Top 20 Films of 2013

This list is a lot late, but I still wanted to see a few more films before making my list. I still have a lot to go, but I’m pleased with the current Top 20 I have at the moment. I might do an article later in the year with an unofficial updated list, just to show how what films might have made the cut if I’d seen them before making the list. Without further ado, here’s my Top 20… I was going to have the whole list displayed in pictures, but the formatting was off for the first half so only the Top 10 are displayed with pictures.

20. Pain & Gain
19. The Kings of Summer
18. Spring Breakers
17. Dallas Buyers Club
16. The Hobbit: The Desolation of Smaug
15. The Place Beyond the Pines
14. Captain Phillips
13. Evil Dead
12. The Conjuring
11. The World’s End

7. Mud

7. Mud

4. Her

4. Her

 

Honourable mentions: Monsters University, Fast & Furious 6, 42, Saving Mr. Banks and The Great Gatsby


 

Now this is my bottom 5 of 2013…

The Lords of Salem

The fifth worst film of 2013: The Lords of Salem

The fourth worst film: The Hangover Part III

The fourth worst film: The Hangover Part III

Third worst: Movie 43

Third worst: Movie 43

Second worst: Grown Ups 2

Second worst: Grown Ups 2

The worst film of 2013 is... Scary Movie 5

The worst film of 2013 is… Scary Movie 5


 

Any thoughts on my thoughts? Sound off in the comments if you still want to do a bit of reminiscing of what 2013 had to offer! 🙂

 

3 Days to Kill (2014)

3 days to killReleased: February 21, 2014. Directed by: McG. Starring: Kevin Costner, Hailee Steinfeld, Amber Heard. Runtime: 113 min.

French writer and producer (sometimes director) Luc Besson is back at it again writing the story and co-writing the screenplay (with Adi Hasak) for “3 Days to Kill.” Music video director turned filmmaker McG takes over directing duties; tackling a bunch of genres in once that sometimes works, and sometimes doesn’t. It’s part-actioner, part-drama, and part-comedy – and wow, that’s just too many genres at once for some directors. McG produces some great TV shows (“Supernatural,” “Nikita”) but the films he’s directed are usually only okay for me (I’ve only seen three of his – the two “Charlie’s Angels” flicks and “This Means War”); and his newest movie is fun and good for what it is: a generic actioner.

Ethan Renner (Kevin Costner) is a dying Secret Service agent who’s given three to six months to live because of a disease that starts out with a bad cough. When he learns of his fate, he decides to reconnect his estranged wife Christine (Connie Nielsen) daughter Zoey (Hailee Steinfeld). When he goes to Paris to visit them, he has to promise his wife that he’s done working for the Secret Service. He promises, but just his luck – a CIA operative named Vivi (Amber Heard) tasks him with taking down a notorious criminal called the Wolf (sadly, not the Wolf of Wall Street). He’s only given three days to take down the criminal for some reason that doesn’t get explained that well. My suspicion is that they just needed a title. If you blink at the beginning when they explain the criminal’s crimes, you’ll forget why he’s being hunted. If Ethan is able to kill Wolf within three days, he’s given the chance to receive an experimental drug that could save his life. On top of that, he’s trying to reconnect with his daughter. Since he didn’t call before going to visit them, the wife is going away for business. He has to act as a babysitter for the time being.

Film Review 3 Days To KillAs you can tell, it’s a lot for McG to juggle. With this film, I think he expresses that he is perfectly competent to direct actioners, some big laughs and even some decent drama – but put it all in a blender and shove it into one film, it ends up being a decently fun, but tonally uneven actioner. There’s enough action to entertain fans of Besson’s work, and it’s at least better than “Taken 2.” It’s going to entertain action fans outside of his fanbase, too; and we should all just be thankful that he resists the urge to put Zoey into mortal danger and get kidnapped. The action is a bit generic, but I’ll admit, I say that about a lot of action movies! It’s just difficult for an action film to be not generic these days, because components of this plot feels like it’s been done in “Crank.” The editing is dizzying and too quick during some of the action scenes, but otherwise decent in the dramatic sequences. When Ethan is dizzy because of his disease, the cinematography is shaky and has that drug-induced haze about it (if you know what I mean) – so that’s fine because that’s the point. These temporary dazes happen at climactic times all too convenient for the villains.

