going to have to be in a sci-fi monsters vs. robots feature. The concepts of the Drift and the Neural Handshake are fascinating. It is the most effective storytelling presented in a movie event so far this year, so that’s a compliment to this, but not exactly to 2013 blockbusters as a whole. The thing is, one’s average big-budget extravaganza has a larger focus on visuals and less on story – so to see that in a film like this is refreshing. Though, like the modern big-budget flicks, this is going to feature a lot of loud noises!

There are also some appealing characters, even if they aren’t memorable. Mako (Kikuchi) is given layers, as something from her past is haunting her. Marshall Stacker Pentecost (Elba) is quite possibly the character you’ll care about the most. Elba delivers one of the year’s most memorable speeches, and it’s still pretty damn effective when one finally sees the movie after seeing the trailer seven times. The research team of Newton (Charlie Day) and Gottlieb (Burn Gorman, “The Dark Knight Rises”) is comedic gold, and one of the movie’s best aspects. It also shows that this movie has a comedic way about it, as well, even if it has the tendency to be cheesy. That pairing is the movie’s best aspect besides the big battles, of course.

The battles everybody is anticipating are spectacular in a visual way, and lots of fun. You’ll nerdgasm a few times throughout, at the battles and the great creature design, but mostly at the battles. I cannot help but wish that more battles occur during daylight. All of the mashes occur during the night, mostly in the middle of the ocean, and in the pouring rain. Granted, the monsters’ invasion might alter the climate to make it rain a lot, but it would be nice to see them fight without the rain. It would also be great to see a little less splashin’ on the screen, and some more monster mashin’. It’s as if they’re in a wave pool.

This feature also has to find a comfortable pace before it can really get to the heart of the story, so a shorter film would be welcome. Nobody wants to see the humans. We nerds are here for the robots. You’ll care about the humans, sure, but you’ll only truly care about the survival of a select few characters, and since these characters believe in the greater good of the humankind, we’re taken on an emotional roller coaster with them. These folks also make a great ensemble cast, made up of little to no bankable actors. This is visually stunning in its IMAX 3D glory, and you’ll be getting a front row seat to one of the most awesome speeches of the year.

This movie is awesome. It will remain one of the 2013’s best blockbusters. It’s also a great addition to a fantastic year of science fiction, a genre that is growing on me. I know I’ve thrown a lot of ‘Most memorable speech’ and ‘Best storytelling in a sci-fi extravaganza’ so far this year, but I remain undecided if this will be included in my Top 25 of the year, looking at what is coming in the second half of the year. It’s immensely enjoyable, but I’m not sure when I’ll feel the urge to revisit this. At the end of the year, if I think back to the pure awesomeness of a Jaegar picking up a giant boat and using it as a baseball bat to hit a Kaiju with repeatedly, this movie might find its way on my Top 25 list.

Score80/100

My most anticipated movies of July

Hi everyone, this is my post for the movies I’m most anticipating this month. I’m going to leave out the ones I’m not anticipating (but will be seeing), because who wants to write a paragraph about a movie they’re not particularly passionate about? (I’m talking about you, GROWN UPS 2.) I’ll be writing reviews about those said movies, but that’s for another day – and I love writing reviews. So, that’s good, then. I’ll start with a few thoughts on the movies I can wait for, but I am looking forward to watching.

Fruitvale Station (7/12)

Fruitvale Station (7/12)

Plot: The true story of Oscar, a 22-year-old Bay Area resident, who crosses paths with friends, enemies, family, and strangers on the last day of 2008.

I like a good bio pic and a good emotional drama, so I’m intrigued by this. It also has critics raving, so I’m hoping it’s good. I thought Michael B. Jordan is great in CHRONICLE, and I like Octavia Spencer in just about anything.

Red 2 (7/19)

Red 2 (7/19)

Plot: Retired black-ops CIA agent Frank Moses reunites his unlikely team of elite operatives for a global quest to track down a missing portable nuclear device.

I can mostly wait for this one because I haven’t seen the first. I own it, so I’ll watch that this week or next or something, and then maybe I’ll be a bit more excited about this one. I love a good crime comedy, and the cast intrigues me.

R.I.P.D. (7/19)

R.I.P.D. (7/19)

Plot: A recently slain cop joins a team of undead police officers working for the Rest in Peace Department and tries to find the man who murdered him.

I don’t know if this will be a box office hit – but it does look very amusing. I love the first and third MIB movies, so I’m pretty intrigued by this. It looks fun, and Jeff Bridges has many great one-liners in the trailer.

The To Do List (J7/26)

The To Do List (7/26)

Plot: Feeling pressured to become more sexually experienced before she goes to college, Brandy Clark makes a list of things to accomplish before hitting campus in the fall.

This looks like a predictable comedy, but it does look very funny. I like EASY A a lot, and this seems to have similar awkward humour. I’m curious to see how Aubrey Plaza will do in her first leading lady role. (I’ve seen a few episodes of TV’s PARKS AND RECREATION and it’s just hilarious.) There are some real laugh-out loud moments in the trailer, especially Clark Gregg’s thoughts on taking the back door.

