“The Conjuring” scares a big audience, Snails and Retired Spies do okay, “R.I.P.D.” bombs hard

New releases from the weekend that are still on my watchlist: The ConjuringR.I.P.D.Red 2Turbo. So, all of them!

I’ve realized that I haven’t been a good box office analyst. I’ve been posting my predictions, but neglecting to report the results. This weekend, I’ll change that. At the beginning of 2013, it was looking like this year wouldn’t even match up to 2012 – but it’s catching up at a rapid rate. Through June, 2013 was 2.1% behind 2012. As of the end of this weekend, it is behind 1.1%. That is impressive considering this weekend was 19% behind last year, as “The Dark Knight Rises” single-handedly grossed $160.8 million. It’s looking like 2013 could match 2012’s number with some big blockbusters still to come: “The Wolverine”, “The Hobbit: The Desolation of Smaug”, and “The Hunger Games: Catching Fire” this fall, to name a few. Anyway, let’s get to this weekend.

“Turbo” opened to $21.3 million and has earned $31 million through its first five days. That’s the worst opening for a DreamWorks Animation since 2006’s “Wallace and Gromit”, and it’s even less than last year’s “Rise of the Guardians“. It could have legs because of its rewarded ‘A’ Cinemascore, but family audiences chose those yellow minions again (“DM2” earned $24.9 million this weekend) over snail racing. DreamWorks can only hope that snail racing is big overseas. I guess at least this poor outing says “The Smurfs 2” might not do so grandly, as family audiences have only so much money to spend in a month. (But since it opens at the very beginning of August, it might not be affected.)

“The Conjuring” was the big winner this weekend with a huge $41.8 million opening, so take that “The Purge“! It is now the second-largest opening weekend for an R-rated horror movie behind “Paranormal Activity 2”. That’s great for it because it looks really scary and I want to see it. It had a great marketing campaign, it looked terrifying, and people turned out to see it. It also came at a time where there were no horror movies on the market (well besides “The Purge” which is now only in 156 theatres). It will have great box office legs, because it was rewarded an ‘A-‘ Cinemascore, which, for the horror genre, is super rare.

“Red 2” had a soft opening with $18 million. The first movie grossed $21.7 million in its opening, so it seems that audiences thought it looked too similar to its predecessor, a problem “The Expendables 2” faced. I was optimistic with my prediction of $25 million because I thought that since it had really high DVD sales and the first had great legs, “Red 2” would do better business. I was wrong by $7 million. I didn’t factor in that the older audiences that this is aimed at is perfectly content to either wait for the DVD or go during the week when the crowds aren’t as big. Dang it! (By the way, I’ll probably be posting my review of “Red” soon.)

The only movie I was really close with was “R.I.P.D.”, which is standing at 11% on Rotten Tomatoes. I’m seeing it tomorrow, because I like to see everything, but audiences just were not interested in this “Men in Black” rip-off as it only debuted to $12.69 million. (I predicted $12.8M, woo-hoo!) And its budget was $130 million or so. Talk about one of the biggest bombs in recent memory! “Red 2” was its direct competition and that one came out on top. I think this movie looks fun, but audiences just didn’t bite. I’m not surprised one bit.

Here’s how the Top 10 performed! And if you missed any of my reviews, just click on the link to read it.

Title: Result/Prediction/Difference (Over/Under)
1. “The Conjuring”: $41.855M/$37.5M/$4.355M under
2. “Despicable Me 2: $24.906M/$22.473M/$2.433M under
3. “Turbo”: $21.312M/$28.8M/$7.488M over
4. “Grown Ups 2”: $19.872M/$19.5M/$372, 000 under
5. “Red 2”: $18.048M/$25M/$6.952M over
6. “Pacific Rim: $16.002M/$19.825M/$3.823 over
7. “R.I.P.D.”: $12.691M/$12.8M/$109, 000 over
8. “The Heat: $9.303M/$9.025M/$278, 000 under
9. “World War Z: $5.191M/NA/NA
10. “Monsters University: $5.121M/$6M/$879, 000 over

For the four new releases, I was off by a grand total of: $18, 904, 000

For the five holdovers I predicted in the top 10, I was off by a grand total of: $7, 785, 000

Did any of you go to the theatre this weekend? I saw “Grown Ups 2” on Saturday, don’t ask me why. Expect the review tomorrow. 

