The Hobbit: The Desolation of Smaug (2013)

The Hobbit 2Released: December 13, 2013. Directed by: Peter Jackson. Starring: Martin Freeman, Ian McKellen, Richard Armitage. Runtime: 161 min.

Many thought “The Hobbit” franchise would have peaked with the first chapter, last year’s “An Unexpected Journey,” but that isn’t the case. Some may not find out because this made about $11 million less at the box office in its opening weekend, but box office performance isn’t relevant to the film’s quality. This is a great continuation.

In “An Unexpected Journey,” we left off with the group looking at the Lonely Mountain. The film opens with Gandalf (Ian McKellen) and Thorin (Richard Armitage) discussing how Thorin should take back his homeland. The conversation turns out to be the time where they first discuss the journey. The dwarven company, along with Gandalf and Bilbo Baggins (Martin Freeman) continue their journey to reclaim the Dwarve’s homeland of Erebor from Smaug the Terrible, the flying furnace. Meanwhile they encounter other companies in order to achieve their goal, Bilbo found his “courage” in his encounter with Gollum in the previous film, and they are still being chased by the Orks led by Azog the Defiler.

I think it’s a better film, as well, because it has a better handle on its tone. Last year, some may have been thrown off by its often silly tone; this is a bit more serious. It still has its fair share of comedy, but it isn’t as constant. When it is present, it’s entertaining – and very funny. The adventures of this company is consistent and memorable. A scene where the hobbits are in barrels is directed so well by Peter Jackson. It’s one of the best scenes of the film because it’s so fun, creative and the action is incredible. There’s also a great action scene where they encounter giant spiders that were mentioned in the first installment, and I liked it even more because it made me think of Ronald Weasley say “Can we panic now?” from “Harry Potter 2.” Those are the action scenes I’ll discuss; they’re awesome. Anyway, I also like Peter Jackson knows how to please his fans because there are some familiar characters, here.

Legolas (Orlando Bloom) appears when the dwarves encounter elves and the Elven King Thranduil (Lee Pace). It’s a real treat. He has a lady friend he’s interested in, Tauriel (Evangeline Lilly); and she acquaints mostly with Kili (Aidan Turner). Evangeline Lilly is completely badass here, and even outshines Legolas occasionally. She’s a great actress portraying a great, noble warrior. I think her character is fascinating when she talks about the Elven beliefs, like saying that starlight is precious and brings hope. She is a character full of wonder, and that is something that makes her entrancing. It also makes the viewer feel full of wonder.

Interestingly enough, she is an original creation for this film – because the film makers felt they needed both a red head, and some female badassery. She certainly kicks ass, and one of my favourite visual sights from the film is the way her auburn hair looks in the sunshine. That’s poetry, folks, am I right? It’s cool that original characters get made for Tolkien’s universe. I love the world J.R.R. Tolkien has created, with all of its mythology, even if some names might be difficult to pronounce or remember.

Anyway, it is also nice to see some dwarves get more chances to shine, and they’re not just another number to the company – we’re actually starting to care about them. So the main dwarves, meaning the ones that get the spotlight shone on the most, are Thorin, Balin and Kili. Thorin seems to be warming up a bit, but he hasn’t lost sight of that badassery. Balin is the voice of reason, which I enjoy. I noticed that Ori (Adam Brown), a dwarf who had a lot of funny lines in the first film, wasn’t used very much in this; another testament that the filmmakers are trying to improve the tone, and try to give everyone a good time whilst watching the film. I’m sure this will be loved by many, because it has good comedy and it’s a fantastic adventure film.

Bilbo has found his bravery within the One ring, but he is evidently changing. (It’s funny to see that men are sometimes obsessed with jewellery, too. Haha!) Martin Freeman is a hysterical source of comedy in occasions where he doesn’t exactly know what to next. It’s simple but effective, and that is a favoured type of comedy. I love Freeman as Bilbo, because he is a little man with much care but a whole lot of bravery that cannot be measured. Gandalf went out on his own in this film when they split up at a forest, which was a bit disappointing to me. The film was switching between the main company, to Gandalf. It is nice that Gandalf isn’t the one saving the day all the time, so Bilbo gets some chances to do so, but it also takes away some of the great presence.

