Released: February 12, 2016. Directed by: Tim Miller. Starring: Ryan Reynolds, Morena Baccarin, Ed Skrein. Runtime: 1hr, 48 min.
The wait for the man in the red suit is finally over. It’s not Santa Claus – but the merc with a mouth himself, Deadpool. And it’s everything I’ve dreamed a Deadpool movie would be.
It’s fun and consistently entertaining. The strong pacing and the film’s fourth-wall breaking enables smooth transitions in the well-written screenplay. As a bonus, it’s heartfelt.
It’s an R-rated dream, challenging the likes of Kick-Ass and The Punisher as one of the most violent super hero films. Though, Deadpool (Ryan Reynolds) is more like a super vigilante.
Wade Wilson was Special Forces before he became Deadpool, signing up for treatment that’s said to cure his cancer. It turned him into an ugly, super human, immortal ass-kicking machine, which led him to leave his girlfriend Vanessa (Morena Baccarin) in heartbreaking nature.
I was hooked from the film’s opening credits – a flipped car frozen in motion, as the camera takes us through a variety of items. The clever film induces big laughs in the most violent situations. The movie and violence work because of its over-the-top nature, and director Tim Miller really makes the humour hit in his directorial debut.
Deadpool, Colossus and Negasonic Teenage Warhead in Deadpool. (Source)
The way the non-linear storyline weaves throughout the present and how Wilson became super is an intriguing style for a super hero film, which meets a balls-to-the-wall revenge tale.
Wilson has pledged revenge on Francis (Ed Skrein, The Transporter Refueled), who is responsible for the way Wade looks. Which, as the amusing T.J. Miller’s character Weasel describes, it’s like “Freddy Krueger face-f**ked a topographical map of Utah.”
Francis, whose villain name Ajax is more threatening, is a strong villain. He’s as sadistic as he is unrelenting. His power is a curse – where the super serum that Wade was put through turned Francis into someone who could not feel pain.
His right-hand woman is Angel Dust, a villain with super strength portrayed by former MMA fighter Gina Carano. She’s kick-ass, even though she can’t act her way out of a paper bag. For me, she’s the film’s biggest flaw.
Wade enlists two X-Men to take down the baddies. One is Colossus (voiced by Stefan Kapicic), an iron man with super strength; and the other is a trainee called Negasonic Teenage Warhead (Brianna Hildebrand). She has explosive powers, and is described as a “moody teenager” in Wade’s amusing vision of opening credits.
Deadpool’s great self-referential humour featuring digs at X-Men Origins: Wolverine and Green Lantern make this a winner. It also feels so fresh and unique.
Even when it falls into a standard hero versus villain battle at the end, the humour and ambition add a fresh spin. The pure beauty of the film is Wade Wilson and how well Ryan Reynolds does as the character.
His comedic timing fits the badass character as well as the red suit fits him. Reynolds’ ability to act so effectively with his voice brings an energetic aspect to the performance, and he seems to be picking his roles better since his entertaining turn in The Voices. It seems like a promise for better things for Reynolds.
He knows he isn’t a hero and he just does his thing and it’s awesome. The hero is harshly judged and his ugliness gives him a vulnerable layer that makes him relatable. The memorable action scenes and soundtrack complement the mood so well, which is the cherry on top on this glorious movie.
Released: July 26, 2013. Directed by: James Mangold. Starring: Hugh Jackman, Will Yun Lee, Tao Okamoto. Runtime: 126 min.
The Wolverine has a stronger story than Wolverine’s first solo outing in X-Men Origins: Wolverine, but still not a fully compelling one. It just doesn’t seem like a fun film can be made for the most popular character of the X-Men. A problem of this film is that it really doesn’t feel like an X-Men film until it really gets into the story – the story and the Japan location gives it such a different atmosphere than the other films. It opens with Logan having a dream of saving a man from the World War II bombing in Nagasaki. Then, he’s sort-of just a woodsman living his life out in a cave in Canada. He’s still really shaken up about what he had to do Jean in X-Men: The Last Stand. The person whose life Logan saved all those years ago, a man named Yashida, requests Logan’s company to thank him for saving his life and he also wants to give him a gift. Once there, he is embroiled in a conflict involving Japanese mafia, and must confront his own demons.
