My Top 25 Films of 2012

2012 saw some great films, and some real stinkers. I have seen 68 of them. These are my top 25 favourite films of 2012, and also the ten worst.

Oh and, some of these films don’t have the highest scores, but they’re higher up on the list. This is because some films (like The Hobbit) have grown on me a lot since I’ve seen them. Click on the title in the caption to get to review (and the titles in the ‘worst of’ list). Anyway, here’s the list, starting with #25:

Pitch Perfect is a fairly original (at least in cinema) and entertaining Glee-inspired musical comedy that may be predictable, but it’s a toe-tapping experience that has a fine plot, great music, some strange characters (most notably Lilly, a character who looks like that creepy big-eyed girl from Frankenweenie), show-stealing performers (like Bridesmaids‘ Rebel Wilson who portrays Fat Amy) and a memorable ensemble cast.

#24 - This is 40

#24 – This is 40

This is 40 is not quite as good as Knocked Up, but it’s a satisfying sort-of sequel. This is sometimes over-dramatic because of the numerous conflicts, but it is driven by fresh, laugh-out-loud comedy that helps Apatow get the message, of overcoming family differences and a mid-life crisis, across very well. Laughs, conflict, and advertisements for iPhones, Apple products, TV’s Lost, and a good role for Megan Fox are all present.

#23 - Ted

#23 – Ted

Ted‘s screenplay may be crowded but we must understand that MacFarlane’s comfort zone is a mere 22-minute slot, while this is a whole 112-minute feature. The end product turns out to be better than anyone would think a buddy comedy between a talking teddy bear and an immature man could be, and Wahlberg and Ted’s chemistry help make this one of the best buddy comedies of the year. I’m excited to see what else first-time director MacFarlane has in store for the silver screen, and I say bring on the sequel.

The film starts out fairly slow, but once the games come around the bend, it instantly becomes intensely engaging and entertaining. The screenplay maintains the fascinating theme of propaganda [and how corrupt the government may become], but doesn’t capture the extreme violence that we fans handled in the novel itself, and there isn’t quite enough bonding time with select characters. The adaptation is nonetheless great, and since it was not followed to a tee, there is room for surprise. Anyone who is willing to accept this fresh experience will enjoy it, as it is a promising beginning to a new teen franchise.

Rise of the Guardians is a slightly flawed, but wildly inventive, animated adventure that may have some deeply thematic material and action sequences that could be midly scary for small children. The main flaw is the disorganized beginning – but it finds its pace soon enough. The concept is a sort of edgy animated feature, but is a great end product. This is one of the most original animated features of the year, mainly because of the alterations to the beloved Guardians, like making Santa Claus look like a Russian biker, are very fresh. This is a great message to teach the kids this holiday season – don’t only believe in Santa around his season, also believe in all the other heroes, at least when their time comes around the bend.

#20 - The Grey

#20 – The Grey

The dialogue of this film allows characters to be thoroughly developed and compelling concepts to arise. When the characters aren’t talking, it gets engaging and thoroughly thrilling. The anti-climactic ending says Carnahan has learned to resist throwing full-throttle action at us, and he instead resists the urge and keeps the astounding and exciting survival film as tame as could be. The mostly unknown actors make the spotlight shine directly on the star: Liam Neeson.

#19 - Lincoln

#19 – Lincoln

Spielberg seems like, at this point in his career, is interested in making ambitious biopics instead of blockbusters like Jaws. The intelligent monologue-filled feature intricately throws information at you, and at times it can be quite a bit to absorb, but it is usually engaging. The cast of Lincoln is impressive, most notably Daniel Day-Lewis, who delivers a kind-hearted, endlessly charming performance that adds layers to one of the greatest figures in American history. Day-Lewis captures Lincoln’s will to get things done, and his genuine and kind self.

Killing Them Softly is a clever mafia tale of violence and despair with a great leading performance from Brad Pitt; with his mysterious character delivering us plenty of violence to keep us happy. This tale is also a social commentary on the local criminal economy in 2008, before Obama stepped into office – the concepts are complex, but there are not difficult to comprehend. The not-so-subtle message may be annoying to some, but the story is very engaging. It is a thought-provoking film brought to life by Andrew Dominik’s stylish and artistic direction.

