The Incredibles (2004)

The Incredibles

IMDb

Released: November 5, 2004. Starring: Craig T. Nelson, Holly Hunter, Samuel L. Jackson. Directed by: Brad Bird. Runtime: 1h, 55 min.

In Metroville, superheroes are forced into retirement by the government after getting hit with lawsuits, and the supers promise to refrain from superhero work. Effectively, this makes their secret identities their only identities.

For Bob Parr/Mr. Incredible (Craig T. Nelson), not being a superhero is a big ask. 15 years after supers are forced into hiding, Bob works in insurance claims by day and hangs out with Lucius Best/Frozone (Samuel L. Jackson) at night, listening to police scanners. Since he can’t be heroic as Mr. Incredible, the cinematography makes his days look dark and depressing.

When he’s given an assignment by a mysterious person to be heroic on a remote island, everything’s brighter. After this, he and his family are forced into super action – including wife Helen/Elastigirl (Holly Hunter) and their kids Violet (Sarah Vowell) and Dash (Spencer Fox), as baby Jack Jack stays at home with a babysitter.

“The Incredibles” is about a family that must hide their powers – Violet can go invisible and make forcefields and Dash can move at super speeds – but otherwise they’re an average family. Helen and Bob even parent differently like normal families.

Bob says that their powers make them special; Helen wants them to know their powers aren’t the only thing that make them special. They’re mostly on the same page – except in a moment that should be punishment for Dash after he puts a thumbtack on his teacher’s chair, Bob’s just excited that Dash was going too fast to be seen on camera.

The Incredibles (pic)

Dash, Violet, Bob and Helen in The Incredibles. (IMDb)

While embracing who you are is an important theme, family’s the most prominent one. One of the film’s coolest moments is when the Parr’s stand together as The Incredibles for the first time, ready to fight the villains as a family. And that moment especially set to Michael Giacchino’s score makes it feel so awesome, and the score is great throughout.

The villain himself, Syndrome (Jason Lee), is well-written by writer/director Brad Bird. Syndrome is a rich guy who creates his own powers by creating gadgets and weapons and his backstory of desperately wanting to be a hero and facing rejection put him on his supervillain path.

The screenplay’s one of the film’s strongest suits as everything flows so well throughout. The lesson that Bob has to learn that being a hero isn’t the most important thing, and that he can be a hero by being a father, is also insightful. Everything’s top-notch here from the dialogue, humour, great characters and action scenes. Bird just brings it to life in such an amazing way.

Bird has some funny comments about villains in general, one of which is an observation on drawn out villain monologues when they could defeat the hero at any moment. “The guy has me on a platter and he won’t shut up!” says Lucius. Bird also voices scene-stealing fashion designer Edna E. Mode, who designs super suits, and her bit about “no capes” is one of the film’s funniest moments.

Score: 100/100

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Ocean’s Eight (2018)

Released: June 8, 2018. Starring: Sandra Bullock, Cate Blanchett, Anne Hathaway. Directed by: Gary Ross. Runtime: 1h 50 min.

Midway through “Ocean’s Eight”, the spin-off of the “Ocean’s” trilogy, Debbie Ocean (Sandra Bullock) tells Lou (Cate Blanchett) that there’s no room for men in this heist. “I don’t want a him,” says Debbie. “A him gets noticed. A her gets ignored.”

This all-female led cast isn’t one to be ignored. Sandra Bullock stars as Debbie Ocean, Danny’s sister, and the movie starts with her in a parole meeting – the same opening as 2001’s Ocean’s Eleven.” She gets released and with the help of Lou, they round up a team for a heist.

This includes Tammy (Sarah Paulson), the hacker Nine Ball (Rihanna), fashion designer Rose (Helena Bonham Carter), jeweler Amita (Mindy Kaling) and pick-pocketer Constance (Awkwafina). Debbie wants do this job because stealing is her talent – established by clever little after she’s out of jail. She tells a guard: “I have forty-five dollars, I can go anywhere.”