Logan is given an extra layer of vulnerability, which is a sometimes nice aspect for other characters – but for such a badass character, he’s just boring with this layer. I think this is a more realistic and grittier attempt than the first Wolverine. At times this feels more like a swordfighting/kung-fu movie with mutants than a true X-Men film. It surely keeps the X-Men franchise on a decent path to keep the general narrative going for the franchise, but sometimes there’s so little going on that this just gets boring. A solid finale and a dazzling bullet train sequence caught my attention, but that was about it. An archer brings some fun to the film, as Mangold directs some nifty set pieces with (and without) the archer. The villain of the film, a woman whose poisonous power of a viper snake reminded me of Poison Ivy. Overall, this is an okay film with prominent themes of greed and it features a strong score. The action’s just a bit too spaced out to be anything truly compelling.
The performances are all pretty okay. I liked Janssen’s brief performance as Jean. Yukio (a well-cast Rila Fukoshima) is a cool character, as she has the power to see how people will die. I think it’s a poignant characterization, since she’ll see how all of her loved ones will die. I liked Jackman’s chemistry with Tao Okamoto as Mariko, Yashida’s granddaughter. The films have some decent aspects, as this surely has stronger visuals than the first Wolverine.
Released: May 1, 2009. Directed by: Gavin Hood. Starring: Hugh Jackman, Liev Schreiber, Danny Huston. Runtime: 107 min.
While a seasoned fan of the X-Men franchise will surely be disappointed by this film, I’m think a casual fan could be entertained. This is a popcorn flick more concerned with just giving its audience a mildly entertaining 107 minutes. Obviously, this is a prequel that follows the origins story of Wolverine, and while future Wolverine won’t know the answers to his past, at least we as audience members get answers. That’s one of the reasons that this film is partly a delight. Though, his transformation scene to be inserted with an adamantium exoskeleton feels nowhere near as raw as it did previewed in X2.
By the way, Logan had a much less cool set of bone claws before he got his awesome ones. I’m not being picky because if I had a set of any sort-of claws, I’d be pleased. There’s a cool scene where we learn why Wolverine is called that. His relationship with Kayla Silverfox (portrayed by a great newcomer Lynn Collins) is nice, as they share a great chemistry. We learn that Wolverine was born roughly around 1838 in the Northwest Territories of Canada. That’s pretty awesome, isn’t it? We also see him go through a bunch of wars in a decently directed sequence by Gavin Hood.
Logan’s brother is a guy named Victor Creed (played leeringly by Liev Schreiber), who’s Sabretooth. He has the fingernails of a bag lady. But, since Creed is obviously Sabretooth, it really doesn’t explain why he didn’t recognize Wolverine in the original X-Men. Hey, what can I say, I’m a fan of logic. Victor obviously has rage issues and is trigger happy, and is uninspiredly cruel. It gets explained later in the film, but his rampage of violence against his old team is just a bit strange at first to base a story around. Victor’s readiness for violence makes this feel all a little clichéd.
The timeline of the film isn’t that enjoyable because you can never really tell where it’s set without doing research, since Logan doesn’t age. I assume the film is set in the late 1970s or early 1980s because I learn that the last war in the montage was the Vietnam war. But does that really make sense when Stryker looks like 25 in another movie in the franchise? My point: The film is awful at establishing a strong time period.
I like the mutants that are on the team that Logan was on. One cool one is Bradley (Dominic Monaghan), who is a telekinetic. He has a really cool scene at a carnival. Will.i.am is also good as a teleporter. Stryker gets a cool characterization, and we can see that he’s always been a dick. Though, Cox is an infinitely better Stryker than Danny Huston. There are some awesome action sequences (notably Logan fighting a helicopter), but there are also a lot of silly comedic attempts, and just silly occurrences in general. Take for instance: An idiotic fight that’s started by a trucker who wouldn’t get off the road to let Logan pass. Logan confronts him about it, and in a very short dialogue exchange, the guy takes a swing at him even though Logan asks nicely. It’s ridiculous. There are some strong attempts at comedy, though, which hit. This is only sporadic.