#17 - End of Watch

#17 – End of Watch

The abrupt ending keeps this from being flawless, but this is a stellar crime story with intelligent writing by writer/director David Ayer (who previously wrote Training Day) with some of the best chemistry I have seen all year. End of Watch does for the real lives of cops what Ladder 49 did for fire fighters, but it’s about twenty-six times better.

#16 - Chronicle

#16 – Chronicle

Chronicle is one of the most surprisingly amazing features of 2012. The rushed pace is its main flaw, but it is an awesome experience for the 84 minutes it stays around. It obtains must-see status because of its thoroughly thematic and disturbing content. It is the most must-see found-footage feature of 2012, perhaps of all-time.

Seven Psychopaths has a clever screenplay and is a fantastic second feature from writer/directer Martin McDonagh. It is equal parts brutal, brilliant and hysterical. It is extremely memorable and has great characters and a superb ensemble cast. It is one of the most original screenplays of the year, and it’s another comedy that proves 2012 is one of the best for that genre.

The story may have ideas crammed in the feature, it undeniably has a very emotional core. If the actors weren’t singing the vast majority of their dialogue, the film wouldn’t be quite as exciting or engaging. This combines a great period piece with a profound musical, and it makes this one of the best features of the year.

Jonah Hill and Channing Tatum create a superb chemistry, and this is one of the finest comedy ensembles of the year. The comedy is always funny, and this is the best action-comedy of the year. The real bite about this is that no one expected it to be very good, and yet, it is a hilarious and exciting ride.

Writer/director Christopher Nolan delivers us an impressive and atmospheric piece of cinema that has incredible thrills, great plot execution and great direction, character development that has room for improvement and a slow build-up that leads to an incredible climax. It is also a thoroughly impressive end to a great trilogy, it’s a slight step-down from the high standards set by The Dark Knight, but it is better than Batman Begins.

#11 - Skyfall

#11 – Skyfall

Skyfall is a compelling experience with great pacing, a great story and great humour. Javier Bardem is simply astounding. His presence is really worth the wait. He is one of the greatest criminal masterminds of recent memory, comparable to both Heath Ledger’s The Joker and Anthony Hopkins’ Hannibal Lecter. He is the second best villain of the year, right behind Leonardo DiCaprio’s Calvin Candie in Django Unchained.

#10 - Looper

#10 – Looper

Looper offers an entertaining and memorable action experience with a great story and characters, making it a film that should be cherished. Looper is slightly flawed because of a sometimes crowded screenplay and numerous antagonists, but it has a complex story that’s surprisingly easy to follow, with great characters like Jeff Daniels’ nice-guy-ruthless-when-he-wants-to-be crime boss.

The Hobbit: An Unexpected Journey is a thoroughly satisfying start to a new Middle Earth trilogy. Its usually silly undertone may frustrate some, but to most, like myself, it makes for a great experience. The many expendable dwarfs may get a lot of the attention, but it is very much Bilbo Baggins’ show. That is until the show-stealing Gollum shows up for one of the best scenes of the feature. I cannot wait to see what the trilogy looks like when all of the films are released.

#8 - Life of Pi

#8 – Life of Pi

Life of Pi is interesting because it is not afraid to bring in concepts of faith and religion. It is also visually beautiful, sometimes funny, thought-provoking, magnificent, terrifying and saddening. There is also a  great story, great direction, wonderful cinematography, great conflicts and relationships present. The actors bring it all to the table, and a short list of performers carries the film very well. This is one of the best films of the year that will be a large Oscar contender. If you’re going to see this, see it in its full 3D glory.

#7 - Flight

#7 – Flight

The drama is solid and the overall film if profoundly enjoyable, compelling, emotional, sometimes funny and often gripping. The suspenseful scene at the beginning is the only action scene in the feature, and it soon turns into a character study, with fascinating concepts of addiction. Those who find the concept of addiction fascinating will enjoy this even more.

