Top 20 Films of 2013

This list is a lot late, but I still wanted to see a few more films before making my list. I still have a lot to go, but I’m pleased with the current Top 20 I have at the moment. I might do an article later in the year with an unofficial updated list, just to show how what films might have made the cut if I’d seen them before making the list. Without further ado, here’s my Top 20… I was going to have the whole list displayed in pictures, but the formatting was off for the first half so only the Top 10 are displayed with pictures.

20. Pain & Gain
19. The Kings of Summer
18. Spring Breakers
17. Dallas Buyers Club
16. The Hobbit: The Desolation of Smaug
15. The Place Beyond the Pines
14. Captain Phillips
13. Evil Dead
12. The Conjuring
11. The World’s End

7. Mud

7. Mud

4. Her

4. Her

 

Honourable mentions: Monsters University, Fast & Furious 6, 42, Saving Mr. Banks and The Great Gatsby


 

Now this is my bottom 5 of 2013…

The Lords of Salem

The fifth worst film of 2013: The Lords of Salem

The fourth worst film: The Hangover Part III

The fourth worst film: The Hangover Part III

Third worst: Movie 43

Third worst: Movie 43

Second worst: Grown Ups 2

Second worst: Grown Ups 2

The worst film of 2013 is... Scary Movie 5

The worst film of 2013 is… Scary Movie 5


 

Any thoughts on my thoughts? Sound off in the comments if you still want to do a bit of reminiscing of what 2013 had to offer! 🙂

 

Advertisements

The Bling Ring (2013)

The Bling RingRelease Date: June 21, 2013Director: Sofia CoppolaStars: Katie Chang, Israel Broussard, Emma WatsonRuntime: 90 min.

“The Bling Ring” completes the trio of 2013 social commentaries on the stupidity of the human race. The first is “Spring Breakers”, Harmony Kormine’s reality check for today’s youth, and the way that their decisions on their spraaaang breaaaak vacation will have consequences. The second is Michael Bay’s true-crime movie, “Pain & Gain” that expressed how far people are willing to go to achieve the American dream. I love both of those movies, because they’re entertaining and well-written. The same can be said about Sofia Coppola’s “The Bling Ring”, even if it is my least favourite of the three.

Inspired by actual events (occuring between 2008 and 2009), a group of fame-obsessed teenagers use the internet to track celebrities’ whereabouts in order to rob their homes.

“The Bling Ring” highlights the stupidity of some younger people and their obsession with fame, and their want to experience the celebrity lifestyle. This movie is fascinating. It shows the stupidity of people because the characters who do the robbing fail to wear gloves, so they’re just smothering their fingertips all over the house. Smart thinking, right? They also use all the slang of today’s youth – grimy (meaning dirty), lates (instead of later), and totes (instead of totally) – which isn’t exactly an ode to the intelligence of my generation, but I guess it is how we talk. (I, for one, try my hardest to keep my language formal – even if I am guilty of dropping the occasional ‘Just chillin’.) But that’s just the point of these characters: They’re dumb.

One shows enough remorse, but they’re dumb for stealing merchandise, and not knowing how to keep their mouths shout about it. I guess they’re clever enough to steal merchandise the celebrities wouldn’t notice is missing, for awhile. That also just indicates how off the wall consumer society today is, and how much we own that we don’t actually use. It’s also insane how everything is on the internet now, and it’s surprising how easy one could find a celebrities’ home by just searching for it on Google. The kids aren’t the only stupid ones; as it’s truly hard to believe how many celebrities leave their doors unlocked, and don’t bother to use an alarm when they’re out of town.

Even though most of these characters are stupid, they are intriguing. Rebecca (Katie Chang) is the sociopathic ring leader of the group. Mark (Israel Broussard) is the best written of the group, because he’s one of the only almost appealing characters of the gang of criminals. He’s a trendy guy who knows the difference between Muumuu and Prada. (What the f*ck is a Muumuu?!). He’s only ever found one true best friend. He’s unfortunate enough that the one person is Rebecca, and that is his motivation for going along with the crimes.