The heist is at New York City’s annual Met Gala, and the target’s a diamond necklace called the Toussaint, valued at $150 million, which will be worn by Daphne Kruger (Anne Hathaway).

Hathaway’s fun in the role, playing an exaggerated version of herself, shown best during a fashion-related panic attack. I’m glad the franchise kept that meta sense of humour, even if it’s not as obvious as the scene in “Ocean’s Twelvewhen Julia Roberts plays Tess Ocean pretending to be Julia Roberts.

Everyone’s performances in “Ocean’s Eight” are stronger than their characters. They’re basic characters and Debbie has the most development. Helena Bonham Carter is quirky and entertaining as the Irish fashion designer Rose.

Ocean's eight pic

Sarah Paulson, Sandra Bullock and Rihanna in Ocean’s Eight. (IMDb)

Rihanna’s also great as Nine Ball. Her hacks are clever, and I love that her computer mouse is a nine ball (pictured above). Cate Blanchett and Sarah Paulson are charming, and both Awkwafina and Mindy Kaling are amusing. James Corden is among the only male talent and appears in the third act and makes things livelier, and he’s good for a few laughs.

It’s difficult for this film to avoid comparisons to the original trilogy. Steven Soderbergh brought so much style to his trilogy and to the heist genre. In comparison, this is flat, especially during the setup.

Without any great characters here, the cast mainly kept me interested. It’s entertaining enough on its own but it doesn’t have much style under Gary Ross’s direction. Style only shows up on the night of the Met Gala with all of its glitz, glamour and celebrities.

I like how writers Ross and Olivia Milch make the characters steal something off the neck of someone instead of them having to figure out how to get inside a vault to steal the necklace. There’s creativity in the plot and the implementation of the Met Gala plan is decent fun, even if the suspense doesn’t come close to any of the originals.

Score: 65/100

 

 

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Ocean’s Thirteen (2007)

Ocean’s Thirteen. Released: June 8, 2007. Starring: George Clooney, Brad Pitt, Matt Damon. Directed by: Steven Soderbergh. Runtime: 2h 2 min.

In “Ocean’s Thirteen”, Ocean’s team returns to Vegas when a sleazy casino owner Willy Bank (Al Pacino) double-crosses Reuben (Elliot Gould). The crew plan to get a bit of revenge for by sabotaging Bank’s grand opening of his hotel and casino, called “The Bank.” You can already see the huge ego on this guy, which Pacino plays very believably.

Writers (Brian Koppelman and David Levien) tinker with the formula by having this be more like a sabotage film than a heist film. This had me confused at times because I wondered where the monetary gain was here, but their plot is more for the satisfaction of taking down a bad guy rather than getting a lot money this time. Though, it’s nice they’re back in Vegas because this is where they shine.

They do so in rigging the games in the casino for massive payouts, and the way they go about this is clever and entertaining. The way they solve problems like the Greco player tracker coming to the casino, which monitors all games on the floor to see if wins are legitimate, is well-done.

Don Cheadle Thirteen

Don Cheadle in Ocean’s Thirteen. (IMDb)

It’s also equally rewarding watching the Eleven try to screw Bank over as it was watching them steal from Benedict (Andy Garcia) in the first film. Even though the film isn’t as much a heist film this time, it still has the stylish set-up of how they’ll sabotage the casino and it’s still really entertaining, even if it’s not as great as the first outing.

The characters are still interesting, even though any significant female presence isn’t here this time. Both Julia Roberts and Catherine Zeta-Jones don’t return because there wouldn’t have been any significant role written for them in the script.

Their absence in the film is explained by Rusty (Pitt) and Danny (Clooney) saying it’s not their fight. Because of this there’s only memorable female character, Abigail Sponder (Ellen Barkin), who is Bank’s right-hand woman. With the lack of females in this one, it’s no wonder they went for a female-led spin-off.