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My Top 25 Films of 2012

2012 saw some great films, and some real stinkers. I have seen 68 of them. These are my top 25 favourite films of 2012, and also the ten worst.

Oh and, some of these films don’t have the highest scores, but they’re higher up on the list. This is because some films (like The Hobbit) have grown on me a lot since I’ve seen them. Click on the title in the caption to get to review (and the titles in the ‘worst of’ list). Anyway, here’s the list, starting with #25:

Pitch Perfect is a fairly original (at least in cinema) and entertaining Glee-inspired musical comedy that may be predictable, but it’s a toe-tapping experience that has a fine plot, great music, some strange characters (most notably Lilly, a character who looks like that creepy big-eyed girl from Frankenweenie), show-stealing performers (like Bridesmaids‘ Rebel Wilson who portrays Fat Amy) and a memorable ensemble cast.

#24 - This is 40

#24 – This is 40

This is 40 is not quite as good as Knocked Up, but it’s a satisfying sort-of sequel. This is sometimes over-dramatic because of the numerous conflicts, but it is driven by fresh, laugh-out-loud comedy that helps Apatow get the message, of overcoming family differences and a mid-life crisis, across very well. Laughs, conflict, and advertisements for iPhones, Apple products, TV’s Lost, and a good role for Megan Fox are all present.

#23 - Ted

#23 – Ted

Ted‘s screenplay may be crowded but we must understand that MacFarlane’s comfort zone is a mere 22-minute slot, while this is a whole 112-minute feature. The end product turns out to be better than anyone would think a buddy comedy between a talking teddy bear and an immature man could be, and Wahlberg and Ted’s chemistry help make this one of the best buddy comedies of the year. I’m excited to see what else first-time director MacFarlane has in store for the silver screen, and I say bring on the sequel.

The film starts out fairly slow, but once the games come around the bend, it instantly becomes intensely engaging and entertaining. The screenplay maintains the fascinating theme of propaganda [and how corrupt the government may become], but doesn’t capture the extreme violence that we fans handled in the novel itself, and there isn’t quite enough bonding time with select characters. The adaptation is nonetheless great, and since it was not followed to a tee, there is room for surprise. Anyone who is willing to accept this fresh experience will enjoy it, as it is a promising beginning to a new teen franchise.

Rise of the Guardians is a slightly flawed, but wildly inventive, animated adventure that may have some deeply thematic material and action sequences that could be midly scary for small children. The main flaw is the disorganized beginning – but it finds its pace soon enough. The concept is a sort of edgy animated feature, but is a great end product. This is one of the most original animated features of the year, mainly because of the alterations to the beloved Guardians, like making Santa Claus look like a Russian biker, are very fresh. This is a great message to teach the kids this holiday season – don’t only believe in Santa around his season, also believe in all the other heroes, at least when their time comes around the bend.

#20 - The Grey

#20 – The Grey

The dialogue of this film allows characters to be thoroughly developed and compelling concepts to arise. When the characters aren’t talking, it gets engaging and thoroughly thrilling. The anti-climactic ending says Carnahan has learned to resist throwing full-throttle action at us, and he instead resists the urge and keeps the astounding and exciting survival film as tame as could be. The mostly unknown actors make the spotlight shine directly on the star: Liam Neeson.