Many may think it is simply just another teen slasher, but what gets thrown at you is surprising, extremely fresh and endlessly entertaining. This is one of the most original horror films of all time, with signature bites of comedy from Joss Whedon.

Wreck-It Ralph is the finest animated feature of 2012 and is generally one hell of a nostalgic and enjoyable film. This is like the Toy Story for a new generation. Disney has delivered us a great film yet again, and mashed two generally loved things together: their acclaimed animation, and video games. I had high expectations for this film, and this really rocked my world.

#4 - Argo

#4 – Argo

One of the most captivating things about the nerve-racking Argo is the boiling suspense of the situation, and the viewer can just feel it build throughout. Argo plays out like an assassin giving you his first choke-hold, he’s inexperienced and you may feel the grip loosening from time to time, but then it strengthens again and doesn’t let go until the very end.

Silver Linings Playbook is hilarious, beautiful, meaningful, sad, emotional, and very dramatic at times. It is a truly magnificent blend. One thing that helps the film is the impeccable writing by David O. Russell, and Matthew Quick who originally wrote the novel. The viewer may not be able to relate to the exact situation of these characters, but they could fully understand their motivations – and most may have felt similar emotions that these characters express on a daily basis.

The profound analysis of teenage angst is accurate, brilliantly touching, and heartbreakingly poignant. The performances are great, the story is awesome, and the atmosphere it offers is perfect. This is a film that I’d like to watch over and over. That’s one heck of a definition for an enjoyable experience.  It’s a fine, under-seen classic of 2012 that can define a generation as well as John Hughes could.  If it comes to your town, get off the couch, grab a few friends – but if you don’t have any, it’s okay to be a wallflower – and go see this movie!

Django Unchained is a modern masterpiece, and is Tarantino’s finest film yet (even if I’m the only one to think so). It’s a great story about survival and it has great themes of racism and slavery, that Tarantino explores expertly. The performances, the writing, the soundtrack the direction and the themes are all immaculate. Leonardo DiCaprio plays the best villain of the year.

The ten worst of 2012:

10. The Watch

9. Chernobyl Diaries

8. Silent House

7. ATM

6. Red Dawn 

5. Dark Shadows

4. Mirror Mirror

3. Project X

2. The Lucky One

And the true test of patience…

Well, there you have it. Hopefully you agree with some of my picks, like them, dislike them, or even detest them. Feel free to leave comments!

December 14-16 Box Office Predictions

Sorry for the late post.

The Hobbit: An Unexpected Journey

The Hobbit: An Unexpected Journey

Plot: A curious Hobbit, Bilbo Baggins, journeys to the Lonely Mountain with a vigorous group of Dwarves to reclaim a treasure stolen from them by the dragon Smaug.

This trip back to Middle Earth has been anticipated by many all year. It is the most anticipated prequel since The Phantom Menace, so hopefully it doesn’t disappoint people as much as that did.

T.H.: A.U.J. Prediction: $97, 500, 000

Save the Date

Save the Date

Save the Date

Plot: Sarah begins to confront her shortcomings after she rejects her boyfriend’s hasty proposal and soon finds herself in a rebound romance. Meanwhile, her sister Beth is immersed in the details of her wedding.

It’s just a new indie romantic comedy with the sexy Alison Brie and Lizzy Caplan.

S.t.D Prediction: $62, 000

Top 10 Box Office Predictions

TITLE/PREDICTION/STUDIO/ROTTEN TOMATOES SCORE

1. The Hobbit: An Unexpected Journey/ $97, 500, 000/ Warner Bros./ 69%
2. Skyfall/ $8, 750, 000/ MGM/ 92%
3. Rise of the Guardians/ $8, 400, 000/ Paramount/DreamWorks/ 73%
4. The Twilight Saga: Breaking Dawn Part 2/ $7, 600, 000/ Summit Ent./ 47%
5. Lincoln/ $7, 250, 000/ Buena Vista/ 91%
6. Life of Pi/ $6, 800, 000/ Fox/ 88%
7. Playing for Keeps/ $4, 600, 000/ FilmDistrict/ 3%
8. Wreck-It Ralph/ $4, 000, 000/ Buena Vista/ 87%
9. Red Dawn/ $3, 250, 000/ FilmDistrict/ 11%
10. Flight/ $2, 500, 000/ Paramount/ 77%

 

Box Office Predictions: November 30 – December 2

 

The Collection

The sequel to 2009’s The Collector. This sort of has a similar atmosphere to the Saw serial, without all the moral dilemmas, and just more torture porn. The Collector opened to $3.5 million, and grossed $7.7 million. That was well-appreciated by audience members, so I anticipate this to gross more than the first. People seem to really miss the Saw franchise, and this could really fill that void.