One presence that makes up for that is the villainous Smaug, and oh boy, is he worth the wait. Benedict Cumberbatch uses motion capture animation for his movements, and he moves graciously. He is a scary dragon, and he is a chilling villain. What a beautiful CGI-creature he is, too. The visuals are phenomenal, like the first, as is the New Zealand scenery. I really enjoyed the darker scenery, too, when characters had to go through caves. I guess the only thing left to say is bring on the next film, because I need to see how it ends. Maybe I’ll just go buy the original book that is, what, 75 years old now? Yeah. There’s an idea. I will read the book, but I will still eagerly await the film, because I love Peter Jackson’s direction of these tales.

Score85/100

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Pacific Rim (2013)

Pacific RimRelease Date: July 12, 2013Director: Guillermo del ToroStars: Charlie Hunman, Idris Elba, Rinko KikuchiRuntime: 132 min.

“Pacific Rim” is the first movie I attended a premiere for since “The Hobbit: An Unexpected Journey” back in December. As the day of the premiere approached, I became more and more excited. Heck, I could hardly even sleep one night coupled with my excitement and crappy sleeping habits. Let’s just say, “Pacific Rim” satisfies in most of its critical aspects.

As a war between humankind and monstrous sea creatures wages on, and creatures attack at an increasingly rapid rate, a former pilot and a trainee are paired up to go on a high-stakes mission in a desperate effort to save the world from the apocalypse.

There are some refreshing aspects to this feature that one might not see in an average summer tent-pole. There’s no leading star power, but Charlie Hunman (TV’s “Sons of Anarchy,” “Children of Men”) is good as a character you’ll enjoy, but you probably won’t remember his name. In this film, there doesn’t have to be much star power, because everybody knows the real stars are the robots (Jaegars) and the monsters (Kaiju). If one had to compare this to anything, it’s like a “Godzilla” movie and that Rock ‘Em Sock ‘Em Robots game. There’s a lot of new content here, and it’s an awesome ode to monster movies. This is going to stand out in memory as one of the most original movies of the year.

I appreciate that this movie isn’t merely just a visual feast. The story gets care put into it and it keeps the viewer guessing. It’s ridiculous at times, but it’s going to have to be in a sci-fi monsters vs. robots feature. The concepts of the Drift and the Neural Handshake are fascinating. It is the most effective storytelling presented in a movie event so far this year, so that’s a compliment to this, but not exactly to 2013 blockbusters as a whole. The thing is, one’s average big-budget extravaganza has a larger focus on visuals and less on story – so to see that in a film like this is refreshing. Though, like the modern big-budget flicks, this is going to feature a lot of loud noises!

There are also some appealing characters, even if they aren’t memorable. Mako (Kikuchi) is given layers, as something from her past is haunting her. Marshall Stacker Pentecost (Elba) is quite possibly the character you’ll care about the most. Elba delivers one of the year’s most memorable speeches, and it’s still pretty damn effective when one finally sees the movie after seeing the trailer seven times. The research team of Newton (Charlie Day) and Gottlieb (Burn Gorman, “The Dark Knight Rises”) is comedic gold, and one of the movie’s best aspects. It also shows that this movie has a comedic way about it, as well, even if it has the tendency to be cheesy. That pairing is the movie’s best aspect besides the big battles, of course.

The battles everybody is anticipating are spectacular in a visual way, and lots of fun. You’ll nerdgasm a few times throughout, at the battles and the great creature design, but mostly at the battles. I cannot help but wish that more battles occur during daylight. All of the mashes occur during the night, mostly in the middle of the ocean, and in the pouring rain. Granted, the monsters’ invasion might alter the climate to make it rain a lot, but it would be nice to see them fight without the rain. It would also be great to see a little less splashin’ on the screen, and some more monster mashin’. It’s as if they’re in a wave pool.

This feature also has to find a comfortable pace before it can really get to the heart of the story, so a shorter film would be welcome. Nobody wants to see the humans. We nerds are here for the robots. You’ll care about the humans, sure, but you’ll only truly care about the survival of a select few characters, and since these characters believe in the greater good of the humankind, we’re taken on an emotional roller coaster with them. These folks also make a great ensemble cast, made up of little to no bankable actors. This is visually stunning in its IMAX 3D glory, and you’ll be getting a front row seat to one of the most awesome speeches of the year.