The real scene-stealer here is Emma Watson, who is hilarious as Nicki. Her performance is truly impressive, and you cannot hear a trace of a British accent in her prissy, stuck-up, L.A. dialect.  The director, Sofia Coppola, really knows how to get laughs out of the audience. One scene has Watson saying “I wanna rob”, and it immediately cuts to a scene of her saying “I just went along with it” (or something like that). It’s such a simple, but effectively genuine way to get a big laugh out of the audience. It’s also funny Nicki is being interviewed, and has to constantly tell her Mom (Leslie Mann) to shut up because it’s her interview. (Her Mom seems to just love fame as much as her daughter, because included in her home-schooling curriculum is a class called ‘Celebrity Role Models’.)

The casting is truly spot-on, because the primary cast is mostly made up of great, but generally unknown, actors (Katie Chang; Claire Julien; Israel Broussard in his first leading role). The casting is clever because well-known celebrities playing fame-obsessed characters seems far-fetched. Leslie Mann is a well-known actress, but she isn’t part of the group. Your eyes might go to Taissa Farmiga, because she’s a great performer who steals a few scenes, and she is a spitting image of her much older sister, Vera Farmiga. (Was anyone else reminded of “Spring Breakers” when she had that gun in her hands?) Emma Watson is inarguably the best known of the primary gang, but her character is supposed to be played by a celebrity, as some of the character’s lines are delivered like a true celebrity. Plus, she’s only a supporting character and she’s freaking hysterical. (If her a character like hers really did “rule a country one day”, I’d be so done with the human race.) Your eyes will probably keep going to Emma Watson because she’s as great as ever, and her character is well-written. Even though she is stuck up (that’s the point of her), she’s very amusing. She believes in Karma and believes this is a learning experience for her, and she seems destined for celebrity life.

Ms. Sofia Coppola really knows how to handle this screenplay. Her style, the cinematography, the movie’s sense of realism, and the energy makes the movie more appealing than it might be in any other director’s hands. I dig her style, and this is my first experience with the director. Although, I’m not sure how entertaining I’d call one specific scene with Mark trying on lipstick and dancing in front of a camera for a minute or two. If it were Emma Watson doing that instead, I would not be thinking that the young man would grow up to be Buffalo Bill from “The Silence of the Lambs”. (Seriously, you’ll be waiting for him to put on a robe, turn around and say, “I’d so f*ck me.”) This film is a fascinating true-crime tale, and its analysis of obsession with celebrity life and fame is endlessly intriguing. The memorable performances and the film’s energy makes me want to watch it again in the future. It’s well-written, often compelling, and a great adaptation of the article “The Suspects Wore Louboutins”. (What the hell are Louboutins?!)

Score80/100

Brief-ish Recap of 2013’s Movies So Far

2013 has been a decent year for movies, and it’s improving in both quality, and in regards of box office earnings. And I think it can only get better from here, at least in terms of quality. So far, I’ve seen 36 movies that have been released in 2013, and I’ve missed quite a few as well. Here is my post for the best and worst of 2013 so far. There is a top 10 list, and a bottom five list, and I will post my “Most anticipated movies of Second Half of the Year List” sooner than later. Here’s what I thought of what 2013 has had to offer so far…

The Best of the Year So Far

This is the End“, 2013’s Best Movie So Far & 2013’s Best Surprise

First, the top 10. I have listed the title and the original score in brackets. I’ve decided not to include little blurbs from each review, because that just might become tedious to read with so many titles. If you want to read my thoughts, click on the link to my review. (Note: You might notice that some scores are lower than others, but higher on the list – but that’s because they’ve grown on me since I’ve seen them, and are better than other movies in terms of quality.)

1. This is the End (91), 2. Monsters University (90), 3. 42 (90), 4. The Place Beyond the Pines (88), 5. Fast & Furious 6 (90), 6. Mud (86), 7. Evil Dead (88), 8. Pain & Gain (83), 9. Spring Breakers (75), 10. The Croods (83).

Here’s 11-15: 11. Star Trek Into Darkness (83), 12. The Great Gatsby (82), 13. Warm Bodies (80), 14. Now You See Me (80), 15. Iron Man 3 (80).

Here’s the rest of the movies I’ve seen, ranked from best to worst (in blocks of five, so it’s easier on the eyes): The Last Stand (80); World War Z (75)The Heat (75) Mama (78)20. Oz the Great and Powerful (75).

Epic (74)The Incredible Burt Wonderstone (73); Identity Thief (72); Olympus Has Fallen (70); 25. Snitch (71).

