Release Date: February 14, 2013
Director: Lasse Hallström
Stars: Julianne Hough, Josh Duhamel, Cobie Smulders
Runtime: 115 min
A young woman, Katie (Julianne Hough), with a mysterious past lands in Southport, North Carolina where her bond with a widower, Alex (Josh Duhamel), forces her to confront the dark secret that haunts her.
Nicholas Sparks movies (A Walk to Remember, The Notebook, The Last Song) attract female audiences. For critics, the name might as well mean torture. For me, he’s really rather average, but he does have a money-making formula. His movies are usually the same old song: a predictable, schmaltzy, romance, a tragic story or two, some antagonist that might be getting in the way of the main couple’s happiness… You get the picture, right?
Safe Haven manages to have a few twists that border on downright silly and somewhat smart. This is certainly more enjoyable than The Lucky One. The romance part of it all is still as predictable and formulaic as ever. The word unpredictable and Nicholas Sparks go together like grape jelly and petroleum jelly… It just isn’t right. However, I do have to admire Sparks for writing a somewhat adequate mystery. There’s an occurring sub-plot during the movie’s first half where a police officer is on Katie’s tail for whatever reason. It distracts from the romance, but that is sometimes welcome; because the romance is rather bland. The sub-plot works into the plot with a good transition, but David Lyons’ police officer character becomes more and more ridiculous as it runs along.
Julianne Hough and Josh Duhamel have an okay chemistry, even if their couple is hardly memorable. They sort-of just smile a lot and they do that awkward intertwining finger dance after sex. They aren’t the most memorable couple to come out of a Nicholas Sparks story, as someone could easily forget their names a few days to a week after initial viewing.
Josh Duhamel’s character is a widow and his kids are still coping with it. The daughter, Lexi, is doing better than the son, Josh, because she only remembers the memory of her, while Josh actually remembers her. He’s annoying, but the gal who plays the daughter is tolerable. Julianne Hough isn’t a terrible actress, but she’s probably a better dancer. I think she’ll improve with experience, with movies other than Rock of Ages and Footloose. She portrays decent emotions from time to time, but she’s often just sexy eye candy. Josh Duhamel is a lackluster presence. None of his roles have really been worthwhile enough to let him be a breakout star just yet. David Lyons’ character is silly, and Cobie Smulders’ character is there for support. She’s a fine presence, even if she feels randomly placed. The petite primary cast of six carries the movie well.
Sparks writes an adequate mystery. The prime romantic story is predictable and bland. The mystery doesn’t get a true chance to shine, because it is written as a sub-plot. It’s light on the mystery, hot and heavy on the romance. This has more sap than a maple tree, and it’s sure to give you cavities. Can one expect much else from Nicholas Sparks? This is a movie that might make you blubber like a little baby, but it also might not. The movie’s strongest aspect is the beautiful beach-town setting, and the mostly crystal clear cinematography. One of the twists is really rather dumb and groan-worthy. You’ll have to see this for yourself to form your opinion on the matter, though, because it could be seen as memorable, heart-warming and sweet; and others might view it as complete, laughable hokum. It really does make me want to poke fun at the movie more, because it is silly. The twist makes it stand out amongst the other Sparks adaptations. I see the twist as memorable, laughable hokum.