“The Conjuring” scares a big audience, Snails and Retired Spies do okay, “R.I.P.D.” bombs hard

New releases from the weekend that are still on my watchlist: The ConjuringR.I.P.D.Red 2Turbo. So, all of them!

I’ve realized that I haven’t been a good box office analyst. I’ve been posting my predictions, but neglecting to report the results. This weekend, I’ll change that. At the beginning of 2013, it was looking like this year wouldn’t even match up to 2012 – but it’s catching up at a rapid rate. Through June, 2013 was 2.1% behind 2012. As of the end of this weekend, it is behind 1.1%. That is impressive considering this weekend was 19% behind last year, as “The Dark Knight Rises” single-handedly grossed $160.8 million. It’s looking like 2013 could match 2012’s number with some big blockbusters still to come: “The Wolverine”, “The Hobbit: The Desolation of Smaug”, and “The Hunger Games: Catching Fire” this fall, to name a few. Anyway, let’s get to this weekend.

“Turbo” opened to $21.3 million and has earned $31 million through its first five days. That’s the worst opening for a DreamWorks Animation since 2006’s “Wallace and Gromit”, and it’s even less than last year’s “Rise of the Guardians“. It could have legs because of its rewarded ‘A’ Cinemascore, but family audiences chose those yellow minions again (“DM2” earned $24.9 million this weekend) over snail racing. DreamWorks can only hope that snail racing is big overseas. I guess at least this poor outing says “The Smurfs 2” might not do so grandly, as family audiences have only so much money to spend in a month. (But since it opens at the very beginning of August, it might not be affected.)

“The Conjuring” was the big winner this weekend with a huge $41.8 million opening, so take that “The Purge“! It is now the second-largest opening weekend for an R-rated horror movie behind “Paranormal Activity 2”. That’s great for it because it looks really scary and I want to see it. It had a great marketing campaign, it looked terrifying, and people turned out to see it. It also came at a time where there were no horror movies on the market (well besides “The Purge” which is now only in 156 theatres). It will have great box office legs, because it was rewarded an ‘A-‘ Cinemascore, which, for the horror genre, is super rare.

“Red 2” had a soft opening with $18 million. The first movie grossed $21.7 million in its opening, so it seems that audiences thought it looked too similar to its predecessor, a problem “The Expendables 2” faced. I was optimistic with my prediction of $25 million because I thought that since it had really high DVD sales and the first had great legs, “Red 2” would do better business. I was wrong by $7 million. I didn’t factor in that the older audiences that this is aimed at is perfectly content to either wait for the DVD or go during the week when the crowds aren’t as big. Dang it! (By the way, I’ll probably be posting my review of “Red” soon.)

The only movie I was really close with was “R.I.P.D.”, which is standing at 11% on Rotten Tomatoes. I’m seeing it tomorrow, because I like to see everything, but audiences just were not interested in this “Men in Black” rip-off as it only debuted to $12.69 million. (I predicted $12.8M, woo-hoo!) And its budget was $130 million or so. Talk about one of the biggest bombs in recent memory! “Red 2” was its direct competition and that one came out on top. I think this movie looks fun, but audiences just didn’t bite. I’m not surprised one bit.

Here’s how the Top 10 performed! And if you missed any of my reviews, just click on the link to read it.

Title: Result/Prediction/Difference (Over/Under)
1. “The Conjuring”: $41.855M/$37.5M/$4.355M under
2. “Despicable Me 2: $24.906M/$22.473M/$2.433M under
3. “Turbo”: $21.312M/$28.8M/$7.488M over
4. “Grown Ups 2”: $19.872M/$19.5M/$372, 000 under
5. “Red 2”: $18.048M/$25M/$6.952M over
6. “Pacific Rim: $16.002M/$19.825M/$3.823 over
7. “R.I.P.D.”: $12.691M/$12.8M/$109, 000 over
8. “The Heat: $9.303M/$9.025M/$278, 000 under
9. “World War Z: $5.191M/NA/NA
10. “Monsters University: $5.121M/$6M/$879, 000 over

For the four new releases, I was off by a grand total of: $18, 904, 000

For the five holdovers I predicted in the top 10, I was off by a grand total of: $7, 785, 000

Did any of you go to the theatre this weekend? I saw “Grown Ups 2” on Saturday, don’t ask me why. Expect the review tomorrow. 