#19 - Lincoln

#19 – Lincoln

Spielberg seems like, at this point in his career, is interested in making ambitious biopics instead of blockbusters like Jaws. The intelligent monologue-filled feature intricately throws information at you, and at times it can be quite a bit to absorb, but it is usually engaging. The cast of Lincoln is impressive, most notably Daniel Day-Lewis, who delivers a kind-hearted, endlessly charming performance that adds layers to one of the greatest figures in American history. Day-Lewis captures Lincoln’s will to get things done, and his genuine and kind self.

Killing Them Softly is a clever mafia tale of violence and despair with a great leading performance from Brad Pitt; with his mysterious character delivering us plenty of violence to keep us happy. This tale is also a social commentary on the local criminal economy in 2008, before Obama stepped into office – the concepts are complex, but there are not difficult to comprehend. The not-so-subtle message may be annoying to some, but the story is very engaging. It is a thought-provoking film brought to life by Andrew Dominik’s stylish and artistic direction.

#17 - End of Watch

#17 – End of Watch

The abrupt ending keeps this from being flawless, but this is a stellar crime story with intelligent writing by writer/director David Ayer (who previously wrote Training Day) with some of the best chemistry I have seen all year. End of Watch does for the real lives of cops what Ladder 49 did for fire fighters, but it’s about twenty-six times better.

#16 - Chronicle

#16 – Chronicle

Chronicle is one of the most surprisingly amazing features of 2012. The rushed pace is its main flaw, but it is an awesome experience for the 84 minutes it stays around. It obtains must-see status because of its thoroughly thematic and disturbing content. It is the most must-see found-footage feature of 2012, perhaps of all-time.

Seven Psychopaths has a clever screenplay and is a fantastic second feature from writer/directer Martin McDonagh. It is equal parts brutal, brilliant and hysterical. It is extremely memorable and has great characters and a superb ensemble cast. It is one of the most original screenplays of the year, and it’s another comedy that proves 2012 is one of the best for that genre.

The story may have ideas crammed in the feature, it undeniably has a very emotional core. If the actors weren’t singing the vast majority of their dialogue, the film wouldn’t be quite as exciting or engaging. This combines a great period piece with a profound musical, and it makes this one of the best features of the year.

Jonah Hill and Channing Tatum create a superb chemistry, and this is one of the finest comedy ensembles of the year. The comedy is always funny, and this is the best action-comedy of the year. The real bite about this is that no one expected it to be very good, and yet, it is a hilarious and exciting ride.

Writer/director Christopher Nolan delivers us an impressive and atmospheric piece of cinema that has incredible thrills, great plot execution and great direction, character development that has room for improvement and a slow build-up that leads to an incredible climax. It is also a thoroughly impressive end to a great trilogy, it’s a slight step-down from the high standards set by The Dark Knight, but it is better than Batman Begins.

#11 - Skyfall

#11 – Skyfall

Skyfall is a compelling experience with great pacing, a great story and great humour. Javier Bardem is simply astounding. His presence is really worth the wait. He is one of the greatest criminal masterminds of recent memory, comparable to both Heath Ledger’s The Joker and Anthony Hopkins’ Hannibal Lecter. He is the second best villain of the year, right behind Leonardo DiCaprio’s Calvin Candie in Django Unchained.

#10 - Looper

#10 – Looper

Looper offers an entertaining and memorable action experience with a great story and characters, making it a film that should be cherished. Looper is slightly flawed because of a sometimes crowded screenplay and numerous antagonists, but it has a complex story that’s surprisingly easy to follow, with great characters like Jeff Daniels’ nice-guy-ruthless-when-he-wants-to-be crime boss.

The Hobbit: An Unexpected Journey is a thoroughly satisfying start to a new Middle Earth trilogy. Its usually silly undertone may frustrate some, but to most, like myself, it makes for a great experience. The many expendable dwarfs may get a lot of the attention, but it is very much Bilbo Baggins’ show. That is until the show-stealing Gollum shows up for one of the best scenes of the feature. I cannot wait to see what the trilogy looks like when all of the films are released.