Oblivion (67); Gangster Squad (63)The Purge (57); Man of Steel (50)30. Admission (56), Safe Haven (54).

2013's Worst Movie So Far

Scary Movie 5“, 2013’s Worst Movie So Far (But I don’t think there will be a bigger shitfest this year). 

Here’s the List of Shame, the Bottom Five of the year: After Earth (40)Peeples (38); The Hangover Part III (25)Movie 43 (30); 36. Scary Movie 5 (0).

Here was my Top 12 Most Anticipated Movies of the First Half of the Year: 1. Monsters University; 2. The Place Beyond the Pines; 3. Identity Thief 4. Oz the Great and Powerful; 5. Gangster Squad; 6. 42; 7. Now You See Me; 8. Fast & Furious 6; 9. Man of Steel; 10. Oblivion11. The Purge: 12. Mud.

5 of my 12 most anticipated movies made the Top 10, and 6 made my top 15. “Oz the Great and Powerful” was only slightly satisfying. “Identity Thief”, and “Oblivion” were mildly disappointing. “Gangster Squad” was quite disappointing because it could have potentially been an Oscar contender, but it ended up not knowing if it wanted to be serious or just silly. It was a lightly entertaining gangster movie, apparently much like “The Untouchables”. I’d put “The Hangover Part III” in my Top 15 Anticipated of the First Half, so that is the biggest disappointment of the year because it just wasn’t funny. The third biggest disappointment would be “The Purge”, and the second would be “Man of Steel”.

"The Hangover Part III", 2013's Biggest Disappointment So Far

The Hangover Part III“, 2013’s Biggest Disappointment So Far

The best surprise of the year definitely has to be “This is the End”, even if I was quite excited for it. I knew it was going to be good, but not that good, and especially not movie of the year worthy. Out of the films I wasn’t anticipating at all, “World War Z” was probably the nicest surprise.

These are the movies I missed, but will be checking out. I’ve only included the ones I could envision myself either popping into the DVD player, watching online, or going out to the theater and watching: A Good Day to Die Hard, Aftershock, Antiviral, Before Midnight, Berberian Sound Studio, The Bling Ring, Byzantium, The Call, Dark Skies, Dead Man Down, The East, Frances Ha, G.I. Joe: Retaliation, Ginger & Rosa, Hansel and Gretel: Witch Hunters, The Host, The Iceman, The Internship, The Kings of Summer, The Lords of Salem, Maniac, Much Ado About Nothing, Quartet, Room 237, The Sapphires, Side Effects, Song for Marion, Stand Up Guys, Stoker, To the Wonder, Trance, Upside Down, Upstream Color, Violet & Daisy, Welcome to the Punch, White House Down.

And finally, here are some statistics: 

Rotten Tomatoes Audience Average Score: 72.55

My Average Score: 69.22

IMDb Average Score: 66.05

Rotten Tomatoes Critics Average Score: 56.55

So there you have it… What’s your favourite movie of the year so far, and your least favourite? I won’t put a poll because there are just too many titles, so let me know in the comments!

Pain & Gain (2013)

Pain & Gain

Pain & Gain

Release Date: April 26, 2013

Director: Michael Bay

Stars: Mark Wahlberg, Dwayne Johnson, Anthony Mackie

Runtime: 130 min

Tagline: Their American Dream is Bigger Than Yours

Michael Bay doesn’t have a good reputation. He’s that one director that is best fit to movies that have gigantic budgets and simple plots. Some may call him a director of stupid blockbuster movies, but he’s hardly the worst director in the business. That’s McG. A guy whose movies are stupider than his name. Anyway, back to Bay. While he is best known for huge, popcorn movies (Transformers, Pearl Harbor) he surprises with Pain & Gain, a movie made for $26 million.

Daniel Lugo (Mark Wahlberg) is the charismatic manager of Sun Gym, a fitness centre where muscled guys lift weights and fatties might as well be the plague. Lugo has a very specific philosophy (taught by motivational speaker, Johnny Wu, a tiny role for Ken Jeong). He’s a do-er, and if he believes he deserves it, the universe will serve it. He just so happens to believe he deserves everything local rich guy, Victor Kershaw (Tony Shalhoub), possesses. He enlists the help of Sun Gym buddies Adrian Doorbal (Anthony Mackie) and Paul Doyle (Dwayne “The Rock” Johnson) to do so. Together, these juice monkeys envelop themselves in a extortion ring and kidnapping scheme that goes terribly awry.