T.C. Box Office Prediction: $5 million

Killing Them Softly

This looks really good. The story seems awesome and the cast is stellar. Brad Pitt as a hitman? Cool.

K.T.S. Box Office Prediction: $9.8 million

TOP 10 BOX OFFICE PREDICTIONS

TITLE/PREDICTION/STUDIO/ROTTEN TOMATOES SCORE

1. The Twilight Saga: Breaking Dawn Part 2/ $32, 000, 000/ Summit Ent./ 47%
2. Skyfall/ $22, 500, 000/ MGM/ 92%
3. Lincoln/ $18, 000, 000/ Buena Vista/ 91%
4. Rise of the Guardians/ $16, 000, 000/ Paramount (DreamWorks)/ 76%
5. Life of Pi/ $15, 800, 000/ Fox/ 87%
6. Wreck-It Ralph/ $11, 000, 000/ Buena Vista/ 86%
7. Red Dawn/ $10, 200, 000/ FilmDistrict/ 11%
8. Killing Them Softly/ $9, 800, 000/ Weinstein Company/ 90%
9. Flight/ $6, 400, 000/ Paramount/ 77%
10. The Collection/ $5, 000, 000/ LD Entertainment/ 86%

100th Review: Brave (2012)

Brave

Release Date: June 22, 2012

Directors: Mark Andrews, Brenda Chapman, Steve Purcell

Stars (voices): Kelly Macdonald, Billy Connolly, Emma Thompson

Runtime: 93 min

Tagline: Change your fate.

Determined to make her own path in life, Princess Merida defies a custom that brings chaos to her kingdom. Granted one wish, Merida must rely on her bravery and her archery skills to undo a beastly curse.

Considering that this took six years under works, one would think this would be a little better. The story is just lacking, and it isn’t enough to be entertaining throughout the whole 93 minutes. Where it lacks in story; it makes up in message, characters and laughs.

Merida is the first female protagonist of a Pixar film, and she’s a promising first attempt. She is headstrong and very ambitious. She feels that her fate is carved in stone, but she wishes to alter it somehow. When she does try to change it, however, it comes with drastic consequences. When she gives her even more headstrong mother a potion (in the form of a cake), made for her by a witch shop owner, Merida has no idea her mother will turn into a bear, the very animal her father hunts. This situation causes many problems, like her father and castle guests sent on a wild bear hunt, but also causes Merida and her mother’s relationship to prosper. With this situation, they are able to see life through the other person’s eyes. Also, the father is a great character, he is quite funny. The voicework from everyone involved is pretty great, everyone has funny moments and they offer jokes that are great for all ages. Merida’s three brothers are pretty cute; not anything special, they’re just cute. They’re practically mute, so they’re just there to lighten the mood a little.

The message is pretty great – honour your parents and communicate well with them, and cherish family. It’s a message all children should learn and hold dear, because family is a great support system. Though, this message isn’t anything a child’s parents can’t teach them.

The sequences of archery and other action sequences are quite great, but some scenes can get somewhat frightening for younger viewers (maybe anyone under the age of 4 or 5).