Score: 70/100

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Ocean’s Twelve (2004)

Ocean’s Twelve. Released: December 10, 2004. Starring: George Clooney, Brad Pitt, Julia Roberts. Directed by: Steven Soderbergh. Runtime: 2h 5 min.

Spoiler warning: There’s a spoiler for “Ocean’s Eleven” in the opening paragraph. 

In “Ocean’s Twelve”, the old squad reunites to do one more heist when Terry Benedict (Andy Garcia) comes back for what they stole from him in the first film. It’s three years later and he wants the money back with interest. Without much of a choice, the Eleven must do what they do best: steal things to pay off their debt.

A new character here is Catherine Zeta-Jones as a detective, Isabel, on the tail of the Eleven. She also gets nice character moments and doesn’t feel cliché, even though she’s a love interest of Rusty (Brad Pitt).

She’s one of the film’s antagonists, and there’s also the Night Fox (Vincent Cassel), a rival thief who fancies himself the world’s best thief, and challenges Danny’s (George Clooney) team to stealing an item. The character sounds name sounds more like a comic book villain, but he’s just a petty thief.

The individual heists in this film are still entertaining even though they lack the flair of its predecessor. There are a lot more problems raised in this film but there are also a lot of interesting solutions.

Ocean's Twelve

Matt Damon, Brad Pitt and George Clooney in Ocean’s Twelve. (IMDB)

The fact that the franchise exists in the real world with real celebrities gives comedic opportunity for writer George Nolfi. This includes an amusing cameo by Topher Grace, and it also makes things get really fun when Tess (Julia Roberts) gets dragged into the film’s scheme.

Most characters get their chances to shine again. Nolfi thinks of creative ways to get characters out of the picture for some time – like sending Yen (Shaobo Qin) somewhere else in a duffle bag, even though his character’s role is small enough as he just speaks Chinese.

Sometimes getting these characters out of the way for awhile is helpful because it’s hard to keep track of all of them. It’s also interesting to watch the Nolfi tinker with the formula more and see how it works outside of Vegas. It still works and offers entertainment, and it’s nice to see them stealing things again.

Score: 70/100

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Ocean’s Eleven (2001)

Ocean’s Eleven. Released: December 7, 2001. Starring: George Clooney, Brad Pitt, Julia Roberts. Directed by: Steven Soderbergh. Runtime: 1h 56 min.

With Ocean’s Eight releasing on Friday, I thought I’d review the trilogy, which starts with 2001’s “Ocean’s Eleven” based on a 1960 Rat Pack film of the same name.

When Danny Ocean (George Clooney) is released from prison, he immediately gets a crew together to rob three Las Vegas casinos simultaneously.

Steven Soderbergh’s style is what helps make this film so much fun. The writing by Ted Griffin is also stellar and the way he introduces the members of the Ocean’s Eleven is so great and it tells you all you need to know about them.

This is best shown in the scene when we meet twin brothers Virgil (Casey Affleck) and Turk (Scott Caan) Malloy as they’re bored passing time and Turk runs over Virgil’s small remote-control monster truck while Turk races it in a giant monster truck. Their banter’s one of the consistently funny things in the franchise.

The montage-like explanation of how they’re going to execute the heist is also entertaining. The team of characters and the cast is great and everyone plays their roles well. Rusty Ryan (Brad Pitt) is Ocean’s sidekick and helps recruit the team. His banter with Ocean is strong. Julia Roberts is also great as Danny’s ex-wife, Tess.

Rounding out the eleven include sleight of hand guy Linus Caldwell (Matt Damon), insider blackjack dealer Frank (Bernie Mac), tech guy Livingston Dell (Eddie Jemison), grease man Yen (Shaobo Qin), master of disguise Saul Bloom (Carl Reiner) and explosives guy Basher (Don Cheadle).

There’s also Reuben (Elliot Gould) who bankrolls the heist because of a vendetta against casino owner Terry Benedict (Andy Garcia), the man they plan to steal from. They plan to steal $150 million on a busy casino night from his vault.