The characters are boring. Especially Victor, who’s just a boring psychopath. You have to question why he uninspiredly hates his brother so much, just for walking out on the mercenary group. When Logan and him meet again, they fight – and you know it’s a brawl in Canada when there are a whole bunch of logs nearby. Logan has an idiotic tension with Agent Zero, shown when Zero shoots Logan’s cigar in a hideous and artificial visual. I learn that there was an early copy of the film leaked online, and I’m almost convinced I watched that copy – because the visuals are absolutely hideous at times. They look partly unfinished and unconvincing. Since I am not sure if I watched the good visuals of the film, I won’t take marks off for that. Well, as many marks. Because, crap, the film looks so ugly at times. The poor visuals make this look like a crappy video game. The lackluster storytelling doesn’t help, either. Nor does the god-awful editing, the quick edits just suck. At times, this isn’t fun to watch because of it. Kevin Durand’s character is hideous when he’s a CGI-assisted fatty.
It’s not that great when Agent Zero’s powers are never explained, because he just seems like an assassin who’s good with a gun and has impossibly cool acrobatic ability. I mean, how could one gain so much momentum to do a twenty foot backflip just catching guns? The film’s worst misfortune is featuring Gambit, an awesome mutant who deserves so much better than this. What’s unrealistic in the direction is how many times people are stabbed, and how there’s hardly any blood throughout. The occasional poignant occurrence rings true, but they’re just that – occasional. This is popcorn-munching, illogical fun. Take it or leave it, really. The finale is a bit fun, but if characterization is your favourite part about the franchise, you won’t get any of it this time around.
“The Wolverine” did good business this weekend, but not nearly as great as everyone thought it would be. While it was tracking for a $70 million opening, it was only able to nab a $53.114 million opening. This opening should be attributed to the fact that the disappointing “X-Men Origins: Wolverine” disappointed many, so it kept some people away, and audiences are probably just fatigued of this superhero craze and all the explosions. (That makes me question how well “Kick-Ass 2” might do?) Since “Wolverine” did receive an ‘A-‘ Cinemascore, that should say it’ll have good legs. More good news: It’s already earned back its $120-million budget with its $139.2M worldwide tally.
As for the holdovers, “The Conjuring” continues to scare everyone as it had a drop of -46.9% to $22.2 million. That is a great hold for a horror film, where they traditionally face drops over 50%. (“The Purge” faced a drop of 76%!) “Turbo” also held well, dropping 35.5% to $13.74 million. Its box office performance will be thrown off pace when “The Smurfs 2” gets released on Wednesday, and it will be killed by the competition of “Planes”, come August 9th. It’s a very competitive market for animated movies, as “Despicable Me 2” is still going strong with a weekend gross of $16.4 million. “Grown Ups 2” was also in the Top 5 this weekend with $11.6 million, and it’s the 14th Adam Sandler movie to gross over $100 million. That isn’t exactly music to my ears, since I have such a low opinion of “GU2.”
“Fruitvale Station” found its way into the Top 10 with $4.59 million this weekend. “The Way, Way Back” earned $3.44 million and Woody Allen’s “Blue Jasmine” made $612, 064 at just six theatres, marking a career best Per Theatre Average for Woody Allen, and the best PTA of the year so far. Finally, “The To-Do List” grossed a miniature $1.58 million at 591 theatres, which is surprising considering I’ve basically seen the trailer before every comedy I’ve seen for the past month.