I’ve seen many better stories in animated features. The whole ‘undo a curse’ premise feels quite reminiscent of Shrek. Sure, this is quite original, but Shrek did come to mind while watching this. Maybe it felt reminiscent of Shrek because Shrek has a Scottish accent… Anyway, back to the story. The pacing is decent, but it isn’t a story that works well enough to fill ninety minutes. This is Pixar’s first period piece, and even though the story isn’t superb, the mythology was intriguing. Regardless of the story, the animation is very beautiful. It is some of the finest I’ve ever seen, and some of the finest animation of the year. The Scottish scenery is really beautiful and it really complements the animation. Also, it really portrays Scotland as a beautiful place, and it portrays its people as beautiful. Some may seem like lumberjacks, but they seem so cheery – it’s hard not to like them. All the Scottish accents in the film are sort of contagious, and when one quotes or explains the film, it’s hard not to talk in that dialect.

Brave offers some great characters, some fine animation, and a very mediocre story. Compared to great Pixar stories like Toy Story or Monsters, Inc., it pales in comparison. Brave does a great job of mixing beautiful animation with great Scottish scenery, and it makes for an experience that is worth checking out. It might not win Best Animated Feature of the Year (my “money’s” on Wreck-It Ralph), but it certainly deserves a nomination.

70/100

November 23-25 Box Office Predictions

November 23-25 Box Office Forecast

Hitchcock

Plot: A love story between influential filmmaker Alfred Hitchcock and wife Alma Reville during the filming of Psycho in 1959.

Hitchcock is the much anticipated biopic of Alfred Hitchcock that depicts his relationship with his wife during the making of 1960’s Psycho. Anthony Hopkins seems quite fitting and chilling in the role. It’s hitting sixteen theaters this weekend (I wish it would be coming to more!!) and it will be a treat for lovers of the masterful director and lovers of a good love story.

Hitchcock Prediction: $360, 000

Life of Pi

Plot: A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor … a fearsome Bengal tiger.

Ang Lee’s new feature, based on Yann Martel’s novel, seems visually beautiful and the story sounds quite intriguing. This time around, he’s directing an aggressive tiger, not a crouching one. This could very well be a frontrunner at the Oscars this year. It’s at 2700 theaters this weekend.

L.o.P Prediction: $28, 400, 000 (Wed-Sun)

Red Dawn

Plot: A group of teenagers look to save their town from an invasion of North Korean soldiers.

This one has sat on the shelf since 2009, but now it’s finally here… To the sound of poor reviews. That won’t stop me from seeing it, though. Apparently the original wasn’t great, so maybe filmmakers could do it better this time. The original had an opening weekend to the sound of $8.23 million, but I’m hoping it’ll be much better this time around.

R.D. Prediction: $17, 200, 000 (Wed-Sun)

Rise of the Guardians

Plot: When the evil spirit Pitch launches an assault on Earth, the Immortal Guardians team up to protect the innocence of children all around the world.

DreamWorks Animation is a very hit-and-miss studio. It’s had winners like the first two Shrek films, the apparently great How to Train Your Dragon, the pretty good Madagascar trilogy, and Kung Fu Panda. But, they’ve also had losers like Shark Tale and Over the Hedge. Guardians‘ story seems very intriguing and original. While it does seem a little odd, I really want to check it out. It looks like a great adventure with an awesome voice cast.

R.o.t.G Prediction: $59, 500, 000 (Wed-Sun)

Rust and Bone

Plot: Put in charge of his young son, Ali leaves Belgium for Antibes to live with his sister and her husband as a family. Ali’s bond with Stephanie, a killer whale trainer, grows deeper after Stephanie suffers a horrible accident.

Rust and Bone is a foreign feature and is Jacques Audiard’s follow-up to the acclaimed A Prophet. It seems intriguing and I might want to check it out once it comes to town.

R.a.B Prediction: $175, 000

Silver Linings Playbook

Plot: After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.

David O. Russell brings us a potential Oscar contender with the anticipated Silver Linings Playbook. This is his follow-up film to 2010′s The Fighter (that opened to $12.135 million in its wide opening weekend), and he actually surprised a few people by not choosing Mark Wahlberg as the former teach Pat Solitano. Russell is often at his best while directing Wahlberg. Though, regardless of its main star, it still looks charming, funny and thematic. The cast makes the film look even more promising. S.L.P comes to 367 theaters this weekend.