This movie is awesome. It will remain one of the 2013’s best blockbusters. It’s also a great addition to a fantastic year of science fiction, a genre that is growing on me. I know I’ve thrown a lot of ‘Most memorable speech’ and ‘Best storytelling in a sci-fi extravaganza’ so far this year, but I remain undecided if this will be included in my Top 25 of the year, looking at what is coming in the second half of the year. It’s immensely enjoyable, but I’m not sure when I’ll feel the urge to revisit this. At the end of the year, if I think back to the pure awesomeness of a Jaegar picking up a giant boat and using it as a baseball bat to hit a Kaiju with repeatedly, this movie might find its way on my Top 25 list.

Score80/100

My Top 25 Films of 2012

2012 saw some great films, and some real stinkers. I have seen 68 of them. These are my top 25 favourite films of 2012, and also the ten worst.

Oh and, some of these films don’t have the highest scores, but they’re higher up on the list. This is because some films (like The Hobbit) have grown on me a lot since I’ve seen them. Click on the title in the caption to get to review (and the titles in the ‘worst of’ list). Anyway, here’s the list, starting with #25:

Pitch Perfect is a fairly original (at least in cinema) and entertaining Glee-inspired musical comedy that may be predictable, but it’s a toe-tapping experience that has a fine plot, great music, some strange characters (most notably Lilly, a character who looks like that creepy big-eyed girl from Frankenweenie), show-stealing performers (like Bridesmaids‘ Rebel Wilson who portrays Fat Amy) and a memorable ensemble cast.

#24 - This is 40

#24 – This is 40

This is 40 is not quite as good as Knocked Up, but it’s a satisfying sort-of sequel. This is sometimes over-dramatic because of the numerous conflicts, but it is driven by fresh, laugh-out-loud comedy that helps Apatow get the message, of overcoming family differences and a mid-life crisis, across very well. Laughs, conflict, and advertisements for iPhones, Apple products, TV’s Lost, and a good role for Megan Fox are all present.

#23 - Ted

#23 – Ted

Ted‘s screenplay may be crowded but we must understand that MacFarlane’s comfort zone is a mere 22-minute slot, while this is a whole 112-minute feature. The end product turns out to be better than anyone would think a buddy comedy between a talking teddy bear and an immature man could be, and Wahlberg and Ted’s chemistry help make this one of the best buddy comedies of the year. I’m excited to see what else first-time director MacFarlane has in store for the silver screen, and I say bring on the sequel.

The film starts out fairly slow, but once the games come around the bend, it instantly becomes intensely engaging and entertaining. The screenplay maintains the fascinating theme of propaganda [and how corrupt the government may become], but doesn’t capture the extreme violence that we fans handled in the novel itself, and there isn’t quite enough bonding time with select characters. The adaptation is nonetheless great, and since it was not followed to a tee, there is room for surprise. Anyone who is willing to accept this fresh experience will enjoy it, as it is a promising beginning to a new teen franchise.

Rise of the Guardians is a slightly flawed, but wildly inventive, animated adventure that may have some deeply thematic material and action sequences that could be midly scary for small children. The main flaw is the disorganized beginning – but it finds its pace soon enough. The concept is a sort of edgy animated feature, but is a great end product. This is one of the most original animated features of the year, mainly because of the alterations to the beloved Guardians, like making Santa Claus look like a Russian biker, are very fresh. This is a great message to teach the kids this holiday season – don’t only believe in Santa around his season, also believe in all the other heroes, at least when their time comes around the bend.

#20 - The Grey

#20 – The Grey

The dialogue of this film allows characters to be thoroughly developed and compelling concepts to arise. When the characters aren’t talking, it gets engaging and thoroughly thrilling. The anti-climactic ending says Carnahan has learned to resist throwing full-throttle action at us, and he instead resists the urge and keeps the astounding and exciting survival film as tame as could be. The mostly unknown actors make the spotlight shine directly on the star: Liam Neeson.