These guys are truly willing to go the extra mile to achieve the so-called American dream. The movie shows how far people might actually go to achieve what they desire, and these extreme lengths can be shocking. It’s also shocking to learn this film follows the true story upon which it is based (a three-part series entitled ‘Pain & Gain’ by Pete Collins) very closely. If you think you had a hard time believing Bernie (where Jack Black plays the titular Bernie who strikes up a relationship with a wealthy widow and when he kills her, he has to go to great lengths to creat the illusion she’s still alive) was based on a true story, you haven’t seen anything yet. This is so strange and bizarre that, during the movie, we’re reminded that “this is still a true story”.

A violent true story is written into a hilarious action comedy, so the audience could easily admire that, or be easily offended. The case is, Hollywood is once again exploiting something awful and making it into something entertaining that will make money. Though, this story about the Sun Gym Gang (that takes place between the latter end of 1994 through June 1995) really should be known. Still, the writing team of Christopher Markus and Stephen McFeely pen a great black comedy, even if it is lengthy. Everyone should see this just to see where they stand on the film, much like the other 2013 movie set in Miami, Spring Breakers. This is truly one of the most bizarre and strangest movies of all-time, but it’s also one of the most memorable and entertaining of 2013 thus far.

Michael Bay’s movie has some great production design and writing, and it’s nice to see that he’s directing a passion project; and it also helps that the closest thing to Optimus Prime are fancy cars and riding lawn mowers. Some of the characters, though, are only a little more emotional than robots, mostly because the three main protagonists are money-hungry sociopaths. The characters’ actions are so moronic that it’s hard to care what might happen to them. We don’t really feel compassion for charismatic sociopaths, like they wouldn’t for us. The sociopath that shows the most human emotions is Paul Doyle (mostly for Jesus or Kershaw) and Doorbal. The dark comedy really produces laughs, and the offbeat humour is right on the money. Wahlberg and Mackie are great in their roles and everyone has great comedic timing, but the real star here is Dwayne “The Rock” Johnson. Johnson has played badasses in the past (like Mathayus in The Scorpion King, Chris Vaugh in Walking Tall, Luke Hobbs in Fast Five), but this is one of his strongest performances as an egotistic moron who happens to think he’s a badass. He’s hilarious and very charming as the criminal who hits rock bottom, finds Jesus, and then becomes hooked on cocaine once again when they find wealth. He steals every scene, and right now, I can’t think of a time where Johnson delivers a more entertaining performance.

Ed Harris is great as the main investigator working for Tony Shalhoub’s Kershaw, even if he might not be extremely memorable. Rebel Wilson also shows some sultry emotions, mostly during her sex scene with Anthony Mackie, where she brings her own nun-chucks to spice things up. The versatile Shalhoub performs well, and he gets more than a few laughs as the victim. Everyone’s chemistry is ideal. It’s hilarious when his character is trying to manipulate the weak link, Paul Doyle. Their relationship is very funny, mostly because Doyle calls Kershaw, “Pepe”, and he nicknames himself “El Dad”.

This is sure to be one of the most outlandish and entertaining movies of 2013, and it’s an incredibly pleasant surprise. It is also hilariously twisted and its originality is deadly. The movie is stylish and colourful, but the movie is rather unbelievable and it is about ten minutes too long. Still, it’s bound to become a cult classic. The ensemble cast is great (Rob Corddry is also in the movie, among everyone else aforementioned). The majority of men will surely be entertained and laugh at this great black comedy of violence, inarguably moronic choices and chasing the American dream. If you’re a female, or a male who is really in touch with their feminine side, you might not enjoy it as much. Yes, that may sound sexist (forgive me), but it’s kind-of the truth with such a violent tale. One thing’s for sure, Popeye would approve of this movie.

83/100

Spring Breakers (2013)

Spring Breakers

Release Date: March 22, 2013 (initial wide release). Director: Harmony Korine. Stars: James Franco, Vanessa Hudgens, Selena Gomez. Runtime: 94 min.

It’s a movie that gets so much better after you think about it quite a bit.