S.L.P. Prediction: $5, 250, 000

TOP 10 BOX OFFICE PREDICTIONS

TITLE/PREDICTION/STUDIO/ROTTEN TOMATOES SCORE

1. Rise of the Guardians$59, 500, 000Paramount (DreamWorks)76%

2. The Twilight Saga: Breaking Dawn Part 2$52, 000, 000Summit Ent./ 47%

3. Life of Pi/ $28, 400, 000Fox86%

4. Skyfall/ $22, 800, 000MGM92%

5. Red Dawn$17, 200, 000FilmDistrict12%

6. Wreck-It Ralph$13, 500, 000Buena Vista86%

7. Silver Linings Playbook$5, 250, 000Weinstein91%

8. Flight/ $4, 300, 000Paramount/ 78%

9. Argo$3, 200, 000Warner Bros.95%

10. Taken 2/ $1, 500, 000Fox21%

Are you any of you going to the theater this weekend?

November 9-11 Box Office Results

Skyfall raked in a majority of the dough this weekend, with $90 million (including Thursday’s earnings)! It so deserved it, too, because it’s just about one of the finest action films of the year, and it is generally one of the best of the year as well! And Lincoln took in an impressive $900, 000 at eleven theatres this weekend. Also, at least surprising to me, Pitch Perfect sneaked into the Top 10 this weekend at #8, but that’s pretty sweet for it!   Well, now to the numbers!

And, if you missed any of my reviews of the movies in the Top 10 Box Office, just click the link on the title and it will lead you right to it!

Top 10 Box Office, The Results (Estimates)

1. Skyfall: $87, 800, 000

2. Wreck-It Ralph$33, 056, 000

3. Flight: $15, 100, 000

4. Argo$6, 745, 000

5. Taken 2$4, 000, 000

6. Here Comes the Boom$2, 550, 000

7. Cloud Atlas$2, 525, 000

8. Pitch Perfect$2, 504, 000

9. The Man with the Iron Fists$2, 490, 000

10. Hotel Transylvania$2, 350, 000

My Box Office Predictions (Title/Prediction/Off by(+/-))

1. Skyfall/ $85, 000, 000(-) $2, 800, 000

2. Wreck-It Ralph$42, 800, 000(+) $9, 744, 000

3. Flight$19, 000, 000(+) $3, 900, 000

4. Argo$8, 500, 000(+) $1, 755, 000

5. Taken 2$5, 000, 000(+) $1, 000, 000

6. Here Comes the Boom$2, 250, 000(-) $300, 000

7. Cloud Atlas$4, 200, 000(+) $1, 675, 000

9. The Man with the Iron Fists$6, 200, 000(+) $3, 710, 000

10. Hotel Transylvania$3, 100, 000(+) $750, 000

Other Predictions: 

11. Paranormal Activity 4$2, 800, 000(+) $780, 000

15. Lincoln$328, 000(-) $572, 000

I was off by a grand total of $25, 634, 000.

Did any of you get to the theatres this weekend, or have any time to watch any movies (in general)?

My reviews of other films in theatres

Chasing Mavericks

The Dark Knight Rises

End of Watch

House at the End of the Street

Looper

The Perks of Being a Wallflower

Seven Psychopaths

Sinister

Ted

Trouble with the Curve

I’ve been putting these reviews at the bottom of my results article because I’m trying to get a little bit more traffic for them (in case you readers missed the reviews). And I, just now, realized by revealing the scores, it isn’t any good at getting more traffic. Who wants to read a review when they already know the score I gave it? I don’t think I’d do very well working in advertising…

Wreck-It Ralph (2012)

Wreck-It Ralph

Release Date: November 2, 2012

Director: Rich Moore

Stars (voices): John C. Reilly, Jack McBrayer, Jane Lynch

Runtime: 109 min

Tagline: When the game is over, a new world comes to life.

Wreck-It Ralph has one film aspect thing we are always searching for: nostalgia. Nostalgia is when you look back at some point in your life, and cherish that solitary memory. In the case of this great Disney animation film, we find ourselves looking back to our childhoods, when we would spend tireless hours playing Super Mario Bros. to take Princess Peach back from that spiky-backed Bowser or; controlling Donkey Kong to jump over those pesky barrels; or making Pacman run away from those ghosts. This nostalgia is most prominent for those 80s and 90s children. In Wreck-It Ralph, it truly shines through. In animation, this great feeling has not been shown so clearly as it has been here.