What did you all see this weekend? I didn’t get out to the theatre (well, I did last Thursday to see “White House Down”) this weekend, but I’m planning to see “The Way, Way Back” and “Much Ado About Nothing” this week. Maybe “2 Guns” on the weekend. I won’t be seeing “The Smurfs 2.” I just couldn’t take it. I’ll see what happens. I’m thinking of going through a comedian’s full filmography throughout the first half of August and posting the reviews throughout the second half. I’ll make an announcement post soon, but in the meantime, you’ll have to wonder who the comedian is. (Note: Half of their filmography is torture, and half of it I like. So I’m watching half of the comedian’s filmography for your entertainment, and half of it for mine.) Anyway, here’s how much I was off by for each movie in the Top 10:
1. The Wolverine: $53.114M/$69.825M/$16.711M over
2. The Conjuring: $22.208M/$24.258M/$2.05M over
3. Despicable Me 2: $16.424M/$16.2M/$224, 000 under
4. Turbo: $13.74M/$13.5M/$240, 000 under
5. Grown Ups 2: $11.6M/$10M/$1.6M under
6. Red 2: $9.337M/$12.5M/$3.163M over
7. Pacific Rim: $7.703M/$7.8M/$97, 000 over
8. The Heat: $6.915M/$5.6M/$1.315M under
9. R.I.P.D.: $6.071M/5.5M/$571, 000 under
10. Fruitvale Station: $4.59M/$5.2M/$610, 000 over
For the one new release, I was off by $16.711 million. For the nine holdovers, I was off by $9.87 million.
Remember to get your predictions in at Box Office Ace! You can get your prediction in for 2 Guns here, and your prediction for The Smurfs 2 here.
Hi everyone, this is my post for the movies I’m most anticipating this month. I’m going to leave out the ones I’m not anticipating (but will be seeing), because who wants to write a paragraph about a movie they’re not particularly passionate about? (I’m talking about you, GROWN UPS 2.) I’ll be writing reviews about those said movies, but that’s for another day – and I love writing reviews. So, that’s good, then. I’ll start with a few thoughts on the movies I can wait for, but I am looking forward to watching.
Fruitvale Station (7/12)
Plot: The true story of Oscar, a 22-year-old Bay Area resident, who crosses paths with friends, enemies, family, and strangers on the last day of 2008.
I like a good bio pic and a good emotional drama, so I’m intrigued by this. It also has critics raving, so I’m hoping it’s good. I thought Michael B. Jordan is great in CHRONICLE, and I like Octavia Spencer in just about anything.
Red 2 (7/19)
Plot: Retired black-ops CIA agent Frank Moses reunites his unlikely team of elite operatives for a global quest to track down a missing portable nuclear device.
I can mostly wait for this one because I haven’t seen the first. I own it, so I’ll watch that this week or next or something, and then maybe I’ll be a bit more excited about this one. I love a good crime comedy, and the cast intrigues me.
Plot: A recently slain cop joins a team of undead police officers working for the Rest in Peace Department and tries to find the man who murdered him.
I don’t know if this will be a box office hit – but it does look very amusing. I love the first and third MIB movies, so I’m pretty intrigued by this. It looks fun, and Jeff Bridges has many great one-liners in the trailer.
The To Do List (7/26)
Plot: Feeling pressured to become more sexually experienced before she goes to college, Brandy Clark makes a list of things to accomplish before hitting campus in the fall.
This looks like a predictable comedy, but it does look very funny. I like EASY A a lot, and this seems to have similar awkward humour. I’m curious to see how Aubrey Plaza will do in her first leading lady role. (I’ve seen a few episodes of TV’s PARKS AND RECREATION and it’s just hilarious.) There are some real laugh-out loud moments in the trailer, especially Clark Gregg’s thoughts on taking the back door.
Plot: A freak accident might just help an everyday garden snail achieve his biggest dream: winning the Indy 500.
I like the voice cast and the simple thought of Ken Jeong voicing a little Asian grandma makes me giggle. This looks like DreamWorks Animation’s answer to CARS and FAST & FURIOUS, and maybe even RATATOUILLE (instead of rats and cooking, it’s snails and racing). I think the idea’s just as silly as Stuart Little playing soccer, I mean, this little snail is probably going to get run over. I think I’ll enjoy the movie a lot, regardless.
