Transcendence (2014)

TranscendenceReleased: April 18, 2014. Directed by: Wally Pfister. Starring: Johnny Depp, Rebecca Hall, Paul Bettany. Runtime: 119 min.

Wally Pfister’s directorial debut, Transcendence, uses the character of Dr. Will Caster (Johnny Depp) to introduce an interesting concept. Transcendence is the idea of an artificial intelligence that would be smarter than any person to ever live, transcending the ability of the human mind. It starts out with an artificial intelligence called PINN, and eventually leads to Caster’s consciousness being uploaded to the motherboard after an attempted assassination by a radical luddite. He doesn’t die at the scene, but the bullet, laced with a poison that causes radiation in the bloodstream, slowly kills him. When A.I. Will wants to expand his network and gain more power, it becomes threatening to humanity.

I think artificial intelligence is a fascinating subject in the realm of cinema. Of course, I wouldn’t want it to happen in real-life – at least something to this extent, that could turn into a real-life, high-tech horror story. Artificial intelligence does seem like a distinct possibility. The film proposes an idea that technology should assist us, not control us. It’s a true fact that we knew prior to this film. Everyone’s seen enough technology-is-evil movies to know that this should never happen, or probably ever will. The film’s idea of transcendence is a cool way to live past your physical body. Of course, in order for you not to gain too much power – you should be limited to one or two computers, certainly not entire networks. Otherwise, you’re just being selfish. If computers do rise up I hope those power-hungry f!#ks make sure Paglen doesn’t write another movie because he is way too vague with his ideas; more on that later. (Or at least his next screenplay gets analyzed for logic.)

In this film, the created A.I. can advance medical technology, and make any water safe to drink. I’d personally drink from a pond first before something like the Ganges River before taking the computer’s word for it. The A.I. can make the other world a better place in other ways, too. Ways it explains this and how it might happen is highly illogical and doesn’t make much sense – that’s mostly for how it makes water safer to drink. Some ways it advances medical technology goes against God’s will, which is thought-provoking. Other things that Caster proceeds to do once he’s getting power is something that I won’t spoil – but I’ll say that it borders on silly.

Jack Paglen’s writing ability is lacking. He decides to merely lay a bunch of ideas up so viewers can personally decide where they stand on it all. The themes of the film are largely at their most basic stages of development, where Paglen offers ideas that he doesn’t flesh out. This is what prevents the film from being engaging or compelling. Instead, it’s a true bore that will make you have heavy eyelids early on. The only excitement that comes in this so-called sci-fi thriller come in the last twenty-five minutes, but by that time you simply won’t give a shit.

The characters and performances are forgettable, and they each feel like villains at some point. Depp portrays his anti-hero/villain with subtlety. It’s a good thing he looks like his normal self as the computer, and not the bald and sunken version. Hall’s Evelyn Caster is caught between her love and faith for her husband, and the human side. The film does have a cool premise where the human mind mashes with technology and turns out to be a story where they’re both monsters. It seems like it could be a different technology-is-evil film, but soon goes back into a humans vs. technology comfort zone. Paul Bettany portrays friend of the Casters, who sports the idea that the artificial intelligence really isn’t Will. Bettany on the human side is a funny contrast to him playing an actual technological invention, Jarvis in the Iron Man films.

Morgan Freeman and Cillian Murphy’s roles aren’t compelling. Murphy’s character is too generic to even pass the name test. He’s known as Agent Buchanan. There’s a creative choice with Freeman that’s strange. Freeman is in voice-over mode randomly because his character is reading a letter that he read to Evelyn, but not to Evelyn, to the audience. Even though he’s actually with Evelyn during the short scene. It saves time… I guess? But both Murphy and Freeman, who are usually phenomenal presences, are just kinda there – popping up for short periods throughout.

Against Caster’s wishes is a neo-Luddite terrorist group called RIFT, led by bleach-blonde Bree (Kate Mara). She’s not very intimidating as the antagonist to Will’s wishes, but she’s never really called to be. Mara’s pretty okay as the character. I think the hypocrisy of luddites (those against the advancement of technology) in this film is absolutely hilarious. When some are getting busted, one of them is using a laptop. They also set a bomb at one point — that requires all sorts of technology, especially the timer and the detonator. These guys really make don’t make much sense.

Transcendence feels too much like a love story at times, as it explores a woman’s need to have her husband around in computer form. Hall is convincing as Evelyn. The love story aspect might not be that appealing to those simply expecting a good, high-concept suspense drama. There’s little suspense in this however; perhaps because we’ve seen this sort-of film too many times, and Paglen’s story doesn’t allow Pfister to be good at tension building. Due to the film’s familiarity, this film is void of worthwhile surprises. The film’s stunning, at least. It has the scope and usual cast members of Christopher Nolan’s films, as Pfister is his usual cinematographer. Pfister’s film just lacks all the greatness of a Nolan film, mostly because of the story that packs no energetic punch. More of the blame for this disappointing film should be on the writer, in this situation. 