#8 - Life of Pi

#8 – Life of Pi

Life of Pi is interesting because it is not afraid to bring in concepts of faith and religion. It is also visually beautiful, sometimes funny, thought-provoking, magnificent, terrifying and saddening. There is also a  great story, great direction, wonderful cinematography, great conflicts and relationships present. The actors bring it all to the table, and a short list of performers carries the film very well. This is one of the best films of the year that will be a large Oscar contender. If you’re going to see this, see it in its full 3D glory.

#7 - Flight

#7 – Flight

The drama is solid and the overall film if profoundly enjoyable, compelling, emotional, sometimes funny and often gripping. The suspenseful scene at the beginning is the only action scene in the feature, and it soon turns into a character study, with fascinating concepts of addiction. Those who find the concept of addiction fascinating will enjoy this even more.

Many may think it is simply just another teen slasher, but what gets thrown at you is surprising, extremely fresh and endlessly entertaining. This is one of the most original horror films of all time, with signature bites of comedy from Joss Whedon.

Wreck-It Ralph is the finest animated feature of 2012 and is generally one hell of a nostalgic and enjoyable film. This is like the Toy Story for a new generation. Disney has delivered us a great film yet again, and mashed two generally loved things together: their acclaimed animation, and video games. I had high expectations for this film, and this really rocked my world.

#4 - Argo

#4 – Argo

One of the most captivating things about the nerve-racking Argo is the boiling suspense of the situation, and the viewer can just feel it build throughout. Argo plays out like an assassin giving you his first choke-hold, he’s inexperienced and you may feel the grip loosening from time to time, but then it strengthens again and doesn’t let go until the very end.

Silver Linings Playbook is hilarious, beautiful, meaningful, sad, emotional, and very dramatic at times. It is a truly magnificent blend. One thing that helps the film is the impeccable writing by David O. Russell, and Matthew Quick who originally wrote the novel. The viewer may not be able to relate to the exact situation of these characters, but they could fully understand their motivations – and most may have felt similar emotions that these characters express on a daily basis.

The profound analysis of teenage angst is accurate, brilliantly touching, and heartbreakingly poignant. The performances are great, the story is awesome, and the atmosphere it offers is perfect. This is a film that I’d like to watch over and over. That’s one heck of a definition for an enjoyable experience.  It’s a fine, under-seen classic of 2012 that can define a generation as well as John Hughes could.  If it comes to your town, get off the couch, grab a few friends – but if you don’t have any, it’s okay to be a wallflower – and go see this movie!

Django Unchained is a modern masterpiece, and is Tarantino’s finest film yet (even if I’m the only one to think so). It’s a great story about survival and it has great themes of racism and slavery, that Tarantino explores expertly. The performances, the writing, the soundtrack the direction and the themes are all immaculate. Leonardo DiCaprio plays the best villain of the year.

The ten worst of 2012:

10. The Watch

9. Chernobyl Diaries

8. Silent House

7. ATM

6. Red Dawn 

5. Dark Shadows

4. Mirror Mirror

3. Project X

2. The Lucky One

And the true test of patience…

Well, there you have it. Hopefully you agree with some of my picks, like them, dislike them, or even detest them. Feel free to leave comments!

December 14-16 Box Office Predictions

Sorry for the late post.

The Hobbit: An Unexpected Journey

The Hobbit: An Unexpected Journey

Plot: A curious Hobbit, Bilbo Baggins, journeys to the Lonely Mountain with a vigorous group of Dwarves to reclaim a treasure stolen from them by the dragon Smaug.

This trip back to Middle Earth has been anticipated by many all year. It is the most anticipated prequel since The Phantom Menace, so hopefully it doesn’t disappoint people as much as that did.

T.H.: A.U.J. Prediction: $97, 500, 000

Save the Date

Save the Date

Save the Date

Plot: Sarah begins to confront her shortcomings after she rejects her boyfriend’s hasty proposal and soon finds herself in a rebound romance. Meanwhile, her sister Beth is immersed in the details of her wedding.