The Wolverine (7/26)
Plot: Wolverine makes a voyage to modern-day Japan, where he encounters an enemy from his past that will impact on his future.
This looks pretty cool. I’m not huge on superhero movies, but I do enjoy the X-MEN movies. I’ll have to have a marathon soon to pump up for this one a bit more. It looks good, but it could be so much better if Darren Aronofsky really did end up directing it. I guess I’m really just hoping it’s better than X-MEN ORIGINS: WOLVERINE.
Now these are the ones I’m really excited for.
5. Pacific Rim (7/12)
Plot: When an alien attack threatens the Earth’s existence, giant robots piloted by humans are deployed to fight off the menace.
I think this looks awesome. I haven’t seen any GODZILLA movies, but I like a good monster movie. And, this is monsters AND robots. Whoa. It sounds like it could be everything BATTLESHIP and TRANSFORMERS aspired to be. Lots of fun, and well-made. And Del Toro is at the helm! I might have to re-watch CLOVERFIELD and find a GODZILLA movie online this week to get a bit more excited. It seems action-packed, and frankly, I want to see the movie right now, and not just the trailer. But I don’t think I’ll ever get tired of hearing Idris Elba shout, “Today we are cancelling the apocalypse!”
4. Only God Forgives (7/19)
Plot: Julian, a drug-smuggler thriving in Bangkok’s criminal underworld, sees his life get even more complicated when his mother compels him to find and kill whoever is responsible for his brother’s recent death.
I love Ryan Gosling and the director, Nicholas Winding Refn, and DRIVE is one of my favourite movies of 2011. The story intrigues me, as well. While critics haven’t exactly been praising the movie, I think it could be pretty awesome. It might be wavering my expectations ever-so-slightly, but I’m still really looking forward to it.
3. The Conjuring (7/19)
Plot: Paranormal investigators Ed and Lorraine Warren work to help a family terrorized by a dark presence in their farmhouse. Forced to confront a powerful entity, the Warrens find themselves caught in the most terrifying case of their lives.
I think James Wan is a fantastic director. I’ll have to watch INSIDIOUS to get a vibe of his atmospheric haunting flicks, though. This looks absolutely terrifying, and while I’ll probably be watching the movie through the my fingers, I can hardly wait. Vera Farmiga is great, too. The trailer creeps the hell out of me, and I love it. The true story edge is even spookier – so, I just want it to be July 19 already. It would be great if this will birth a Warren files franchise.
2. The Way, Way Back (7/5)
Plot: 14-year-old Duncan’s summer vacation with his mother, her overbearing boyfriend, and his daughter. Having a rough time fitting in, Duncan finds an unexpected friend in Owen, manager of the Water Wizz water park.
I love a good coming-of-age tale. THE PERKS OF BEING A WALLFLOWER is my second-favourite movie of 2012. And THE DESCENDANTS is one of my favourite movies of 2011. Two of the Oscar-winning writers from that movie (Nat Faxon, supporting actor in most of the Broken Lizard movies, and Jim Rash, the Dean on TV’s COMMUNITY) co-write and direct this one. I love the cast so much. Steve Carrell as a major jerk, Sam Rockwell, Rash in a supporting role, AnnaSophia Robb, and Rob Corddry, Toni Colette and Allison Janney. Suffice to say, it sounds amazing – and I can hardly wait for this to come to my city.
1. Despicable Me 2(7/3)
Plot: Gru is recruited by the Anti-Villain League to help deal with a powerful new super criminal.
I love the original DESPICABLE ME 2. This sequel looks amazing and hilarious. I can hardly wait for it. I love Gru and the minions, and I think this will be a real winner with a lot of heart and some great action. And new villains, of course. This is not only my most anticipated movie of July – but it’s probably my most anticipated movie of the year. (But, I’ll have to make a list to see if that’s true. I might be a bit more excited for KICK-ASS 2.) I can’t wait to have a second helping of the minion madness, though. Anything under a score of 75 will be disappointing. I hope this is in the same league as the first.