Pacific Rim (2013)

Pacific RimRelease Date: July 12, 2013Director: Guillermo del ToroStars: Charlie Hunman, Idris Elba, Rinko KikuchiRuntime: 132 min.

“Pacific Rim” is the first movie I attended a premiere for since “The Hobbit: An Unexpected Journey” back in December. As the day of the premiere approached, I became more and more excited. Heck, I could hardly even sleep one night coupled with my excitement and crappy sleeping habits. Let’s just say, “Pacific Rim” satisfies in most of its critical aspects.

As a war between humankind and monstrous sea creatures wages on, and creatures attack at an increasingly rapid rate, a former pilot and a trainee are paired up to go on a high-stakes mission in a desperate effort to save the world from the apocalypse.

There are some refreshing aspects to this feature that one might not see in an average summer tent-pole. There’s no leading star power, but Charlie Hunman (TV’s “Sons of Anarchy,” “Children of Men”) is good as a character you’ll enjoy, but you probably won’t remember his name. In this film, there doesn’t have to be much star power, because everybody knows the real stars are the robots (Jaegars) and the monsters (Kaiju). If one had to compare this to anything, it’s like a “Godzilla” movie and that Rock ‘Em Sock ‘Em Robots game. There’s a lot of new content here, and it’s an awesome ode to monster movies. This is going to stand out in memory as one of the most original movies of the year.

I appreciate that this movie isn’t merely just a visual feast. The story gets care put into it and it keeps the viewer guessing. It’s ridiculous at times, but it’s going to have to be in a sci-fi monsters vs. robots feature. The concepts of the Drift and the Neural Handshake are fascinating. It is the most effective storytelling presented in a movie event so far this year, so that’s a compliment to this, but not exactly to 2013 blockbusters as a whole. The thing is, one’s average big-budget extravaganza has a larger focus on visuals and less on story – so to see that in a film like this is refreshing. Though, like the modern big-budget flicks, this is going to feature a lot of loud noises!

There are also some appealing characters, even if they aren’t memorable. Mako (Kikuchi) is given layers, as something from her past is haunting her. Marshall Stacker Pentecost (Elba) is quite possibly the character you’ll care about the most. Elba delivers one of the year’s most memorable speeches, and it’s still pretty damn effective when one finally sees the movie after seeing the trailer seven times. The research team of Newton (Charlie Day) and Gottlieb (Burn Gorman, “The Dark Knight Rises”) is comedic gold, and one of the movie’s best aspects. It also shows that this movie has a comedic way about it, as well, even if it has the tendency to be cheesy. That pairing is the movie’s best aspect besides the big battles, of course.

The battles everybody is anticipating are spectacular in a visual way, and lots of fun. You’ll nerdgasm a few times throughout, at the battles and the great creature design, but mostly at the battles. I cannot help but wish that more battles occur during daylight. All of the mashes occur during the night, mostly in the middle of the ocean, and in the pouring rain. Granted, the monsters’ invasion might alter the climate to make it rain a lot, but it would be nice to see them fight without the rain. It would also be great to see a little less splashin’ on the screen, and some more monster mashin’. It’s as if they’re in a wave pool.

This feature also has to find a comfortable pace before it can really get to the heart of the story, so a shorter film would be welcome. Nobody wants to see the humans. We nerds are here for the robots. You’ll care about the humans, sure, but you’ll only truly care about the survival of a select few characters, and since these characters believe in the greater good of the humankind, we’re taken on an emotional roller coaster with them. These folks also make a great ensemble cast, made up of little to no bankable actors. This is visually stunning in its IMAX 3D glory, and you’ll be getting a front row seat to one of the most awesome speeches of the year.

This movie is awesome. It will remain one of the 2013’s best blockbusters. It’s also a great addition to a fantastic year of science fiction, a genre that is growing on me. I know I’ve thrown a lot of ‘Most memorable speech’ and ‘Best storytelling in a sci-fi extravaganza’ so far this year, but I remain undecided if this will be included in my Top 25 of the year, looking at what is coming in the second half of the year. It’s immensely enjoyable, but I’m not sure when I’ll feel the urge to revisit this. At the end of the year, if I think back to the pure awesomeness of a Jaegar picking up a giant boat and using it as a baseball bat to hit a Kaiju with repeatedly, this movie might find its way on my Top 25 list.

