This is 40
Release Date: December 21, 2012
Director: Judd Apatow
Stars: Paul Rudd, Leslie Mann, Megan Fox
Runtime: 134 min
Tagline: The sort-of sequel to ‘Knocked Up’
What a great step up from 2009’s Funny People.
It may not be the best feature for a family movie day this holiday season, but it’s a great choice of comedy to see with a few buddies. It’s certainly a better choice than The Guilt Trip. It’s good enough to see with your mother, that is if you’re mature enough to sit through a sex scene or some other inappropriate content.
This follows the relationship of Pete (Paul Rudd) and Debbie (Leslie Mann) five years after the events of Knocked Up (don’t worry folks, Katherine Heigl isn’t in this). As expected, their relationship is still facing a lot of issues. Their two daughters don’t enjoy each other’s company and Pete’s father Larry (Albert Brooks) is always asking for money while they’re facing some financial troubles themselves. Pete’s band (Graham Parker) for the record label isn’t selling that well, and the sexy employee (Desi, portrayed by Megan Fox) is probably stealing from them. Will the pretty couple overcome their problems and stick together through thick and thin?
Probably. It’s a Judd Apatow flick, and it’s around the holiday season, so it has to be feel-good. It usually is, albeit numerous conflict. Though, it’s Apatow and he has the fine ability to write in a stellar amount of humour to their long list of issues. It is a comedy, right?
While it is hilarious through and through, the issues that offer voids in their relationship are sometimes loud and obnoxious. There’s hardly a second where either Pete and Debbie aren’t wanting to bite off each other’s heads or their oldest daughter, Sadie (Maude Apatow), isn’t telling to the youngest daughter Charlotte (Iris Apatow) to take a hike. Preferably on Mt. Everest. The conflicts are vast – but the characters are great and they’re brought to life with each charming comedic presence. There has to be conflict, though, as this is an honest observation of what being a parent is all about.
The conflict between the two daughters is mainly irritating, but it doesn’t mean it gets in the way of enjoyment. At least, that much. It’s sadder than anything. Sadie is just going through those tough teenage years and she doesn’t have the time for a younger sister always bothering her. Charlotte just wants a little attention and she’s adorable, so she should just give it to her. Unfortunately, each sibling knows how hard that has the tendency to be.
It’s nice to watch Pete and Debbie try to overcome their differences because it’s a ride that doesn’t overstay its welcome, thanks to the real charm of the cast and the great incorporation of large and hearty laughs. This feature is around for the right time of season because Christmas is all about coming together as a family.
Pete and Debbie try their hardest as parents, but they’re not perfect. They also blame some of their troubles on their own parents for being such screw-ups. Pete’s pretty upset by his father for making him lend him $80, 000 over a few years – and Debbie’s upset with her own because he, Ollie (John Lithgow), is hardly there for her. This conflict is attacked during Pete’s big 40th birthday celebration. There, the great Jason Segel and Chris O’Dowd fight over the sexy Megan Fox.
Those supporting characters are awesome, but the real scene-stealer is the great Melissa McCarthy, playing a potty-mouthed and angry mother who goes a little crazy after Pete and Debbie offend her and her son.
While this is driven by pure and fresh comedy, the not-so subtle conflicts make it feel a bit too over-dramatic in areas. Though, Apatow does have to get the point across somehow. The film is a perfect analysis of how a family should try to overcome their differences and stick together, in this modern society that has really high divorce rates. Oh, and get through it during a mid-life crisis, especially. The message does get across finely with many laughs and conflict, and an advertisement or two for iPhones, other apple products, and TV’s Lost. It’s entertaining through and through, and your face may just hurt a little in more than one scene. It’s no Knocked Up, but it’s a satisfying little sort-of sequel. It finishes as the third best comedy of the year, just behind Ted and the best of the year, 21 Jump Street.