Ocean's Eleven

Matt Damon, Casey Affleck, Eddie Jemison, Scott Caan, Carl Reiner, Shaobo Qin, Don Cheadle in Ocean’s Eleven. (IMDb)

We find out how they want to get in but Reuben points out it’s really an impossible heist because the hardest part is getting out. “Once you’re out the front door you’re still in the middle of the fucking desert,” he says. Gould’s a delight, here, especially when he does his recap of the most successful casino robberies (still colossal failures). He’s funny, and in these cutscenes is a spot where Soderbergh’s style and cinematography shine through.

During the leadup and during the heist, the writing’s really smart because we as the audience aren’t always in on the plan and it’s fun to see how they do what they do. It makes it more entertaining.

What works best for the film besides its editing, score and great direction is that all of the actors have a flawless chemistry. There’s amusing banter between all of them. It helps that their characters are well-written, too, and there’s a believable hostility between Ocean and ex-wife Tess.

It’s hard not to be entertained by this. I mean, I watched this over two years ago and I was still on the edge of my seat and thoroughly entertained because I only vaguely remembered what the twists and turns were. However, that just might be an ode to my bad memory.

Score: 88/100

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Adrift (2018)

Adrift. Released: June 1, 2018. Directed by: Baltasar Kormákur. Starring: Shailene Woodley, Sam Claflin, the Ocean. Runtime: 1h 36 min.

“Adrift” is a lost-at-sea survival drama based on a true story, a welcome change of pace of summer survival movies after survival against sharks the past two summers (“The Shallows” and “47 Meters Down” respectively).

Characters still fight for survival, but a shark isn’t an obstacle. Instead, Tami Oldham (Shailene Woodley, also producing) and Richard Sharp (Sam Claflin) deal with the aftermath of being caught in a Category 4 hurricane.

We’re put into the story right when Tami wakes up after the hurricane. The screenplay takes us between survival drama and romance as we’re told their story through flashbacks. The jumps back in time sometimes span multiple scenes, and as the film advances there are shorter scenes as the timeline catches up to the present, where Tami and Richard are “adrift” in the Pacific Ocean.

The transitions are creative. There’s a scene where Tami sails Richard’s sailboat, the Mayaluga, for the first time and she shouts in excitement. It’s a moment of euphoria that switches to distress as it slams forward in time as Tami shouts for Richard, unable to find him. The story structure helps for pacing. Though, it takes a while for the hurricane scene to actually happen –it’s great when it comes, especially because of the immersive sound design.

The constant switch between the two genres helps it feel diverse, as too many consecutive scenes of the survival portion and it starts to feel flat. The scenes of romance between the two adventurous characters is also nice because Woodley and Claflin have a nice chemistry. There a lot of sweet flashback scenes, and there are also pretty moments on the boat before all hell breaks loose.

We don’t get to know a lot about Tami before she sets sail other than she and Richard like sailing, she’s traveling the world and is a free spirit who doesn’t want to go home. Shailene Woodley’s consistently good and that’s no different here. She plays romantic very well and makes those scenes feel sincere. After the hurricane hits, we learn the character’s resourceful and it’s great watching Woodley get into the psyche of survival. She plays the moments of strength, as well as heartbreaking moments of vulnerability, really well.

Adrift featured

Sam Claflin and Shailene Woodley in Adrift. (IMDB)

Sam Claflin is good, too, but he has so much more to do during the romantic part of the film and doesn’t do much during the survival because of his injuries. His performance will frequently be an afterthought to Woodley.

There are a few surprises in the story, which is nice, and while it sometimes feels derivative of other survival movies, it’s very much fueled by the strong connection between the characters. It’s a faithfully adapted screenplay written by twin screenwriters Aaron and Jordan Kendall (part of the writing team on Pixar’s “Moana”), who wrote it with Woodley in mind to star. Writer David Branson Smith (“Ingrid Goes West”) also joined as a writer later.