Turbo (7/17)

Turbo (7/17)

Plot: A freak accident might just help an everyday garden snail achieve his biggest dream: winning the Indy 500.

I like the voice cast and the simple thought of Ken Jeong voicing a little Asian grandma makes me giggle. This looks like DreamWorks Animation’s answer to CARS and FAST & FURIOUS, and maybe even RATATOUILLE (instead of rats and cooking, it’s snails and racing). I think the idea’s just as silly as Stuart Little playing soccer, I mean, this little snail is probably going to get run over. I think I’ll enjoy the movie a lot, regardless.

The Wolverine (7/26)

The Wolverine (7/26)

Plot: Wolverine makes a voyage to modern-day Japan, where he encounters an enemy from his past that will impact on his future.

This looks pretty cool. I’m not huge on superhero movies, but I do enjoy the X-MEN movies. I’ll have to have a marathon soon to pump up for this one a bit more. It looks good, but it could be so much better if Darren Aronofsky really did end up directing it. I guess I’m really just hoping it’s better than X-MEN ORIGINS: WOLVERINE.

Now these are the ones I’m really excited for. 

5. Pacific Rim (7/12)

5. Pacific Rim (7/12)

Plot: When an alien attack threatens the Earth’s existence, giant robots piloted by humans are deployed to fight off the menace.

I think this looks awesome. I haven’t seen any GODZILLA movies, but I like a good monster movie. And, this is monsters AND robots. Whoa. It sounds like it could be everything BATTLESHIP and TRANSFORMERS aspired to be. Lots of fun, and well-made. And Del Toro is at the helm! I might have to re-watch CLOVERFIELD and find a GODZILLA movie online this week to get a bit more excited. It seems action-packed, and frankly, I want to see the movie right now, and not just the trailer. But I don’t think I’ll ever get tired of hearing Idris Elba shout, “Today we are cancelling the apocalypse!”

3. Only God Forgives (7/19)

4. Only God Forgives (7/19)

Plot: Julian, a drug-smuggler thriving in Bangkok’s criminal underworld, sees his life get even more complicated when his mother compels him to find and kill whoever is responsible for his brother’s recent death.

I love Ryan Gosling and the director, Nicholas Winding Refn, and DRIVE is one of my favourite movies of 2011. The story intrigues me, as well. While critics haven’t exactly been praising the movie, I think it could be pretty awesome. It might be wavering my expectations ever-so-slightly, but I’m still really looking forward to it.

3. The Conjuring (7/19)

3. The Conjuring (7/19)

Plot: Paranormal investigators Ed and Lorraine Warren work to help a family terrorized by a dark presence in their farmhouse. Forced to confront a powerful entity, the Warrens find themselves caught in the most terrifying case of their lives.

I think James Wan is a fantastic director. I’ll have to watch INSIDIOUS to get a vibe of his atmospheric haunting flicks, though. This looks absolutely terrifying, and while I’ll probably be watching the movie through the my fingers, I can hardly wait. Vera Farmiga is great, too. The trailer creeps the hell out of me, and I love it. The true story edge is even spookier – so, I just want it to be July 19 already. It would be great if this will birth a Warren files franchise.

2. The Way, Way Back (7/5)

2. The Way, Way Back (7/5)

Plot: 14-year-old Duncan’s summer vacation with his mother, her overbearing boyfriend, and his daughter. Having a rough time fitting in, Duncan finds an unexpected friend in Owen, manager of the Water Wizz water park.

I love a good coming-of-age tale. THE PERKS OF BEING A WALLFLOWER is my second-favourite movie of 2012. And THE DESCENDANTS is one of my favourite movies of 2011. Two of the Oscar-winning writers from that movie (Nat Faxon, supporting actor in most of the Broken Lizard movies, and Jim Rash, the Dean on TV’s COMMUNITY) co-write and direct this one. I love the cast so much. Steve Carrell as a major jerk, Sam Rockwell, Rash in a supporting role, AnnaSophia Robb, and Rob Corddry, Toni Colette and Allison Janney. Suffice to say, it sounds amazing – and I can hardly wait for this to come to my city.

1. Despicable Me 2 (7/3)

1. Despicable Me 2 (7/3)

Plot: Gru is recruited by the Anti-Villain League to help deal with a powerful new super criminal.

I love the original DESPICABLE ME 2. This sequel looks amazing and hilarious. I can hardly wait for it. I love Gru and the minions, and I think this will be a real winner with a lot of heart and some great action. And new villains, of course. This is not only my most anticipated movie of July – but it’s probably my most anticipated movie of the year. (But, I’ll have to make a list to see if that’s true. I might be a bit more excited for KICK-ASS 2.) I can’t wait to have a second helping of the minion madness, though. Anything under a score of 75 will be disappointing. I hope this is in the same league as the first.

Here’s all of the movies opening in July: http://www.imdb.com/movies-coming-soon/2013-07/