#19 - Lincoln

#19 – Lincoln

Spielberg seems like, at this point in his career, is interested in making ambitious biopics instead of blockbusters like Jaws. The intelligent monologue-filled feature intricately throws information at you, and at times it can be quite a bit to absorb, but it is usually engaging. The cast of Lincoln is impressive, most notably Daniel Day-Lewis, who delivers a kind-hearted, endlessly charming performance that adds layers to one of the greatest figures in American history. Day-Lewis captures Lincoln’s will to get things done, and his genuine and kind self.

Killing Them Softly is a clever mafia tale of violence and despair with a great leading performance from Brad Pitt; with his mysterious character delivering us plenty of violence to keep us happy. This tale is also a social commentary on the local criminal economy in 2008, before Obama stepped into office – the concepts are complex, but there are not difficult to comprehend. The not-so-subtle message may be annoying to some, but the story is very engaging. It is a thought-provoking film brought to life by Andrew Dominik’s stylish and artistic direction.

#17 - End of Watch

#17 – End of Watch

The abrupt ending keeps this from being flawless, but this is a stellar crime story with intelligent writing by writer/director David Ayer (who previously wrote Training Day) with some of the best chemistry I have seen all year. End of Watch does for the real lives of cops what Ladder 49 did for fire fighters, but it’s about twenty-six times better.

#16 - Chronicle

#16 – Chronicle

Chronicle is one of the most surprisingly amazing features of 2012. The rushed pace is its main flaw, but it is an awesome experience for the 84 minutes it stays around. It obtains must-see status because of its thoroughly thematic and disturbing content. It is the most must-see found-footage feature of 2012, perhaps of all-time.

Seven Psychopaths has a clever screenplay and is a fantastic second feature from writer/directer Martin McDonagh. It is equal parts brutal, brilliant and hysterical. It is extremely memorable and has great characters and a superb ensemble cast. It is one of the most original screenplays of the year, and it’s another comedy that proves 2012 is one of the best for that genre.

The story may have ideas crammed in the feature, it undeniably has a very emotional core. If the actors weren’t singing the vast majority of their dialogue, the film wouldn’t be quite as exciting or engaging. This combines a great period piece with a profound musical, and it makes this one of the best features of the year.

Jonah Hill and Channing Tatum create a superb chemistry, and this is one of the finest comedy ensembles of the year. The comedy is always funny, and this is the best action-comedy of the year. The real bite about this is that no one expected it to be very good, and yet, it is a hilarious and exciting ride.

Writer/director Christopher Nolan delivers us an impressive and atmospheric piece of cinema that has incredible thrills, great plot execution and great direction, character development that has room for improvement and a slow build-up that leads to an incredible climax. It is also a thoroughly impressive end to a great trilogy, it’s a slight step-down from the high standards set by The Dark Knight, but it is better than Batman Begins.

#11 - Skyfall

#11 – Skyfall

Skyfall is a compelling experience with great pacing, a great story and great humour. Javier Bardem is simply astounding. His presence is really worth the wait. He is one of the greatest criminal masterminds of recent memory, comparable to both Heath Ledger’s The Joker and Anthony Hopkins’ Hannibal Lecter. He is the second best villain of the year, right behind Leonardo DiCaprio’s Calvin Candie in Django Unchained.

#10 - Looper

#10 – Looper

Looper offers an entertaining and memorable action experience with a great story and characters, making it a film that should be cherished. Looper is slightly flawed because of a sometimes crowded screenplay and numerous antagonists, but it has a complex story that’s surprisingly easy to follow, with great characters like Jeff Daniels’ nice-guy-ruthless-when-he-wants-to-be crime boss.

The Hobbit: An Unexpected Journey is a thoroughly satisfying start to a new Middle Earth trilogy. Its usually silly undertone may frustrate some, but to most, like myself, it makes for a great experience. The many expendable dwarfs may get a lot of the attention, but it is very much Bilbo Baggins’ show. That is until the show-stealing Gollum shows up for one of the best scenes of the feature. I cannot wait to see what the trilogy looks like when all of the films are released.