The film’s directed by Baltasar Kormákur, returning to the survival genre after 2015’s “Everest,” and it’s a good return to the genre. He gets great performances from his primary cast, and there aren’t many other principal cast members to direct. The only ones important to the story include an older couple, Peter (Jeffrey Thomas) and Christine (Elizabeth Hawthorne). They give Tami and Richard $10,000 to sail their yacht back to California, and are the reason why the couple cross paths with the hurricane.

Partly due to the lack of supporting cast, Kormákur easily makes the Ocean feel like the film’s third star. This is also assisted by the amazing cinematography by Oscar winner Robert Richardson (“Hugo,” “The Aviator”, “JFK”) who captures the scope of the direness of the characters’ situation. He makes every scene look beautiful, and that more than makes up for where the film lacks in non-stop tension.

Score: 75/100

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When the Bough Breaks (2016)

Released: September 9, 2016. Directed by: Jon Cassar. Starring: Morris Chestnut, Regina Hall, Jaz Sinclair. Runtime: 1h 47 min. 

When the Bough Breaks, Screen Gems’ third September thriller with stalker, manages to be almost memorable because it’s so awful and such a poorly executed Fatal Attraction knockoff.

John and Laura Taylor (Morris Chestnut and Regina Hall) have realized they can’t have a baby after Laura’s had three miscarriages, so they decide to hire a surrogate mother. They find the seemingly perfect candidate in Anna Walsh (Jaz Sinclair). After moving into their guest house, she eventually becomes obsessed with John and interferes with his personal and professional life.

She asks inappropriate questions but of course, John doesn’t say anything. This whole situation could be avoided if he would just tell Laura that Anna’s being a creep and trying to seduce him. It becomes a stranger situation because she has their baby in utero and it threatens to become a hostage situation – legally, it’s her baby – so that’s a way it offers a fresh turn on the Fatal Attraction plot. Unfortunately, that’s where any originality begins and ends.

You’ve seen every twist and turn before and it unfolds in an unsurprising way. The writing’s basic from first-time writer Jack Olsen. Morris Chestnut’s John is an ambitious lawyer who loves his wife and doesn’t want to cheat. Hall’s Laura is a traveling chef or something, and she really wants to start a family. The two stars try their best in one-dimensional roles, and they deserve better.

Jaz Sinclair is the nutty Anna and she’s given the most to work with as the over-the-top stalker. She’s whiny and bratty, and Sinclair plays the bratty side believably but it’s unintentionally hilarious when tries to be totally crazy.

Jaz Sinclair, Morris Chestnut

Jaz Sinclair and Morris Chestnut in When the Bough Breaks. (Source)

She’s silliest and most over-the-top hilarious when she screams and flails her hands in a fit in her car, which makes her looks like a pre-teen brat throwing a temper tantrum. The tantrum could be a clip from the MTV show My Super Sweet 16 because the birthday girl didn’t get the car they wanted.

The performance is not good. When she’s told to be innocent, she just smiles excessively and is annoyingly cutesy. At one point she watches John and Laura kissing, and it’s creepy and robotic –  it’s like she doesn’t quite know what they’re doing. It’s awkward.

In all fairness, the character’s just awful. There is a gem of a scene under the dreck where Anna sings “Rock-a-bye-Baby” in the bathtub. She attempts to be menacing (it doesn’t work), as she cuts her leg with a razor blade. Its presence is so random that it enters unintentional hilarity, and the scene only seems to serve to establish where the film gets its name. It really is unfortunate director Jon Cassar just didn’t make this a stalker comedy.

It’s baffling this is billed as a horror film, because there’s nothing scary about it and the writing and Cassar aren’t able to conjure up any kind-of suspense. Its PG-13 rating also makes it incredibly tame. Nudity is avoided when John watches a video of Anna on his computer and before she can disrobe, he hastily shuts his laptop in the nick of time. No nudity, no gore, no scares: No entertainment.

Score: 25/100

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