Brit (Ashley Benson), Candy (Vanessa Hudgens), Cotty (Rachel Korine) and Faith (Selena Gomez) are four friends anxious to let loose during spring break, but they lack sufficient funds to go on vacation. They hold up a restaurant for some quick cash, and they travel to St. Petersburg, Florida, in pursuit of a good time. They then find themselves in jail (for partying too hard, not robbing the restaurant) and are soon bailed out by a rapper, drug and arms dealer, Alien (James Franco), who introduces them into a criminal world that is both influential and intriguing for a group of girls who are still figuring out their path in life.

This is difficult to place into one basket, as it’s sometimes funny,  strange, violent, and rather brilliant. I think. It’s also a movie that isn’t afraid to make a statement. This examines the moral codes and the social strata of today’s youth through its four primary characters.

It expresses that today’s female youth aren’t difficult to manipulate and influence if you can give them something more exciting than their everyday routine. It’s also a reality check for the youth of today because those who go on spring break and party hard must realize that the vacation is a week, and they’ll have to get back to reality sooner than later. They shouldn’t immerse themselves into a path that is completely irrational. It also explores the consequences of these crazy decisions, in a rather intelligent fashion. Though, this is merely my own interpretation (among many other interpretations) of what  Korine is trying to say. The feature gets the point across fairly well, and it certainly isn’t as mindless as party brand TV show Jersey Shore or the moronic Project X (even though teen partying is the only similarity).

The character of Faith really contrasts the abnormal behaviour of the other girls, as she is more reserved and not as vulnerable to crazy corruption such as this. The character represents the better choices of youth, and Mr. Korine writes her in rather brilliantly, and his style is easy to love (even though casual, mainstream moviegoers may find it way too different and weird).

The film is very bright and highly-stylized. The cinematography opts for style by going with usual montage-esque filmmaking, and a few of the sequences feel like entertaining filler for the runtime. There are entertaining sequences, compelling sequences and compelling-but-strange sequences. Some of the oddest-yet-compelling scenes are the most memorable of the film. There’s a lot of tits and ass bouncing around throughout the feature, and some sequences are repetitive (one Girls Gone Wild-esque scene, in particular, gets shown two or three times). There are a few Britney Spears-related sequences where one is compelling and funny in a strange way (where Franco sings a bit of “Everytime” at his piano, and the girls dance around with assault rifles, and then it becomes background noise to a violent montage), and the other, to the song “Hit Me Baby One More Time” (if memory serves me correctly) is strange but rather fascinating.

They’re singing along and then Brit and Candy are telling Cotty (who was the getaway driver) and Faith (who stayed home) exactly how the restaurant robbery went down. They robbed the store with a hammer and a squirt gun, and they’re discussing how they got all up in the people’s faces saying, “Give me all your money, mother fucker!” Their behaviour seems completely irrational and it could really make an audience member uncomfortable, but it is oddly compelling, and no matter how hard anyone might try, it is impossible to look away. It also shows that these two specific girls were slightly off their rockers before they even meet Alien, and him giving them real guns doesn’t help their seemingly psychopathic behaviour in the slightest…

Some of Korine’s other creative choices also aren’t stellar. During a scene when Alien is getting prepared for a critical occasion, there’s a line of dialogue repeated over and over as background noise, and it isn’t very interesting (it almost gets tedious, almost). Also, sometimes when a new scene starts, the sound of a gun cocks and it gets old after the third time, so it’s incredibly pleasing that it happens about ten freaking times…

James Franco is the funniest part of the film as an insane, creepy, grill-wearing, violent, tatted-up gangster called Alien. He’s crazy but he’s probably cool enough to hang out with E.T. His charms draw the girls deeper into his insane world, and into his delusions (this guy calls his bed his space ship). His character only seems to be influencing the girls a little, because they’re (Brit and Candy, in particular) take plenty of insane liberties of their own. Franco has a blast playing Alien, and his performance is really one of the best parts of the film, even though he is a little crazy. When his character’s behaviour is challenged by the craziest of the spring breakers, we must question who the hell is influencing who, here… This is part of what makes Korine’s writing so brilliant at times. There isn’t a ton of comedy, and some of the biggest laughs come when Alien is, in fact, acting cuckoo, making funny gangster faces, or during the bizarre yet compelling Britney Spears sequence where he’s at the piano.