It’s just a new indie romantic comedy with the sexy Alison Brie and Lizzy Caplan.

S.t.D Prediction: $62, 000

Top 10 Box Office Predictions

TITLE/PREDICTION/STUDIO/ROTTEN TOMATOES SCORE

1. The Hobbit: An Unexpected Journey/ $97, 500, 000/ Warner Bros./ 69%
2. Skyfall/ $8, 750, 000/ MGM/ 92%
3. Rise of the Guardians/ $8, 400, 000/ Paramount/DreamWorks/ 73%
4. The Twilight Saga: Breaking Dawn Part 2/ $7, 600, 000/ Summit Ent./ 47%
5. Lincoln/ $7, 250, 000/ Buena Vista/ 91%
6. Life of Pi/ $6, 800, 000/ Fox/ 88%
7. Playing for Keeps/ $4, 600, 000/ FilmDistrict/ 3%
8. Wreck-It Ralph/ $4, 000, 000/ Buena Vista/ 87%
9. Red Dawn/ $3, 250, 000/ FilmDistrict/ 11%
10. Flight/ $2, 500, 000/ Paramount/ 77%

 

Box Office Predictions: November 30 – December 2

 

The Collection

The sequel to 2009’s The Collector. This sort of has a similar atmosphere to the Saw serial, without all the moral dilemmas, and just more torture porn. The Collector opened to $3.5 million, and grossed $7.7 million. That was well-appreciated by audience members, so I anticipate this to gross more than the first. People seem to really miss the Saw franchise, and this could really fill that void.

T.C. Box Office Prediction: $5 million

Killing Them Softly

This looks really good. The story seems awesome and the cast is stellar. Brad Pitt as a hitman? Cool.

K.T.S. Box Office Prediction: $9.8 million

TOP 10 BOX OFFICE PREDICTIONS

TITLE/PREDICTION/STUDIO/ROTTEN TOMATOES SCORE

1. The Twilight Saga: Breaking Dawn Part 2/ $32, 000, 000/ Summit Ent./ 47%
2. Skyfall/ $22, 500, 000/ MGM/ 92%
3. Lincoln/ $18, 000, 000/ Buena Vista/ 91%
4. Rise of the Guardians/ $16, 000, 000/ Paramount (DreamWorks)/ 76%
5. Life of Pi/ $15, 800, 000/ Fox/ 87%
6. Wreck-It Ralph/ $11, 000, 000/ Buena Vista/ 86%
7. Red Dawn/ $10, 200, 000/ FilmDistrict/ 11%
8. Killing Them Softly/ $9, 800, 000/ Weinstein Company/ 90%
9. Flight/ $6, 400, 000/ Paramount/ 77%
10. The Collection/ $5, 000, 000/ LD Entertainment/ 86%

Rise of the Guardians (2012)

Rise of the Guardians

Release Date: November 21, 2012

Director: Peter Ramsey

Stars (voices): Hugh Jackman, Alec Baldwin, Isla Fisher

Runtime: 97 min

Tagline: Legends Unite.

Wait a minute, wait a minute! Who’s Jack Frost, again…? Is he that one guy that’s always nipping at everyone’s noses?

When a forgotten bogeyman from the Dark Ages called Pitch launches an assault of fear on earth, the Immortal Guardians are all called to fight off against him to maintain the innocence of children all over the world.

The beginning feels sort of like one student in high school is trying to write a report, but they’re having trouble organizing their thoughts. That being said, the beginning is an introduction to the characters which feels a bit disorganized. Though, after a small amount of time, it finds its pace and the story just gets better and better.
This is a great time of year to try to build up the spirits of children everywhere. This is brilliant because this time around, it is not all about Ole’ Saint Nicolas. Everyone gets their chance to shine in this. The Guardians are just great, and they give all the figures, that children believe in, the chance to show their flares.