In other 2012 films, like The Perks of Being a Wallflower, the nostalgia feeling was looking back at the good times of high school (for my case, early high school, since this is my graduating year) or those generally depressing and lonely times. We’ve seen that in plenty of teen films before it, so it’s a traditional nostalgic feeling in our hearts. With Wreck-It Ralph, it feels truly original because a great video game tribute has never been paid quite like this one, besides documentaries like Special When Lit that rediscovers the long lost game of Pinball.

The story follows Ralph (voiced by John C. Reilly) the villain of a 30-year old arcade game called Fix-It Felix Jr., where Ralph wrecks it and Felix (voiced by Jack McBrayer) races the clock to fix what Ralph has wrecked. Ralph feels like an outcast in his own game, because he lives in a dump across the way from his video game co-workers, while they hang out in the penthouse and party it up. Ralph sets out for different games, that ultimately wreaks havoc in his arcade, in search of a medal so he can redeem himself, and become the hero he has always wanted to be. He eventually ends up at Sugar Rush and meets the charismatic Vanellope (voiced by Sarah Silverman) a computer glitch in her own game. The two outcasts team up together, to defeat antagonists, and make names for themselves.

The main antagonist is the charismatic dictator of Sugar Rush, King Candy (voiced by Alan Tudyk). The other antagonists are from some games Ralph encounters, that find their way into the game of Sugar Rush. Also, there is the arcade manager, Mr. Litwak, who proposes the overbearing threat of pulling the plug of Ralph’s game if Ralph and Felix can’t get back to the game in time. This has the tendency to make the film slightly crowded, but it still is unarguably enjoyable and fun. A few things that make the film fun are the great and often delicious appearing set designs, very seemingly fun arcade games, and the stunningly beautiful [3D] visual effects. The humour is often hysterical, and very funny even for those who are not children. Although, if one is over the age of thirteen, they may think the toilet humour has the huge tendency to be obnoxious and over the top. Those toilet humour jokes are quite hit-and-miss, but most do indeed hit. To add to the general comedy of the film, there are also some exciting action sequences, like the races that made me want to play a good old game of Mario Kart. There is one sequence near the end of the film that features a creature that may just be a little too mature or frightening for a basic children’s film; it reminded me of Pennywise the Clown from Stephen King’s It (at the least the bottom half of it).

The message present (don’t be afraid to be a hero) is great and does not feel forced. What does feel forced, however, are some of the relationships. The one relationship between Felix and Calhoun (voiced by Jane Lynch), feels forced because they just seem so opposite. The relationship between Ralph and Vanellope, on the other hand, was absolutely precious, often heartwarming (and at times heartbreaking), natural and inspiring. It’s normal that this relationship may mend together well, because Ralph’s towering build, that may remind viewers of Donkey Kong, and then Vanellope’s figure that looks like a miniature Princess Daisy, seems like a father-daughter relationship. Instead, it feels like a real, non-condescending friendship. Not to mention, they are both great characters. Vanellope is absolutely adorable and hysterical, and one cannot help but smile when she comes on-screen. She just offers a needed supporting structure to the general film. These characters, and all others, do great jobs of portraying emotions, even though that isn’t hard to do with animation, but regardless, the viewer still feels what they feel – from inspiration, to loneliness, to excitement, to heartbreak. The characters are each well put together, and have nice backgrounds.

Wreck-It Ralph is the finest 2012 animated feature, (but there isn’t any competition, because surprisingly to me, it’s the only 2012 released animated feauture I’ve seen) and is generally one of the finest and most original of 2012. The only thing I thought of with the coming to life at night is the two Night at the Museum films (and more obviously the Toy Story trilogy), but comparing this to that isn’t exactly fair since they are so different. Disney has delivered us a great film yet again, and mashed two generally loved things together: their acclaimed animation, and video games. I had high expectations for this film, and this really rocked my world.

88/100