Score80/100

Premium Rush (2012)

Premium RushPremium Rush

Release Date: August 24, 2012

Director: David Koepp

Stars: Joseph Gordon-Levitt, Dania Ramirez, Michael Shannon

Runtime: 91 min

Tagline: Ride Like Hell

Premium Rush is filled with fun one-liners, reckless characters and a fast-paced story; all the characteristics of a fine action flick. That’s just what this is: a fine action movie that passes the time. It’s fun entertainment following Wilee (Joseph Gordon-Levitt) run away from a rogue cop (Michael Shannon) trying to steal a package Wilee is carrying. That’s really just the plot (In Manhattan, a bike messenger picks up an envelope that attracts the interest of a dirty cop, who pursues the cyclist throughout the city), but there are smaller sub-plots throughout. Another cop is chasing him, as Wilee pulls some quick ones on him time and time again. That sub-plot is sometimes funny but it gets tedious; as does an extremely competitive fellow bike messenger, Manny (Wolé Parks). The relationship between he and Wilee, however, allows some fun bike races. This is a movie that shows us that bike racing movies can be nearly as exciting as car racing flicks. Emphasis on the nearly. I guess four wheels are better than two. The movie sometimes feels like it doesn’t do enough with its cool premise, and the sort-of twist with the package reveal is rather bland and one of the movie’s more forgettable moments. Dania Ramirez and Jamie Chung offer good supporting roles. Levitt is solid (even this is his weakest performance and movie of 2012, but his other two films were the great The Dark Knight Rises and Looper) as an extremely reckless character who refuses to use his brakes, but Michael Shannon is the most memorable part of the movie. One of his scenes near the end of the movie is high-larious in a strange way. The only fairly groundbreaking material it offers is some fascinating cinematography, where Wilee imagines different biking routes in New York traffic; where some routes lead to death, and others lead to safety. This is a taut, fast-paced action flick that offers some good late summer entertainment.

73/100

My Top 25 Films of 2012

2012 saw some great films, and some real stinkers. I have seen 68 of them. These are my top 25 favourite films of 2012, and also the ten worst.

Oh and, some of these films don’t have the highest scores, but they’re higher up on the list. This is because some films (like The Hobbit) have grown on me a lot since I’ve seen them. Click on the title in the caption to get to review (and the titles in the ‘worst of’ list). Anyway, here’s the list, starting with #25:

Pitch Perfect is a fairly original (at least in cinema) and entertaining Glee-inspired musical comedy that may be predictable, but it’s a toe-tapping experience that has a fine plot, great music, some strange characters (most notably Lilly, a character who looks like that creepy big-eyed girl from Frankenweenie), show-stealing performers (like Bridesmaids‘ Rebel Wilson who portrays Fat Amy) and a memorable ensemble cast.

#24 - This is 40

#24 – This is 40

This is 40 is not quite as good as Knocked Up, but it’s a satisfying sort-of sequel. This is sometimes over-dramatic because of the numerous conflicts, but it is driven by fresh, laugh-out-loud comedy that helps Apatow get the message, of overcoming family differences and a mid-life crisis, across very well. Laughs, conflict, and advertisements for iPhones, Apple products, TV’s Lost, and a good role for Megan Fox are all present.

#23 - Ted

#23 – Ted

Ted‘s screenplay may be crowded but we must understand that MacFarlane’s comfort zone is a mere 22-minute slot, while this is a whole 112-minute feature. The end product turns out to be better than anyone would think a buddy comedy between a talking teddy bear and an immature man could be, and Wahlberg and Ted’s chemistry help make this one of the best buddy comedies of the year. I’m excited to see what else first-time director MacFarlane has in store for the silver screen, and I say bring on the sequel.

The film starts out fairly slow, but once the games come around the bend, it instantly becomes intensely engaging and entertaining. The screenplay maintains the fascinating theme of propaganda [and how corrupt the government may become], but doesn’t capture the extreme violence that we fans handled in the novel itself, and there isn’t quite enough bonding time with select characters. The adaptation is nonetheless great, and since it was not followed to a tee, there is room for surprise. Anyone who is willing to accept this fresh experience will enjoy it, as it is a promising beginning to a new teen franchise.