The reason why this is tonally uneven is because it goes from one scene where he is in his bathroom using the PG-13 version of torture (ripping tape from a man’s armpit, ouch!) on a suspect that could lead him to the Wolf, and he’s called to visit his daughter’s school because she got in a fight.There are a lot of scenes like that, where you can tell an action scene is on the way by the score; but it gets interrupted by a call from the daughter. Is the film trying to express that children are annoying little shits, and that parenting is difficult? It seems like it. Regardless of the tonal shifts, I think this is a fun movie with some good laughs. Costner and Steinfeld share a few good scenes that show the struggles of reconnecting, and when there’s sweetness – it’s much more pleasant than the daughter being sour towards her father. The two stars share a great chemistry, and they elevate their respective characters to a finer level. Costner’s chemistry with Connie Nielson is just fine; there’s a much bigger focus on the father-daughter relationship. The film expresses how much of an impact being in the Secret Service can have on one’s relationships; because one has to put their needs in front of their own by keeping them out of danger. More on Costner: It’s nice that he’s staying busy in action movies, already being in two in 2014 thus far. This one as the secret agent doing the killings; the first one, “Jack Ryan: Shadow Recruit” as the recruiter/mentor – giving people the intelligence to do their jobs well.

3 DaysAmber Heard takes on that role here, always sporting a different hairstyle in each scene. Either she was going through from serious identity issues herself while filming, or she’s just trying to stay way undercover. She gives off a dark and mysterious vibe, where many won’t be able to tell if she’s a protagonist or an antagonist throughout. She’s decent, but she’s probably present for the sex appeal. She gives Ethan his orders, but the fact why he must kill this guy within three days is so bloody forgettable, that it just squanders some have high-stakes intensity it might have had.

Heard’s character shows up at random times to check in, but there’s a lot of other random crap going on in this flick. Ethan has an obsession with this purple bike he intended to give to Zoey as a present, where McG feels the need to present a montage of Ethan riding it home. One other main, and random sub-plot concerns a family of squatters in Ethan’s apartment. They’ve made themselves comfortable, and it seems that they’ve been occupying his apartment for a few months, probably more. Ethan’s relationship with the squatters might be to portray his humanity – but his love for his wife and daughter does that enough; so it’s rather redundant. I learn that squatting is an issue in Paris, so it is an accurate portrayal – but with the already crowded plot, Luc Besson’s socio-economical comment (making more people aware of it) in the film is another thing that feels out of place.

Score58/100

January 31 to February 2 Box Office Predictions

The two films being released the last weekend of January is “Labor Day” and “That Awkward Moment.”

The idea of a film called Labor Day being released in January is a bit of a funny idea. At 2584 theatres, this is the widest initial release for any Jason Reitman film yet. Similar films debut at $9.7 million. I doubt this film will hit double digits this weekend – I saw it yesterday, and I wasn’t a big fan of it. My review will be posted late Friday or Saturday. This is starting the February romantic craze two weeks early before Valentine’s Day, but I wonder how many are in the romantic mood. Anyway, my prediction for this is $7.7 million.

But if people are in the romantic mood, I think “That Awkward Moment” might be a better date night choice. It looks funny and it’s about relationships where people are in that state where they ask “Where’s this going?” It seems like one of those “The do’s and do not’s of dating” sort-of flicks. I’m sold on the cast, practically, well three out of four of them – I like Efron, and Michael B. Jordan especially – I still have to see him in “Fruitvale Station”, though – and Imogen Poots is good, she’s one of the only things I liked about “All is By My Side.” I’m undecided about Miles Teller, but I’ve only seen him in “Project X” and “21 & Over,” and since I hated both of those – I’ve only seen Teller work with shitty material. I might have to wait to see “The Spectacular Now” to form a stronger opinion about him. Anyway, films similar to this open at $13.7 million. What I’m curious about is, will this open closer to “21 and Over’s” $8.7 million, or “Project X’s” $21 million? Since it has Zac Efron, I think it’ll open to $18.3 million.

As for as the first holdover for “I Frankenstein,” I think it’s likely it’ll drop at least 50%, probably more like 57% since when it grosses such a low number – at $8.6 million – it usually just shuffles out of theatres. It seems to me that it will be in its second-rate theatre run by February 7th, depending on how it does this weekend. But if you want to see it in theatres, I’d get on it!

Here’s how I see the Top 10:

1. “That Awkward Moment”: $17.3 million
2. “Ride Along”: $13.4 million
3. “The Nut Job”: $8.3
4. “Lone Survivor”: $8.2 million
5. “Labor Day”: $7.7 million
6. “Frozen“: $7.3 million
7. “Jack Ryan: Shadow Recruit”: $6.3 million
8. “American Hustle“: $5.3 million
9. “I, Frankenstein”: $4.9 million
10. “The Wolf of Wall Street“: $4.5 million

American Hustle (2013)

Am hustleReleased: December 20, 2013. Directed by: David O. Russell. Starring: Christian Bale, Amy Adams, Bradley Cooper. Runtime: 138 min.

With “American Hustle,” David O. Russell creates a heavily stylish look at the lives of con men and an FBI agent trying to reduce corruption in late 1970’s New Jersey; but ridding the city of corruption might not be so easy when one is working so closely with con men. Irving Rosenfeld (Christian Bale) and his seductive mistress Sydney Prosser (Amy Adams) make their living by selling fake reproductions of great art, and getting checks from people who give them a deposit of $5, 000 who think they will receive $50, 000 in return because Sydney creates an alias (Lady Edith Greensley) where she has connections to British banking.