Score: 50/100

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Iron Man 3 (2013)

Iron Man 3Iron Man 3

Release Date: May 3, 2013

Director: Shane Black

Stars: Robert Downey Jr., Gwyneth Paltrow, Don Cheadle

Runtime: 130 min

When Tony Stark’s world is torn apart by a formidable terrorist called the Mandarin, he starts an odyssey of rebuilding and retribution.

Iron Man 3 is the strongest of the trilogy. It might disappoint the fan-boys and girls, but for casual movie-goers just wanting a taste of the super hero niche genre; it’s rather satisfying. The first of the trilogy was good, but the second was a disappointment. Most fan-boys (and fan-girls) could just forget about Iron Man 2, and see this merely as a follow-up to universally beloved (for the most part) The Avengers. The fans will at least be satisfied with the movie’s great little Easter eggs.

Shane Black, genre newcomer, breathes some fresh air into the trilogy. He takes the directing duties over from Jon Favreau (but he still plays the lovable Happy Hogan). It’s really one of those situations where when a new guy comes in, it ends up benefiting mostly everyone. His humour and wit is present in the movie, and he finds a great cast to match the lines. They fit like a glove. Or almost like an iron suit. Many might appreciate the flairs of humour, but others, most notably fan-boys and fan-girls, won’t enjoy the inconsistencies of the movie’s overall mood.

Sometimes it’s dark and gloomy when characters are in mortal danger, especially when Stark’s Malibu home falls into the water. It’s doom and gloom one minute, somewhat hysterical and silly dialogue the next. Both Black and RDJ can hardly help themselves. The plot flows well, but the mood is unpredictable. One minute, the egotistical Stark is having an anxiety attack (because of the events in New York City, that occur in The Avengers), and the next, he’s exuberantly confident again and cracking joke after joke. However, it does remind us that Stark – genius, billionaire, playboy, philanthropist, mostly invincible in his iron suit – can still be vulnerable and is quite human.

This instalment is better than the second. It’s smarter with its humour, and that could be thanks to Black. The action sequences are great and fast-paced, and it’s a real adrenaline rush that will go best with some poppin’ corn and a Pepsi. It’s still a great ensemble cast, where RDJ is great as ever, as is Gwyneth Paltrow and Don Cheadle. Ben Kingsley is outstanding (like he is in every role he takes on) and Guy Pearce rocks his role. Great twists and turns of the movie are really enjoyable, and usually unpredictable. The enemies posing a potential threat to the well-being of Stark are much better than Rourke and Rockwell of the second.

The Mandarin is handled with effective care, even if the way they portray him is disappointing to avid comic book readers. If you want a movie that stays faithful to the source material, you won’t find it here. The portrayal of the character is good, as he is a worthy opposition for Stark, but, even for someone who only reads Archie comics, the character could feel like a wasted opportunity with the direction they choose. It is a shame that the Marvel universe might not get its chance at an Supporting Actor Oscar this year. The Mandarin isn’t nearly as great as The Joker of The Dark Knight, but it’d be nice if Kingsley at least nabs that Oscar nomination. The Mandarin is the terrorist mastermind of the Marvel universe. Did I say terrorist? I meant ‘teacher’. (If he were a teacher with actual credentials, he’d be fired in a hurry!) James Badge Dale is also one of the movie’s biggest surprises, besides the twists, in a role best fit for Robert Patrick, and it is great to see the actor in a big summer movie like this.

The mood of this movie feels inconsistent throughout, and the direction the producers choose for the Mandarin could be disappointing to many; but this is better than the second, and it’s my favourite of the trilogy. The casting is great, and Black is a good fit. The action sequences are compelling, and there’s a reason that Iron Man is arguably the most popular of the Avengers squad (Hulk could be, if a decent Hulk movie could be made).

80/100

Everything Must Go (2010)

Everything Must GoEverything Must Go

Release Date: May 13, 2011

Director: Dan Rush

Stars: Will Ferrell, Rebecca Hall, Christopher Jordan Wallace

Runtime: 97 min

When an alcoholic relapses, causing him to lose his wife and his job, he holds a yard sale on his front lawn in an attempt to start over. A new neighbor might be the key to his return to form.

Everything Must Go is a little dramedy feature about alcoholism and it’s slow, but it is undeniably sweet at its core and can be very charming. The relationship between Ferrell and Wallace’s characters is great to watch grow. Many might not appreciate this for what it truly is because they are expecting laugh-out-loud comedy, but it very much is a dramedy, with drama coming first. It does have a few laughs, but you could count them on your hands. It’s worth a watch, but it isn’t wholly memorable nor does it require repeat viewings, but Ferrell gives a great performance.

70/100