Rise of the Guardians is a slightly flawed, but wildly inventive, animated adventure that may have some deeply thematic material and action sequences that could be midly scary for small children. The main flaw is the disorganized beginning – but it finds its pace soon enough. The concept is a sort of edgy animated feature, but is a great end product. This is one of the most original animated features of the year, mainly because of the alterations to the beloved Guardians, like making Santa Claus look like a Russian biker, are very fresh. This is a great message to teach the kids this holiday season – don’t only believe in Santa around his season, also believe in all the other heroes, at least when their time comes around the bend.

#20 - The Grey

#20 – The Grey

The dialogue of this film allows characters to be thoroughly developed and compelling concepts to arise. When the characters aren’t talking, it gets engaging and thoroughly thrilling. The anti-climactic ending says Carnahan has learned to resist throwing full-throttle action at us, and he instead resists the urge and keeps the astounding and exciting survival film as tame as could be. The mostly unknown actors make the spotlight shine directly on the star: Liam Neeson.

#19 - Lincoln

#19 – Lincoln

Spielberg seems like, at this point in his career, is interested in making ambitious biopics instead of blockbusters like Jaws. The intelligent monologue-filled feature intricately throws information at you, and at times it can be quite a bit to absorb, but it is usually engaging. The cast of Lincoln is impressive, most notably Daniel Day-Lewis, who delivers a kind-hearted, endlessly charming performance that adds layers to one of the greatest figures in American history. Day-Lewis captures Lincoln’s will to get things done, and his genuine and kind self.

Killing Them Softly is a clever mafia tale of violence and despair with a great leading performance from Brad Pitt; with his mysterious character delivering us plenty of violence to keep us happy. This tale is also a social commentary on the local criminal economy in 2008, before Obama stepped into office – the concepts are complex, but there are not difficult to comprehend. The not-so-subtle message may be annoying to some, but the story is very engaging. It is a thought-provoking film brought to life by Andrew Dominik’s stylish and artistic direction.

#17 - End of Watch

#17 – End of Watch

The abrupt ending keeps this from being flawless, but this is a stellar crime story with intelligent writing by writer/director David Ayer (who previously wrote Training Day) with some of the best chemistry I have seen all year. End of Watch does for the real lives of cops what Ladder 49 did for fire fighters, but it’s about twenty-six times better.

#16 - Chronicle

#16 – Chronicle

Chronicle is one of the most surprisingly amazing features of 2012. The rushed pace is its main flaw, but it is an awesome experience for the 84 minutes it stays around. It obtains must-see status because of its thoroughly thematic and disturbing content. It is the most must-see found-footage feature of 2012, perhaps of all-time.

Seven Psychopaths has a clever screenplay and is a fantastic second feature from writer/directer Martin McDonagh. It is equal parts brutal, brilliant and hysterical. It is extremely memorable and has great characters and a superb ensemble cast. It is one of the most original screenplays of the year, and it’s another comedy that proves 2012 is one of the best for that genre.

The story may have ideas crammed in the feature, it undeniably has a very emotional core. If the actors weren’t singing the vast majority of their dialogue, the film wouldn’t be quite as exciting or engaging. This combines a great period piece with a profound musical, and it makes this one of the best features of the year.

Jonah Hill and Channing Tatum create a superb chemistry, and this is one of the finest comedy ensembles of the year. The comedy is always funny, and this is the best action-comedy of the year. The real bite about this is that no one expected it to be very good, and yet, it is a hilarious and exciting ride.

Writer/director Christopher Nolan delivers us an impressive and atmospheric piece of cinema that has incredible thrills, great plot execution and great direction, character development that has room for improvement and a slow build-up that leads to an incredible climax. It is also a thoroughly impressive end to a great trilogy, it’s a slight step-down from the high standards set by The Dark Knight, but it is better than Batman Begins.

#11 - Skyfall

#11 – Skyfall

Skyfall is a compelling experience with great pacing, a great story and great humour. Javier Bardem is simply astounding. His presence is really worth the wait. He is one of the greatest criminal masterminds of recent memory, comparable to both Heath Ledger’s The Joker and Anthony Hopkins’ Hannibal Lecter. He is the second best villain of the year, right behind Leonardo DiCaprio’s Calvin Candie in Django Unchained.