The bikini gals are also good performers (mostly just Benson, Hudgens and Gomez), and their performances are probably their finest hours, even though their previous roles in films have hardly been memorable. Selena Gomez has the smallest amount of screen time, and she’s really the representation of innocence in youth. Rachel Korine is the weakest of the bunch, and it seems this is a breakout role for her, and she might start to get typecast as the slut because she is not afraid to get fully nude. Former Disney star Vanessa Hudgens and the Pretty Little Liars star Ashley Benson, do enough R-rated actions in this film to allow them not to be typecast again. Though, that might be their goal and they might be trying to lose that innocent girl image, and if that’s the case, they achieve it with neon bikinis on. Their violent and abnormal roles represent an insane, irrational, curious party girl. I hope these roles turn out to be good career choices for all the girls, even if it prevents Hudgens or Benson (maybe even Gomez, even though her role compared to theirs is as innocent as a pony) from appearing on the Disney channel ever again.

Spring Breakers is a well-written, controversial, ultra-stylized, bright film that will divide audiences, especially the mainstream viewers who aren’t used Korine’s tendency to insert a ton of style, and are expecting something along the lines of Project X. Thankfully, the only similarity to Project X is teenage partying.

It’s a film that has a near must-see status because it’s fascinating and you can stand on either side of the spectrum, you might hate it or love it. You may hate it at first, but if you think about it a lot more, you might end up loving it. One thing is certain: It’s a thought-provoking, un-for-fucking-gettable experience.

Score75/100

March 22-24 Box Office Predictions: ‘The Croods’, ‘Olympus Has Fallen’, ‘Admission’, ‘Spring Breakers’

The new releases

Admission

   Admission

The Croods

The Croods

Olympus Has Fallen

Olympus Has Fallen

 

Spring Breakers

Spring Breakers

The box office is getting some of its edge back with some solid earnings as of late (if you don’t count that Burt Wonderstone bomb). This weekend we’re seeing four new releases: the new Tina Fey/Paul Rudd comedy, Admission; the animated prehistoric flick, DreamWorks’ The Croods; a terrorist attack action/thriller, Olympus Has Fallen; and a sexy crime drama, Spring Breakers.

The Croods will be one of the movies to stop Oz from three-peating this weekend. It looks really great and adventurous and that cute-monkey primate thing from the trailers is what makes me want to spend $14 on this, and it does not look half-bad. The plot follows the very first prehistoric family as they go on a road trip to an uncharted and a fantastical world. So, it’s a road trip comedy set in prehistoric times? That’s a fine premise. The DreamWorks studio has previously given us audiences solid animated features such as the Shrek franchise, How to Train Your Dragon and Kung Fu Panda. Generally, the animation studio’s films are usually of quality. The voice cast for this film is also rather good: Nicolas Cage sounds like himself, Emma Stone is lending her sultry voice to the feature, and Ryan Reynolds, Catherine Keener, Cloris Leachman and Clark Duke also lend their voices. I think this will be the second highest opening of the weekend of the year so far (above Identity Thief‘s $34.5 million, but behind Oz‘s $79.1 million). The animation does look beautiful, and this will do well at the box office because it is just the third feature of the year that is being targeted at family audiences,  and only the second animated feature after Escape from Planet Earth. I also think it will perform well because it’s set in prehistoric times, and we’ll probably see types of dinosaurs and other cool creatures, so this might satisfy dinosaur lovers before Jurassic Park 3D comes out April 5. Films similar to this open to an average $49.4 million, but I think this will come a few million shy of that number, but what do I know… I’m just a guy trying to predict the box office. Realistically, I think this will open between Rio‘s $39.2 or Shrek‘s $42.3 million to Kung Fu Panda 2‘s $47.6 million. DreamWorks’ last project was Rise of the Guardians which bombed by opening to $23.7 million, but I can’t see this bombing, at least I hope it won’t… My prediction for this is a solid $45 million.