When the pair gets caught by the Feds, Richie DiMaso (Bradley Cooper) says they will get out of it if they help him bring down some powerful people in the government in New Jersey, such as Mayor Carmine Polito (Jeremy Renner). The powerful folk can be tempted by the funding to rebuild Atlantic City. The con artists are led into this world of powerbrokers and mafia that is dangerous, but enchanting. One of the only people who can jeopardize the whole operation is Irving’s wife, Rosalyn (Jennifer Lawrence), who doesn’t appreciate her husband having a so-called whore on the side.

This world of powerbrokers and mafia is only enchanting to me because of the style and the cast. Director Russell creates quite the vision with the help of cool hairstyles (maybe not Irving’s combover), tans and cleavage. Russell is a great director, but I do like his last outing “Silver Linings Playbook” a lot better than this. The cast helps keep audience members interested because they’re great screen presences. The plot itself is slowly-paced some of the time, where I just thought it would be a good place to get to the point and bust these baddies already. But no, Richie keeps wanting more people to take down. For some of it, the actors on-screen are some of the only aspects that keep this from being a snoozefest. The  character developments are interesting, and I like how unpredictable working with career liars can be.

I like the tension between Irving and Richie; it gets created by Richie putting moves on Sydney, who Richie thinks is actually named Edith – her alias. Richie is a bit of a crazy character, who gets in over his head a bit often, and his behaviour might just be better suited for a film like “The Wolf of Wall Street.” Bradley Cooper is showing more and more versatility with each role, so that’s really great. He’s worthy of the Academy award nomination with this performance, but this isn’t winning material. The only other character who might be crazier than him is Irving’s wife Rosalyn. Jennifer Lawrence fits this character because she makes a lot of different kind-of character choices, so the two unpredictable personalities fit. Lawrence is funny as the character, when she consistently starts fires – but more than a bit odd for me when she’s talking about how the best nail polish smells great but has a hint of a garbage smell.

The character dynamic between Irving and Rosalyn is interesting because she doesn’t want to divorce him because no one in her family has been divorced before, and Irving doesn’t want to divorce her because he adopted her son. I think Rosalyn’s reasoning is a bit more immature, so she should just take her gross-smelling nail polish and hop on someone else’s dingaling; because they’d both be happier. Irving is trapped in this situation, especially when Sydney would just much rather have him all to herself and get Rosalyn out of the picture entirely.

Amy Adams is just great as her character, one who is caught so in the lies that she seems to get lost in her character of Edith; and she gets to sport a great British accent, so that’s fun. I think her true motivations are love, freedom and money. She’s the eye candy for Richie, and there’s so much tension in her and Irving’s relationship because of that. Christian Bale is also great as his character, one who seems honest to his friends and seems like a kind-enough con man. So as you can see, this cast is pretty great. A comment on the only main cast member who didn’t receive an Oscar nomination: Jeremy Renner’s character is easily the most noble of them all, because whatever he does is either for his family or New Jersey.

There seems to be an ongoing theme of how everybody has to cheat and lie alittle to get their way. There’s also an interesting theme of reinvention. These characters get so into the role they’re playing that they seem like they might eventually lose sight of themselves. Maybe they like the role they’re playing more than they like their actual self. If you think about it, actors aren’t so different from these con men.

Of course, actors actually make an honest wage while playing a role – but they reinvent themselves to make others believe the role. That’s what I think great acting is, where you, as the audience member, simply believes the actor is the character they’re playing. That’s why I don’t really like reading all those tabloid magazines and gossip about the actor, so I can more easily believe that they’re really character they’re playing. (I also don’t read them because I don’t think they’re interesting at all.)

I think method acting really utilizes that, when even the actor changes their appearance to fit the character – that’s why I like Christian Bale a lot. He goes through the craziest transformations, like when he was as skinny as a pterodactyl in “The Machinist” and then bulked back up for “Batman Begins.” Now he has a big belly and a combover for this film. I really appreciate when people go so far for their art – as long as they don’t do it too dangerously, because then they might not be around to make enjoyable films much longer.

Score: 77/100

The Wolf of Wall Street (2013)

wolf of wall streetReleased: December 25, 2013. Directed by: Martin Scorsese. Starring: Leonardo DiCaprio, Jonah Hill, Margot Robbie. Runtime: 180 min.

I’m not going to claim that I’m an expert on anything movies just yet, especially not on films by Scorsese – hell, I haven’t even seen “Goodfellas” yet (something I plan on changing this weekend). All I know is this is a freaking awesome film. This is based on the true story of Jordan Belfort (Leonardo DiCaprio), from his rise to a wealthy stockbroker living the high life to his fall involving crime, corruption and the federal government.