#8 - Life of Pi

#8 – Life of Pi

Life of Pi is interesting because it is not afraid to bring in concepts of faith and religion. It is also visually beautiful, sometimes funny, thought-provoking, magnificent, terrifying and saddening. There is also a  great story, great direction, wonderful cinematography, great conflicts and relationships present. The actors bring it all to the table, and a short list of performers carries the film very well. This is one of the best films of the year that will be a large Oscar contender. If you’re going to see this, see it in its full 3D glory.

#7 - Flight

#7 – Flight

The drama is solid and the overall film if profoundly enjoyable, compelling, emotional, sometimes funny and often gripping. The suspenseful scene at the beginning is the only action scene in the feature, and it soon turns into a character study, with fascinating concepts of addiction. Those who find the concept of addiction fascinating will enjoy this even more.

Many may think it is simply just another teen slasher, but what gets thrown at you is surprising, extremely fresh and endlessly entertaining. This is one of the most original horror films of all time, with signature bites of comedy from Joss Whedon.

Wreck-It Ralph is the finest animated feature of 2012 and is generally one hell of a nostalgic and enjoyable film. This is like the Toy Story for a new generation. Disney has delivered us a great film yet again, and mashed two generally loved things together: their acclaimed animation, and video games. I had high expectations for this film, and this really rocked my world.

#4 - Argo

#4 – Argo

One of the most captivating things about the nerve-racking Argo is the boiling suspense of the situation, and the viewer can just feel it build throughout. Argo plays out like an assassin giving you his first choke-hold, he’s inexperienced and you may feel the grip loosening from time to time, but then it strengthens again and doesn’t let go until the very end.

Silver Linings Playbook is hilarious, beautiful, meaningful, sad, emotional, and very dramatic at times. It is a truly magnificent blend. One thing that helps the film is the impeccable writing by David O. Russell, and Matthew Quick who originally wrote the novel. The viewer may not be able to relate to the exact situation of these characters, but they could fully understand their motivations – and most may have felt similar emotions that these characters express on a daily basis.

The profound analysis of teenage angst is accurate, brilliantly touching, and heartbreakingly poignant. The performances are great, the story is awesome, and the atmosphere it offers is perfect. This is a film that I’d like to watch over and over. That’s one heck of a definition for an enjoyable experience.  It’s a fine, under-seen classic of 2012 that can define a generation as well as John Hughes could.  If it comes to your town, get off the couch, grab a few friends – but if you don’t have any, it’s okay to be a wallflower – and go see this movie!

Django Unchained is a modern masterpiece, and is Tarantino’s finest film yet (even if I’m the only one to think so). It’s a great story about survival and it has great themes of racism and slavery, that Tarantino explores expertly. The performances, the writing, the soundtrack the direction and the themes are all immaculate. Leonardo DiCaprio plays the best villain of the year.

The ten worst of 2012:

10. The Watch

9. Chernobyl Diaries

8. Silent House

7. ATM

6. Red Dawn 

5. Dark Shadows

4. Mirror Mirror

3. Project X

2. The Lucky One

And the true test of patience…

Well, there you have it. Hopefully you agree with some of my picks, like them, dislike them, or even detest them. Feel free to leave comments!

January 11-13 Box Office Predictions

The first weekend of 2013 had surprising earnings with Texas Chainsaw 3D, but great nonetheless. It won’t hold the top spot a second time, I think that’ll go to Zero Dark Thirty. Here are the  new releases for the weekend:

A Haunted House

A Haunted House

Plot: Malcolm and Keisha move into their dream home, but soon learn a demon also resides there. When Kisha becomes possessed, Malcolm – determined to keep his sex life on track – turns to a priest, a psychic, and a team of ghost-busters for help.

Marlon Wayans brings us a feature that parodies popular horror films months before Scary Movie 5, a series he and his brother started. I’m not sure if Wayans is attempting to reinvent the parody genre, but if anyone can do it, it might just be him. Even though I laughed once at the trailer. It won’t be as big a hit as Scary Movie, but it’ll certainly be better than anything those idiots Jason Friedberg and Aaron Seltzer (Disaster MovieMeet the Spartans) can dish out to the unsuspecting public. The opening weekends of the Scary Movie have faced a range between $20.5 million (with the second installment) and $48.1 million (with the third installment). And the Friedberg/Seltzer films’ opening weekend range from $5.8 million (Disaster Movie) to $18.6 million (Epic Movie). Anyway, I think A Haunted House will gross higher than Disaster Movie, but lower than Epic Movie. It’ll be somewhere in the middle.