Olympus Has Fallen might also earn more many than Oz this weekend, but the battle for second place will between this and that. The action films this year have been bombs (The Last Stand, Parker), but this won’t follow suit, thankfully. It won’t mostly because it looks really good and there’s been a lack of a good terrorist attack flick for a while now, the last great one was Live Free or Die Hard. The plot follows a disgraced former Presidential guard Mike Banning who finds himself trapped inside the White House in the wake of a terrorist attack; using his inside knowledge, Banning works with national security to rescue the President from his kidnappers. It sounds incredibly action-packed and loads of fun, and with Training Day director Antoine Fuqua at the helm, this could be an impressive movie. The fine cast, the director, and the plot and action sequences will attract audiences. It also helps that FilmDistrict launched one big marketing campaign for this, and this project has been its main focus. Because of this focus, Dead Man Down was neglected in a way, so this is a gamble I sincerely hope pays off for the distributor, and I think it will. Antoine Fuqua’s filmography has an average opening of $13.7 million; Butler, an average opening of $18.62; Aaron Eckhart, an average opening of $23 million (which this will make close to that number); Morgan Freeman, an average opening of $26.8. Finally, similar films to this open at an average of $23 million, though I think this will earn a little less than A Good Day to Die Hard‘s $24.8 million. My prediction for this is $23.5 million.

Admission looks like a charming little Tina Fey/Paul Rudd comedy, but the trailer only produces a few laughs. The IMDb plot is: A Princeton admissions officer who is up for a major promotion, takes a professional risk after she meets a college-bound alternative school kid who just might be the son she gave up years ago in a secret adoption. It looks like a solid yet forgettable film, fairly feel-good, but it doesn’t look particularly hilarious. I’ll see the movie, but I only wish Fey had a hand in writing, because she is very funny (see: Mean Girls and TV’s 30 Rock). Similar movies earn an average of $13.3 on opening weekend, but I think this will come closer to The Switch‘s $8.4, and possibly better than Our Idiot Brother‘s $7 million. The director, Paul Weitz’s, biggest titles are About A Boy and American Pie, the former opened to $8.5, and the latter opened to $18.7 million. In Fey’s first movie role since 2010’s Megamind (2010’s Date Night for live-action) this might be lucky to get half of her $20.6 average opening weekend. Paul Rudd has an average opening of $13.9, but I’m convinced for whatever reason this won’t make it to double digits, but if it does, the highest I think it’ll go would have to be one of his early films, Clueless‘s $10.6 million opening. My psychic powers are tingling and they’re telling me this will only earn $8.5 million this weekend.

Spring Breakers earned a seriously excellent $263, 002 at just three theaters last weekend (a $87, 667 per theater average, the 23rd all-time best), so it’s no surprise that the studio took advantage and decided to expand to 1104 theaters. Writer/director Harmony Korine seems that he’ll bring his art-house style to the feature (he directed and wrote Gummo, and wrote Kids) and make it unique for mainstream audiences, and he’s also casting his wife, Rachel Korine, the least well-known of the bikini babes. The other babes include former-Disney stars Selena Gomez (TV’s Wizards of Waverly Place, Monte Carlo) and Vanessa Hudgens (High School Musical), and also TV’s Pretty Little Liars star Ashley Benson. The plot follows four college girls who land in jail after robbing a restaurant in order to fund their spring break vacation, and they find themselves bailed out by a drug and arms dealer who wants them to do some dirty work. The only thing better than these gals in bikinis would be them in nothing at all. James Franco looks like he’s in an awesome role, and it looks like he’ll immerse himself in it, more than he apparently did for his character in Oz The Great and Powerful (which I still have to see). My prediction is $6.5 million for its wide opening. You may think I’m going too high with my prediction, but since it earned $87, 667 at just three theaters, I think it will do fairly well at 1104 theaters.

Here’s how I see the top 10:

TitlePrediction/ Possible percentage drop

1. The Croods: $45, 000, 000
2. Olympus Has Fallen: $23, 500, 000
3. Oz The Great and Powerful: $22, 000, 000/-46.6%
4. The Call: $10, 000, 000-41.6%
5. Admission: $8, 500, 000
6. Spring Breakers: $6, 500, 000
7. The Incredible Burt Wonderstone: $5, 500, 000/-46.0%
8. Jack the Giant Slayer: $4, 000, 000/-36.6%
9. Identity Thief: $3, 000, 000/32.1%
10. Snitch: $2, 300, 000/34.3 %

There you have it, what do you think of my predictions? What will you see this weekend? Was the article too long (LOL)? Leave me some comments below!