#10 - Looper

#10 – Looper

Looper offers an entertaining and memorable action experience with a great story and characters, making it a film that should be cherished. Looper is slightly flawed because of a sometimes crowded screenplay and numerous antagonists, but it has a complex story that’s surprisingly easy to follow, with great characters like Jeff Daniels’ nice-guy-ruthless-when-he-wants-to-be crime boss.

The Hobbit: An Unexpected Journey is a thoroughly satisfying start to a new Middle Earth trilogy. Its usually silly undertone may frustrate some, but to most, like myself, it makes for a great experience. The many expendable dwarfs may get a lot of the attention, but it is very much Bilbo Baggins’ show. That is until the show-stealing Gollum shows up for one of the best scenes of the feature. I cannot wait to see what the trilogy looks like when all of the films are released.

#8 - Life of Pi

#8 – Life of Pi

Life of Pi is interesting because it is not afraid to bring in concepts of faith and religion. It is also visually beautiful, sometimes funny, thought-provoking, magnificent, terrifying and saddening. There is also a  great story, great direction, wonderful cinematography, great conflicts and relationships present. The actors bring it all to the table, and a short list of performers carries the film very well. This is one of the best films of the year that will be a large Oscar contender. If you’re going to see this, see it in its full 3D glory.

#7 - Flight

#7 – Flight

The drama is solid and the overall film if profoundly enjoyable, compelling, emotional, sometimes funny and often gripping. The suspenseful scene at the beginning is the only action scene in the feature, and it soon turns into a character study, with fascinating concepts of addiction. Those who find the concept of addiction fascinating will enjoy this even more.

Many may think it is simply just another teen slasher, but what gets thrown at you is surprising, extremely fresh and endlessly entertaining. This is one of the most original horror films of all time, with signature bites of comedy from Joss Whedon.

Wreck-It Ralph is the finest animated feature of 2012 and is generally one hell of a nostalgic and enjoyable film. This is like the Toy Story for a new generation. Disney has delivered us a great film yet again, and mashed two generally loved things together: their acclaimed animation, and video games. I had high expectations for this film, and this really rocked my world.

#4 - Argo

#4 – Argo

One of the most captivating things about the nerve-racking Argo is the boiling suspense of the situation, and the viewer can just feel it build throughout. Argo plays out like an assassin giving you his first choke-hold, he’s inexperienced and you may feel the grip loosening from time to time, but then it strengthens again and doesn’t let go until the very end.

Silver Linings Playbook is hilarious, beautiful, meaningful, sad, emotional, and very dramatic at times. It is a truly magnificent blend. One thing that helps the film is the impeccable writing by David O. Russell, and Matthew Quick who originally wrote the novel. The viewer may not be able to relate to the exact situation of these characters, but they could fully understand their motivations – and most may have felt similar emotions that these characters express on a daily basis.

The profound analysis of teenage angst is accurate, brilliantly touching, and heartbreakingly poignant. The performances are great, the story is awesome, and the atmosphere it offers is perfect. This is a film that I’d like to watch over and over. That’s one heck of a definition for an enjoyable experience.  It’s a fine, under-seen classic of 2012 that can define a generation as well as John Hughes could.  If it comes to your town, get off the couch, grab a few friends – but if you don’t have any, it’s okay to be a wallflower – and go see this movie!

Django Unchained is a modern masterpiece, and is Tarantino’s finest film yet (even if I’m the only one to think so). It’s a great story about survival and it has great themes of racism and slavery, that Tarantino explores expertly. The performances, the writing, the soundtrack the direction and the themes are all immaculate. Leonardo DiCaprio plays the best villain of the year.

The ten worst of 2012:

10. The Watch

9. Chernobyl Diaries

8. Silent House

7. ATM

6. Red Dawn 

5. Dark Shadows

4. Mirror Mirror

3. Project X

2. The Lucky One

And the true test of patience…

Well, there you have it. Hopefully you agree with some of my picks, like them, dislike them, or even detest them. Feel free to leave comments!

November 9-11 Box Office Results

Skyfall raked in a majority of the dough this weekend, with $90 million (including Thursday’s earnings)! It so deserved it, too, because it’s just about one of the finest action films of the year, and it is generally one of the best of the year as well! And Lincoln took in an impressive $900, 000 at eleven theatres this weekend. Also, at least surprising to me, Pitch Perfect sneaked into the Top 10 this weekend at #8, but that’s pretty sweet for it!   Well, now to the numbers!

