Oblivion (2013)

OblivionOblivion

Release Date: April 19, 2013

Director: Joseph Kosinski

Stars: Tom Cruise, Morgan Freeman, Olga Kurylenko

Runtime: 126 min

Tagline: Earth Is a Memory Worth Fighting For

Jack (Tom Cruise) is one of the last drone repairmen remaining on Earth. All other survivors have evacuated, after a decades-long war with an alien race, where now the only threat are the Scavs remaining on Earth. After a disturbing find, Jack begins to question what he knows about his mission and himself.

At the end of it all, it remains a moderate disappointment and there’s much to be desired, especially in the story department.

The movie has a lot of good going for it. The characters are intriguing, where they make us ask who some of them really are. The characters of Julia and also Beech, portrayed by Olga Kurylenko and Morgan Freeman, respectively, are the charcters wrapped in the most mystery. Sally (Melissa Leo) is the head honcho up in space at the station, the Tet, who basically delivers and authenticates orders. Victoria (Andrea Risenborough) is on the mission with Jack, and she monitors him while he’s on missions to fix drones. Her philosophy is strictly business during the day, and fun in the evening. Jack often maintains that business mindset while on missions, even though he tends to go off monitor and do his own thing because he is very curious and is searching for meaning. He still believes Earth is his home, while Victoria cannot wait to go to the Tet and join the others. Jack’s search for meaning gives the film a solid narrative and makes it an effective character sci-fi drama, where all the dots are connected in the end. He has to find his way through basic man vs. man conflicts, man vs. technology conflicts, and most of all, man vs. self conflicts, as he is haunted by his own memories. The cast that portrays these characters is also top-notch.

The other highlight of the movie are the solid action sequences, the breathtaking landscapes and fantastic cinematography. This will be one of the most beautiful science fiction films to hit theatres this year, and is the nicest sci-fi to look at since last year’s Prometheus. It’s stunning when the camera is sailing over Iceland or when Cruise is just flying about; and that magnificent cinematography is the film’s strongest aspect. It’s one of the most gorgeous post-apocalyptic films you might ever see. The film also has a great score, and the technological gadgets are sh-weet.

The concept of Jack not really knowing his true self is portrayed well because sometimes we all lose our real sense of identity. It’s very frustrating when we really don’t know, so it’s realistic because he really has no idea of it, and it’s made even harder as he’s trying to hang onto any of his own humanity that remains.

The movie’s main problem is the storyline. The narrative all makes an admirable U-turn by the end of it all, but its road there can be hard to follow. Especially if you over-think it during. (You’d be thinking about the previous scene when a new, sometimes more complex scene is going on.) It’s also one of those sci-fi flicks that’ll be easier to understand on second or third viewing. The story also makes us question who the true villains are: Those on Earth (the Scavs, who look a bit too much like the antagonists from Predator), or whoever else is keeping secrets?

The story is intriguing but it loses its pacing and its initial great spark in the middle act. It aspires to be something grandiose in scale with its complex storyline, but comes out to be not as original as it could be and quite familiar because of all of its homages. The writers’ ambitions get in the film’s own way. The thing is, with all of its plot twists and turns, it feels like it’s striving to be something out of an M. Night Shyamalan or Christopher Nolan handbook. The twists aren’t as magnificent as something Nolan or Shyamalan could think of, because it feels like it’s striving to find the next new masterful twist that will never be forgotten. You might not be able to see them coming from the beginning of the movie, but many times during, you might be able to predict the basics of what will happen next a minute in advance.

This disappointing sci-fi feature will only receive a half-hearted recommendation; there’s just too much to be desired. There are effectively thrilling action sequences, breathtakingly beautiful cinematography, intriguing characters; but because of the highly ambitious storyline, the end product is an entertaining action movie, an intriguing sci-fi character drama, but a thinly-written mystery.

67/100

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Seven Psychopaths (2012)

Seven Psychopaths

Release Date: October 12, 2012

Director: Martin McDonagh

Stars: Colin Farrell, Woody Harrelson, Sam Rockwell

Runtime: 110 min

Tagline: They won’t take any Shih Tzu

Marty (Colin Farrell) is a struggling writer trying to write up a screenplay entitled ‘Seven Psychopaths’. He doesn’t really know how to start it out, and is struggling to find inspiration. His friend Billy (Sam Rockwell) tries to offer him some inspiration, despite constantly accusing him of being an alcoholic. Marty soon becomes entangled in the Los Angeles criminal underworld, much to his dislike, after his oddball friends kidnap a gangster’s (Woody Harrelson) prized Shih Tzu.

The screenplay is smart and fun.

The plot is great and the film is just a fun experience. The pacing can feel a little off, and the plot can get quite ridiculous, but that’s what makes it fun.

If there’s any message I would have taken from this is that McDonagh makes great and original films, and his humour can sometimes be similar to that of Quentin Tarantino. The film is fun and can get a little crazy, but who could have thought up a plot so ridiculous? There is a lot of humour found in the most intense of situations, and I love that.

One of the funniest things about this film is all this carnage was started over a little Shih Tzu. Nope, not a wife, not a bunch of stolen cocaine, not the kidnapping of a best friend (even though a dog can be a man’s best friend) or anything like that – but a freaking Shih Tzu dog named Bonnie.

I love the characters. Even Harrelson, who is the main antagonist, is a great character. Who thought psychopaths can absolutely be this lovable and hysterical? My favourite character would be a hard answer to give. The female psychopaths (played by Abbie Cornish and Olga Kurylenko) would be out first, because they hardly have a lot of lines of dialogue at all. Tom Waits’ character of Zachariah is hysterical. Of the main protagonists, Billy (Sam Rockwell) would be the funniest, and then Hans (Christopher Walken). Generally, Charlie (Woody Harrelson) is my favourite, because he is just hysterical. Each character is well-developed.

For those of you who may have seen McDonagh’s In Bruges, will be familiar with his certain sense of humour, and you may also know that his films have the tendency to get extremely gruesome. There is gore left right and centre in this film, but for anybody who likes that sort of stuff – will be probably love this.

The film offers a laugh at least every two minutes, and its spikes of crime and violence are great. Some of the time there are flashbacks and stuff which are good, and there are also movie-within-a-movie subplots which are effective. The moods set for this film is great, and all the subplots and general plot are extremely clever.

Seven Psychopaths stars Colin Farrell, Christopher Walken, Sam Rockwell, Woody Harrelson, Olga Kurylenko, Tom Waits, Abbie Cornish and Zeljko Ivanek.

Seven Psychopaths is a clever screenplay that can have some poor pacing, and offers a fairly simple, ridiculous, yet clever plot; but, it is another winner from writer/directer Martin McDonagh. It can be equal parts brutal, clever and hysterical. It is most of all extremely memorable, has great characters and a very good cast. Each cast member portrays their characters well. This is yet another 2012 film (I’m talking about Ted or 21 Jump Street, not Project X) that proves that this is a year to beat for comedies. and this may just have to get an Oscar nomination for Best Original Screenplay.

80/100