There’s of course Santa Claus, but this time around he has a funky Russian-esque accent offered by the voicework of Alec Baldwin. He is pretty traditional looking, but he also seems pretty edgy because of his ‘Naughty’ and ‘Nice’ tattoos on his forearms. He offers some insight onto who’s actually making the toys at the North Pole. Apparently, it’s a bunch of Yeti’s, they only make the pointy-hatted elves think they’re making the toys. Who knew?

There’s also the Easter Bunny. Hop was the last Easter-themed flick, but the Guardians‘ Bunny makes the little Easter Bunny from Hop look very ordinary. Here, Hugh Jackman offers some great voicework to this character, and in the process he makes him Australian. He’s a six foot-two Easter Bunny that has a sweet boomarang, that makes him feel like he just stepped out of a video game.

There’s the Tooth Fairy, voiced by the beautiful Isla Fisher, who’s a mix between human and hummingbird. There’s also the mute Sandman (who isn’t voiced by anyone, the studio dodged a bullet casting this guy) who communicates with symbols and funny gestures. There isn’t any explanation necessary on what these two do. Though, this next character, you might need a little introduction to him.

The new Guardian in town is the wayward Jack Frost (voiced by Chris Pine). No, not anything like a snowman or Martin Short’s version of him. All Jack wants to do is cause snow days and havoc, but he wants to have a little fun while doing it. He constantly wonders of his true destiny, and he is a character that knows what it feels like to be invisible. Another character that knows what it feels like to be ostracized and forgotten is the film’s main antagonist, Pitch Black (voiced by Jude Law).

Pitch is a jagged-toothed Bogeyman that wants to instill fear in the hearts of children everywhere. His main motivation of doing this is so he can teach the Immortal Guardians the feeling of loneliness and invisibility he has felt for hundreds of years. He wants to be the big guy on campus for once. Pitch’s main rivals are both Jack Frost and the Sandman. When Pitch steals Frost’s memory of a former life, Frost’s motivation is to retrieve this very valuable material. Frost is also on the fence about his destiny, and he relates to Pitch from time to time because he, too, knows what it feels like to be overlooked because of his juvenile behaviour. The main conflict between Sandy and Pitch is simple. The Sandman brings happy dreams to the children of the world, while Pitch brings dark nightmares. Sandy is obviously not very happy about this, and you won’t like him when he’s angry. However, these are not the only conflicts – the characters are all given their time to shine, so it never feels as if there is one primary character.

There was a concept that came to mind when both the characters of Pitch and Man on the Moon (the moon practically, it’s like God to the Guardians) were initially introduced. It brought to mind the concept of how Lucifer was cast out of Heaven by God, because he wanted to be the head honcho. A plot point that I attempted to predict is that Pitch may have once been a Guardian, but then he was cast down because he was turning evil. That’s just a thought that came to mind because of the good vs. evil forces.

The message is one of the finest in animated films this year: if you believe, it will overcome all fear. It’s greatly displayed in this family film.

Like Monsters, Inc. was with Pixar, this DreamWorks’ edgy children’s and family film. It’s a sort of strange concept that works pretty well. Pitch, the Bogeyman, is sometimes depicted so ominously, it might be a little too hard to handle for the smaller children. There is also some thematic material that can get quite dark. However, there is enough innocent humour to level it all out.

The 3D effects are sometimes gimmicky, but that’s okay. While it is sometimes gimmicky, there are also many cool effects that bring very inventive animation to life even more vibrantly.

Rise of the Guardians is a slightly flawed animated adventure that may have some deeply thematic material and action sequences that could be midly scary for small children. The main flaw is the beginning, because it feels disorganized – but it finds its pace soon enough. The story is wildly inventive, as are the alterations of the beloved Guardians. It’s a great thing to teach the kids this holiday season – don’t just believe in Santa Claus, believe in the other figures too, when their time of year comes around, at least.

80/100

November 23-25 Box Office Predictions

November 23-25 Box Office Forecast

Hitchcock

Plot: A love story between influential filmmaker Alfred Hitchcock and wife Alma Reville during the filming of Psycho in 1959.