And, if you missed any of my reviews of the movies in the Top 10 Box Office, just click the link on the title and it will lead you right to it!

Top 10 Box Office, The Results (Estimates)

1. Skyfall: $87, 800, 000

2. Wreck-It Ralph$33, 056, 000

3. Flight: $15, 100, 000

4. Argo$6, 745, 000

5. Taken 2$4, 000, 000

6. Here Comes the Boom$2, 550, 000

7. Cloud Atlas$2, 525, 000

8. Pitch Perfect$2, 504, 000

9. The Man with the Iron Fists$2, 490, 000

10. Hotel Transylvania$2, 350, 000

My Box Office Predictions (Title/Prediction/Off by(+/-))

1. Skyfall/ $85, 000, 000(-) $2, 800, 000

2. Wreck-It Ralph$42, 800, 000(+) $9, 744, 000

3. Flight$19, 000, 000(+) $3, 900, 000

4. Argo$8, 500, 000(+) $1, 755, 000

5. Taken 2$5, 000, 000(+) $1, 000, 000

6. Here Comes the Boom$2, 250, 000(-) $300, 000

7. Cloud Atlas$4, 200, 000(+) $1, 675, 000

9. The Man with the Iron Fists$6, 200, 000(+) $3, 710, 000

10. Hotel Transylvania$3, 100, 000(+) $750, 000

Other Predictions: 

11. Paranormal Activity 4$2, 800, 000(+) $780, 000

15. Lincoln$328, 000(-) $572, 000

I was off by a grand total of $25, 634, 000.

Did any of you get to the theatres this weekend, or have any time to watch any movies (in general)?

My reviews of other films in theatres

Chasing Mavericks

The Dark Knight Rises

End of Watch

House at the End of the Street

Looper

The Perks of Being a Wallflower

Seven Psychopaths

Sinister

Ted

Trouble with the Curve

I’ve been putting these reviews at the bottom of my results article because I’m trying to get a little bit more traffic for them (in case you readers missed the reviews). And I, just now, realized by revealing the scores, it isn’t any good at getting more traffic. Who wants to read a review when they already know the score I gave it? I don’t think I’d do very well working in advertising…

Looper (2012)

Looper

Release Date: September 28, 2012

Director: Rian Johnson

Stars: Joseph Gordon-Levitt, Bruce Willis, Emily Blunt

Runtime: 118 min

Tagline: Face your future. Fight your past.

Johnson brings us action, and science fiction, moviegoers one heck of a unique ride.

It is the year 2042, where time travel hasn’t been invented quite yet. Thirty years in the future, though, it has been – and criminals send back people they no longer want to deal with. They send them back illegally to a group called ‘Loopers’, where a Looper awaits the victim with a gun. Joe is one of the best Looper’s there is, despite his drug problem. One day, Joe’s future victim turns out to be his future self. In turn, it puts both Joe’s on the run from their once trusted group.

Looper offers a fairly unique experience, and a lot of great action sequences. The character development is pretty awesome, too. It’s a fairly awesome story that can drag on in areas, but is still quite enjoyable.

There isn’t a lot of material that has been done before. This time travel story is fresh and unique. There are a lot of moral dilemmas thrown into the screenplay, so that makes for really good character development.  Jeff Daniels’ character of Abe was sort of awesome; he had the whole nice-crime-boss-who-could-be-ruthless-when-he-wanted-to-be bravado going on. Some of the subplots are a little tired and not explored quite enough.

The performances from the cast are really good, and the whole thing is easily enjoyable and entertaining. Bruce Willis definitely brings his great badass-ness to the feature. Looper brings together elements of great action, science fiction because of the time travel concept, thrilling moments, and there are even a few laughs to be offered.

Even some of the supporting actors did well, like Paul Dano as Seth, Noah Segan as Kid Blue and Pierce Gagnon as the cute child, Cid. The numerous antagonists tended to make some parts of the screenplay a little crowded. It is a film that has a cool concept and it executed itself quite well. That’s admirable because a lot of films have cool concepts, but wasted the opportunity – like Clockstoppers, for example.

Looper stars Joseph Gordon-Levitt (with some really cool makeup on to make him look like a younger Willis), Bruce Willis, Emily Blunt, Paul Dano, Noah Segan, Piper Perabo, Jeff Daniels, Pierce Gagnon, Qing Xu and Garret Dillahunt.