Belfort made a lot of his money in the pennystocks after the market crash in 1987, where he started his own company. His commission would be 50%, so even if he had someone invest $10, 000; he would still be getting $5000. At one point, Belfort explains a bit how stockbroking works, and since the writers know most of us aren’t following what he’s saying, he gets to the point, and says all we have to know is it isn’t legal. The fourth wall is broken a lot, which is amusing.

The film is downright hilarious; its type of comedy is dark, oh but it is the funniest film of the year that isn’t primarily a comedy. This is a tale about amoral behaviour, but it’s not as if the crew members are advocates for this kind-of behaviour. They’re compelling characters, either way, and likeable for drug crazed folks. It’s a similar case with “Pain and Gain,” but it’s not like the characters in this film are full-blown psychopaths like in “P&G.” They’re cheating people, but they’re not killing anyone. They’re just greedy and really love money. Belfort is a sex and drug addict who really likes this drug called Ludes, it was around as a sleeping pill, but if you could last fifteen minutes on it without falling asleep, you’d get a wicked high. The characters are hilarious on these ludes, by the way. DiCaprio portrays Belfort to near-perfection, causing heartbreak in the viewers here and there. He has some true power in this role, and it’s compelling when he realizes how he often hurts the people around him.

Jonah Hill plays his best friend Donnie, a man with big pearly whites and a really funny personality. He’s one of those characters that does some stupid stuff, but you still like him a lot even after he does it. The plot follows the trouble Belfort faces and the colourful characters he meets along the way, and it’s so nice to see Ethan Suplee again in a small role. Matthew McConaughey teaches Belfort the ropes of the stockbroking business and how to be a better one – lots of jerking off and lots of cocaine. As you can see, the film can be a bit filthy with all of its sex and drugs – but it’s often sexy. A lot of the sexual acts are over-the-top and therefore just really funny; so if you see it with your parents, you’d be entertained and might feel uncomfortable at the same time. This has spectacular pacing for a film that’s three hours long, and it has some compelling character development. I like the way it shows how money can change a person. The stockbroking game is a crazy life, apparently, but it helps make this film entertaining and great, and my favourite of the year. I really can’t wait to see this again.

Score100/100

December 20-22 Box Office Predictions

American Hustle“American Hustle” looks like it will be a great movie, and it has a dynamite cast – it features Bradley Cooper sporting a perm, Amy Adams, Christian Bale, Jennifer Lawrence and Jeremy Renner. It’s the new film from David O.Russell about con artists. Films similar to this open at $13.97 million; and this opened to $740 thousand at six theatres. So, to say this has quite a bit of anticipation behind it is a bit of an understatement! It’s coming to 2507 theatres this weekend, and I think it will do well because adults don’t have many films out right now directly for them. They could also wait for “The Wolf of Wall Street.” My prediction is $19.6 million.

Anchorman 2“Anchorman: The Legend Continues” looks freaking awesome! (And it was, expect a review soon!) I’ve been excited for it all year and I was very pleased to find out it’s coming out tomorrow now instead of Friday! I loved the humour of the first and I’m sure I’ll love this. Films similar to this open to an average $31.14 million. Since the first film has established itself as a comedy classic, I’m sure this will do very well over this five-day frame. “The Hangover Part III” mustered $42.6 million in its three-day opening and something like $62 million in its five-day frame, to give you an idea of how comedies over five days do. And even though that was a bad movie, it did well at least in its opening. Sequels nine years apart is never a great thing, but for this it might work out okay – because people love their Will Ferrell and this character. I’m one of those people. The first film opened at $28.4 million, and I think this do near $40 million in a normal three-day weekend, and $54 million in its five-day frame, because even though the opening date was changed to December 18 three weeks ago, I didn’t realize it until today – and I wonder if I’m not alone on that.

Saving Mr. Banks“Saving Mr. Banks” looks like a very moving live-action Disney flick. It looks like an entertaining biography film, and it will really appeal to fans of “Mary Poppins.” It’s a family film that has a lot of competition with “Frozen” as well as the “Walking with Dinosaurs” film also coming out this weekend. My prediction for this is $15.4 million.

Walking with Dinosaurs“Walking with Dinosaurs” is the only movie being released this weekend I’m really not interested in seeing. It looks like an incredibly lame 3D sort-of cinematic event for the kiddies. I think the kids will want their parents to take them to this. Dinosaurs are awesome, but this looks boring. Films similar to this open at $25.13 million. “Jurassic Park 3D” opened to $18.62 earlier this year. I think since it is going to 3200 theatres or so this weekend, it will do around those numbers. My prediction is $18 million.

What are you most excited about seeing this weekend? Or are you just going to wait for all of those movies being released on Christmas day?