Hitchcock is the much anticipated biopic of Alfred Hitchcock that depicts his relationship with his wife during the making of 1960’s Psycho. Anthony Hopkins seems quite fitting and chilling in the role. It’s hitting sixteen theaters this weekend (I wish it would be coming to more!!) and it will be a treat for lovers of the masterful director and lovers of a good love story.

Hitchcock Prediction: $360, 000

Life of Pi

Plot: A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor … a fearsome Bengal tiger.

Ang Lee’s new feature, based on Yann Martel’s novel, seems visually beautiful and the story sounds quite intriguing. This time around, he’s directing an aggressive tiger, not a crouching one. This could very well be a frontrunner at the Oscars this year. It’s at 2700 theaters this weekend.

L.o.P Prediction: $28, 400, 000 (Wed-Sun)

Red Dawn

Plot: A group of teenagers look to save their town from an invasion of North Korean soldiers.

This one has sat on the shelf since 2009, but now it’s finally here… To the sound of poor reviews. That won’t stop me from seeing it, though. Apparently the original wasn’t great, so maybe filmmakers could do it better this time. The original had an opening weekend to the sound of $8.23 million, but I’m hoping it’ll be much better this time around.

R.D. Prediction: $17, 200, 000 (Wed-Sun)

Rise of the Guardians

Plot: When the evil spirit Pitch launches an assault on Earth, the Immortal Guardians team up to protect the innocence of children all around the world.

DreamWorks Animation is a very hit-and-miss studio. It’s had winners like the first two Shrek films, the apparently great How to Train Your Dragon, the pretty good Madagascar trilogy, and Kung Fu Panda. But, they’ve also had losers like Shark Tale and Over the Hedge. Guardians‘ story seems very intriguing and original. While it does seem a little odd, I really want to check it out. It looks like a great adventure with an awesome voice cast.

R.o.t.G Prediction: $59, 500, 000 (Wed-Sun)

Rust and Bone

Plot: Put in charge of his young son, Ali leaves Belgium for Antibes to live with his sister and her husband as a family. Ali’s bond with Stephanie, a killer whale trainer, grows deeper after Stephanie suffers a horrible accident.

Rust and Bone is a foreign feature and is Jacques Audiard’s follow-up to the acclaimed A Prophet. It seems intriguing and I might want to check it out once it comes to town.

R.a.B Prediction: $175, 000

Silver Linings Playbook

Plot: After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.

David O. Russell brings us a potential Oscar contender with the anticipated Silver Linings Playbook. This is his follow-up film to 2010′s The Fighter (that opened to $12.135 million in its wide opening weekend), and he actually surprised a few people by not choosing Mark Wahlberg as the former teach Pat Solitano. Russell is often at his best while directing Wahlberg. Though, regardless of its main star, it still looks charming, funny and thematic. The cast makes the film look even more promising. S.L.P comes to 367 theaters this weekend.

S.L.P. Prediction: $5, 250, 000

TOP 10 BOX OFFICE PREDICTIONS

TITLE/PREDICTION/STUDIO/ROTTEN TOMATOES SCORE

1. Rise of the Guardians$59, 500, 000Paramount (DreamWorks)76%

2. The Twilight Saga: Breaking Dawn Part 2$52, 000, 000Summit Ent./ 47%

3. Life of Pi/ $28, 400, 000Fox86%

4. Skyfall/ $22, 800, 000MGM92%

5. Red Dawn$17, 200, 000FilmDistrict12%

6. Wreck-It Ralph$13, 500, 000Buena Vista86%

7. Silver Linings Playbook$5, 250, 000Weinstein91%

8. Flight/ $4, 300, 000Paramount/ 78%

9. Argo$3, 200, 000Warner Bros.95%

10. Taken 2/ $1, 500, 000Fox21%

Are you any of you going to the theater this weekend?