A.H.H. Box Office Prediction: $10, 500, 000

Gangster Squad

Gangster Squad

Plot: A chronicle of the LAPD’s fight to keep East Coast Mafia types out of Los Angeles in the 1940s and 50s.

The real attraction of Gangster Squad is its true crime story vibe and its ensemble cast (including Ryan Gosling, Josh Brolin, Emma Stone, Sean Penn). It will also be interesting to see comedy director Ruben Fleischer (30 Minutes or Less and Zombieland) direct this cast, and what he’d do with this 1949 crime drama. A similar film to this, American Gangster, grossed $43.5 million its opening weekend and the other crime drama in theaters right now, Jack Reacher, grossed $15.2 million its opening weekend. I don’t think it’s very realistic that it would gross close to American Gangster’s number, but it will most likely make more money than Jack Reacher. 

G.S. Box Office Prediction: $21, 000, 000

Quartet

Quartet

Plot: At a home for retired opera singers, the annual concert to celebrate Verdi’s birthday is disrupted by the arrival of Jean, an eternal diva and the former wife of one of the residents.

The limited release of the weekend, Quartet comes to a mere two theaters. This is Dustin Hoffman’s directorial debut, and it is a comedy that mostly appeals to adults that makes me think of 2011’s Hope Springs and The Best Exotic Marigold Hotel.

Quartet Box Office Prediction: $16, 000

Zero Dark Thirty

Zero Dark Thirty

Plot: A chronicle of the decade-long hunt for al-Qaeda terrorist leader Osama bin Laden after the September 2001 attacks, and his death at the hands of the Navy S.E.A.L. Team 6 in May, 2011.

It sure is the greatest manhunt in history.  Zero Dark Thirty also seems like an incredible film to watch unfold. Kathryn Bigelow is the director to take on this project. It’s already made $4.6 million, and now it’s going wide. Right after the Oscar nominations are being released tomorrow. The Hurt Locker grossed $17 million, but it wasn’t a very wide release. This is going to gross more in its (wide) opening weekend than T.H.L. grossed in its entire run.

Z.D.T. Box Office Prediction: $23, 500, 000

The holdovers of Django Unchained and Les Mis shouldn’t drop severely because of the Oscar nominations tomorrow. Here’s how I see the top 10:

Top 10 Box Office Predictions

Title/Prediction/Studio/Rotten Tomatoes Score

1. Zero Dark Thirty/ $23, 500, 000/ Sony/ 94%
2. Gangster Squad/ $21, 000, 000/ Warner Bros./ 55%
3. Django Unchained/ $16, 250, 000/ Weinstein Company/ 89%
4. Texas Chainsaw 3D/ $15, 000, 000/ Lionsgate/ 19%
5. Les Misérables/ $14, 000, 000/ Universal/ 70%
6. The Hobbit: An Unexpected Journey/ $12, 000, 000/ Warner Bros./ 65%
7. A Haunted House/ $10, 500, 000/ ORF
8. Parental Guidance/ $6, 000, 000/ Fox/ 19%
9. Jack Reacher/ $5, 900, 000/ Paramount/ 61%
10. This is 40/ $5, 350, 000/ Universal/ 51%

January 4-6 Box Office Predictions

Texas Chainsaw 3D

Texas Chainsaw 3D

Plot: A young woman travels to Texas to collect an inheritance; little does she know that an encounter with a chainsaw-wielding killer is part of the reward.

The world has seen many films revolving around the the Sawyer family legacy. This is the first wide release for Leatherface in quite some time, so horror fans will most likely be lining up to see this. I’ll be seeing it this weekend if I have time (The Impossible and Promised Land are higher priority for me).