Looper offers quite an action experience that should be cherished because of its unique entertainment value, along with a memorable story and characters. It is one of the finest action films of the year thus far, and the only other great action film so far this year that is nearly as good as this is The Dark Knight Rises. Looper may beflawed because of its crowded areas, numerous antagonists and sometimes lack of non-stop carnage.  It really can be quite easy to follow despite one scene, but I was back on track in a hurry. I thought that was impressive because it seems like a concept that could easily confuse if it got much too complex. The concept is intelligent, and it doesn’t aspire to be any smarter than it has the right to be. Its action sequences are extremely memorable, and don’t drag on too long. It’s a flawed film, that nonetheless offers one of the most entertaining action experiences of the year.

88/100

The Dark Knight Rises (2012)

The Dark Knight Rises

Release Date: July 20, 2012

Director: Christopher Nolan

Stars: Christian Bale, Tom Hardy, Anne Hathaway

Runtime: 165 min

Tagline: A fire will rise.

This one was quite impressive.

   Eight years after Batman took the fall for Harvey Dent’s crimes, a new terrorist leader has come to the surface in Gotham. There hasn’t been a spotting of Batman for eight years, and Bruce Wayne has become a recluse around the same time. Wayne must overcome his own personal turmoil and once again protect the city that has branded him an enemy.

It’s a great summer blockbuster that offers many incredible thrills great plot execution, some great twists and turns, and great direction and writing from Christopher Nolan.

The character of Selina Kyle/Catwoman (Anne Hathaway) wasn’t all that great. She offered a nice presence, but she wasn’t developed well enough as the other characters. The other new characters, like Bane or Officer John Blake or Miranda, are really good, and got solid character development. Although, other new characters like Daggett or Stryver, weren’t very interesting at all and weren’t extremely well-developed. The old characters are, as expected, as great as always.

The usual great Nolan atmosphere is offered, and it is one heck of a super-hero film. Its only possessive flaw is the sometimes slow build-up, and the plot feels a little too overused. Of course, what can you expect from a super-hero film? It will obviously have the whole hero vs. villain play-out, and this one has an extremely memorable climax. Its length may also feel like a flaw to some, but really and truly it doesn’t feel nearly as long as it actually is. Also, some of the realism of the whole thing feels off in areas.

This was obviously highly anticipated, and it really does live up to its hype. The cast is stellar, and Tom Hardy delivers a great performance – considering all he must act with are his eyes, voice, and gestures. His British drone and sometimes barely-audible dialogue make his character cringe-worthy, but the majority of his dialogue was understandable – if you listen very well. The subtitles should be helpful to those who will watch it on home media.

Now, here come the inevitable comparisons to the first two films, and the villains before Bane. The Dark Knight Rises isn’t nearly as great as The Dark Knight, but it is much better than Batman Begins. The atmospheric action was greater in D.K., and it had more memorable scenes. Though, this was still amazing. In this Nolan trilogy, Bane is better than Ra’s Al Ghul (as Ken Watanabe), but not Cillian Murphy’s The Scarecrow, Two-Face or especially not The Joker. All Bane has really is a frightening stature, strength, and the whole mystery of why he’s wearing that freaking eerie inhaler thingy-ma-bobber. That isn’t very scary, right…? He’s probably not the best villain because he doesn’t use a whole lot of psychological warfare. Heath Ledger’s The Joker used that all-too-well, and he was downright terrifying with his extreme psychopathic nature. The Scarecrow was just really cool, and he obviously used psychology as a weapon as he poisoned his victims with that gas to make them hallucinate like crazy.

This flick stars Christian Bale, Tom Hardy, Anne Hathaway, Gary Oldman, Joseph Gordon-Levitt, Marion Cotillard, Morgan Freeman and Michael Caine, with Liam Neeson and Juno Temple.

The Dark Knight Rises is an extremely impressive piece of cinema that may be flawed, but still awesome. The length may threaten some, but it is an experience that should be had, and even people who don’t like super-heroes can enjoy this. It isn’t as great as The Dark Knight, as [it was] expected, but this is still quite must-see. This is a summer blockbuster at its finest which should snatch up an extremely respectable amount of awards.

90/100