T.C.3D Prediction: $12, 500, 000

Top 10 Box Office Predictions

Title/Prediction/Studio/Rotten Tomatoes Score

1. Django Unchained/ $26, 000, 000/ Weinstein Co./ 88%
2. The Hobbit: An Unexpected Journey/ $23, 800, 000/ Warner Bros./ 65%
3. Les Misérables/ $22, 000, 000/ Universal/ 71%
4. Texas Chainsaw 3D/ $12, 500, 000/ Lionsgate
5. Jack Reacher/ $10, 000, 000/ Paramount/ 61%
6. Parental Guidance/ $9, 500, 000/ Fox/ 18%
7. This is 40/ $8, 000, 000/ Universal/ 51%
8. Promised Land/ $6, 500, 000/ Focus Pictures/ 47%
9. Lincoln/ $5, 000, 000/ Buena Vista/ 91%
10. The Impossible/ $4, 000, 000/ Summit Ent./ 78%

The Hobbit: An Unexpected Journey (2012)

The Hobbit -  An Unexpected JourneyThe Hobbit: An Unexpected Journey

Release Date: December 14, 2012

Director: Peter Jackson

Stars: Martin Freeman, Ian McKellen, Richard Armitage

Runtime: 169 min

Tagline: From the smallest beginnings come the greatest legends

A curious Hobbit of The Shire, Bilbo Baggins (Martin Freeman) is confronted by the magnificent wizard, Gandalf the Grey (Ian McKellen), who wonders if Bilbo would enjoy going on a great adventure. The quest is to reclaim the lost Dwarf Kingdom of Erebor from the fearsome dragon Smaug. Bilbo soon joins Gandalf and thirteen dwarves, led by the legendary warrior Thorin Oakenshield (Richard Amitage). They must gander through Middle Earth, fighting the likes of Goblins, Orks, and many other creatures. Their mission is to get to the East where the Lonely Mountain is, but the Goblins and Orks are close on their tail. Bilbo learns how to muster up enough courage that he didn’t even know he had, with a little help from the creature Gollum (Andy Serkis).

Mostly everyone knows that Peter Jackson (director of The Lord of the Rings Trilogy) is a fairly innovative director. This time, he shows his innovative side by being the first person to film using 48 frames per second (f.p.s.). While it is an admirable experiment, it is mostly a needless one. The visuals have the tendency to get very distracting, even though the screen is very clear. However, the visuals are nonetheless beautiful and usually not that bothersome as other critics might say. It might deserve a second watch in a 2D regular 24 f.p.s. screening.

Everyone also knows that his features are usually lengthy (like The LOTR Trilogy, or his remake [more like new film altogether] of King Kong). He gives us another awesome, but long, adventure back to Middle Earth. He writes it with help from three other writers, including the also legendary Guillermo del Toro (writer/director of Pan’s Labyrinth) and it is adapted from J.R.R. Tolkien’s The Hobbit. All the writers express that they are not afraid to insert some silliness and foolishness into a great Middle Earth fantasy story. However, they insert some jokes so relentlessly, that you may forget that any of the story is intended to be serious. Usually, though, it isn’t bad – and you just can’t help but laugh and have a good time. Especially when the great Gollum shows up. There’s an exuberant amount of comedic dialogue inserted in that specific riddle scene shared between Gollum and Bilbo, but it also makes for one of the greatest scenes in the film. This time around, some of the more talky scenes are the best; while the action sequences are simply visually stunning and intense, but the material we’ve seen before outweighs the new and fresh content.

I am unsure of how faitful the writing is to its source material, but the fun that the cast and writers had making the film is definitely present. The writing is very smart; and the introduction of Old Bilbo putting his journey into writing for Frodo is a perfect touch for any fan of the adventures of Middle Earth. The antagonists (like the Pale Ork or the nasty looking Great Goblin) are also fine and the backstories for some characters and the plot lines are great.

There is never a dull moment in this feature, but there are some scenes that could have been so not over-the-top. When Bilbo, Gandalf, and company, visit the land of Rivendell, the introduction of Galadriel (Cate Blanchett) is just too over-dramatic. Sure, she’s beautiful as anything, but it didn’t have to be over-done like that. Also, when Saruman (Christopher Lee) does his brief cameo, the audience (those who have seen Lord of the Rings) will feel a certain loathing because we know what this character will do in sixty years. Often enough, the problem with prequels is we know some good characters will turn evil (like Saruman) or we know some will survive. SPOILER ALERT IF YOU HAVEN’T SEEN THE LORD OF THE RINGS Like we do with Bilbo and Gandalf. END OF SPOILERS. It may take away from the suspense, but it’s all about knowing how they survive. The reappearance of certain characters (like Galadriel, Elrond, Gollum, Frodo) will be a treat for any fan of Tolkien’s magnificent universe. However, it’s a little difficult to get emotionally-invested with the new characters like we did the first time we saw the older characters.

There are just too many dwarves to keep an eye on. Thorin Oakenshield, the leader; Ori, the one with the slingshot; Balin, the charming elderly one; and Bombur, the chubby eater, are the ones that really stand out. If any dwarves decease, the viewer may feel sad for a minute, but it’ll soon wear off because there are many others. All share the same traits, and it feels as if the writers took traits from Gimli and Legolas (some dwarves are archers) and lent them to the new dwarves. The majority feel, unfortunately, expendable. They are just a little too alike, or don’t say much. Bilbo is both a new character, and an old one. Those who have seen Lord of the Rings are familiar with the older version of him. Now, we are introduced to the young Bilbo, before he learned all the life lessons or even left The Shire. He is great, and the fact we get to watch him grow is a scrumptious treat. Martin Freeman is the perfect actor to play him, as is the casting of the dwarves.

The first installment of a new Middle Earth trilogy is much like The Fellowship of the Ring; not a lot happens. They only complete a small amount of the journey, and upcoming antagonists and ones that are going to appear again in the series are established. However, please don’t forget that the story will all come together in the end of the trilogy. For what it is, it is a great experience, and there are enough action scenes to probably keep you satisfied. Though, some of those said action scenes are a little familiar. Am I complaining, though? Not particularly, because it’s still fun.

As a stand-alone feature, this is an awesome adventure-fantasy film. Compared to the likes of The Lord of the Rings, it is simply satisfying and usually visually stunning. Some of it is familiar, the visuals are distracting, and the dwarves are a little too alike. However, there is never a dull moment – even when one moment is over-dramatic. The cinematography, the visuals, the writing and the performances are stellar. The silliness is very enjoyable, especially the scene shared between Bilbo and Gollum (and Precious, of course). Simply put, this is the beginnings of a fine, new Middle Earth trilogy.

75/100

December 14-16 Box Office Predictions

Sorry for the late post.

The Hobbit: An Unexpected Journey

The Hobbit: An Unexpected Journey

Plot: A curious Hobbit, Bilbo Baggins, journeys to the Lonely Mountain with a vigorous group of Dwarves to reclaim a treasure stolen from them by the dragon Smaug.

This trip back to Middle Earth has been anticipated by many all year. It is the most anticipated prequel since The Phantom Menace, so hopefully it doesn’t disappoint people as much as that did.

T.H.: A.U.J. Prediction: $97, 500, 000

Save the Date

Save the Date

Save the Date

Plot: Sarah begins to confront her shortcomings after she rejects her boyfriend’s hasty proposal and soon finds herself in a rebound romance. Meanwhile, her sister Beth is immersed in the details of her wedding.

It’s just a new indie romantic comedy with the sexy Alison Brie and Lizzy Caplan.

S.t.D Prediction: $62, 000

Top 10 Box Office Predictions

TITLE/PREDICTION/STUDIO/ROTTEN TOMATOES SCORE

1. The Hobbit: An Unexpected Journey/ $97, 500, 000/ Warner Bros./ 69%
2. Skyfall/ $8, 750, 000/ MGM/ 92%
3. Rise of the Guardians/ $8, 400, 000/ Paramount/DreamWorks/ 73%
4. The Twilight Saga: Breaking Dawn Part 2/ $7, 600, 000/ Summit Ent./ 47%
5. Lincoln/ $7, 250, 000/ Buena Vista/ 91%
6. Life of Pi/ $6, 800, 000/ Fox/ 88%
7. Playing for Keeps/ $4, 600, 000/ FilmDistrict/ 3%
8. Wreck-It Ralph/ $4, 000, 000/ Buena Vista/ 87%
9. Red Dawn/ $3, 250, 000/ FilmDistrict/ 11%
10. Flight/ $2, 500, 000/ Paramount/ 77%